“Transmutation” which also features Enzo, is a striking exploration at the intercession of Darkwave, EBM, Gothic, and Industrial soundscapes.
The new track pushes the boundaries of human-machine tension.
“Transmutation” delves deep into the paradox of progress: The song (and video) describes the race between technology created by humans for humans and the technology turning against them. Humanity risks losing the race.
This lyrical tension is amplified through layers of haun6ng synthesizers, driving industrial beats, and Enzo’s evocative vocals: a voice already familiar to Manufracture Music fans from standout performances on “Ghosts” and two tracks from the debut album “Fractured Empires.”
Stream “Transmutation” by Manufracture Music ft Valerian Steel and Enzo
Warri-born Afro-fusion poet and prophetic voice Boss Elnath returns with a bold sonic declaration, “Gbedu,” under the HeartScript Sound imprint.
Known for his fearless lyricism and spiritual street poetry, Boss Elnath continues his movement of truth-telling through rhythm and revelation.
The piece fuses spoken word intensity with Afrobeats soul. Each line lands like thunder wrapped in melody — challenging falsehood, celebrating divine resilience, and igniting a sense of higher awareness in listeners.
In Elnath’s own words:”The rhythm of truth can’t be faked.”
“Gbedu” embodies that message — a reminder that authenticity rings louder than industry noise, and that true rhythm is born from revelation, not repetition.
With an Afro House touch,deep rhythms, and soaring melodies, DJ Frisbee channels the raw energy of House and Afro-inspired electronic music into a track that is both club- ready and socially resonant.
“This song is about breaking barriers, finding your voice, and standing up for what you believe in. I wanted to create something that feels smooth on the dancefloor but also empowering in real life,” says DJ Frisbee.
Inspired by his journey and passion for music, Hold On reflects themes of resilience and hope, delivered through authentic vocals and heartfelt lyrics.
“This song represents my belief in staying strong and holding on to hope during tough times,” Fredio Scott shared. “I’m excited to share my sound with the world and bring something new to Afropop.”
It fuses the trance-like textures of dreamy electronica with the iconic, skittering production style of Timbaland and the energetic bounce of The Black Eyed Peas. Built on a foundation of Drum & Bass rhythms, “Final Frontier” is a hypnotic, genre-bending ride
French producer Wotsizface has released the second single of his career, “Flashback”, a euphoric jungle banger with glitched-out grime vocals and a pounding bass line.
The track continues his efforts to combine cinematic emotion with the raw punk energy of jungle’s DIY roots – modern production infused with the unfiltered sensibilities of the 90s rave scene.
Nigerian Afro-fusion artist ONUUH has released his latest single, “PLAYER,” a smooth, infectious anthem that blends rhythm, confidence and emotional depth into a world-class sonic experience.
Over sultry Afrobeats drums and layered melodies,ONUUH delivers lyrics that balance charm and introspection, showing that even in the game of hearts, there’s more to the story than meets the eye.
“‘PLAYER’ is about knowing your worth,” says ONUUH.
“It’s about energy, confidence, and the truth that not everyone who plays is playing games.”
With a title meaning “Save Me” in his native tongue, “MUMIGBA” stands as an anthem
of hope and perseverance for a generation finding strength in struggle.
Driven by rich percussion, heartfelt vocals, and authentic African instrumentation, ONUUH paints a vivid picture of resilience — a message both personal and universal.
“I wanted to speak to everyone who’s fighting silent battles,” says ONUUH. “MUMIGBA is a reminder that your story isn’t over yet.”
Produced by Onuuh, Psalmist and DOZ, the song fuses traditional African rhythms with modern Afrobeat energy, creating a timeless sound that honors both heritage and innovation.
Kenyan singer-songwriter Lucinia Karrey has a new single “Bounty Hunter”, partnering a propulsive Afrofusion beat with an anthemic chorus, supercharged with her emotive flow.
After more than three decades behind the decks, ROBY EFFE, a 49-year-old DJ from Rovigo, Italy, steps into music production with “Euphoric Surrender” — a track that blends the elegance of deep house with the freshness of modern commercial sounds.
“I’ve always believed music could bring people together. With Euphoric Surrender, I wanted to capture that feeling when the sound takes you away and nothing else matters.”
With this track, ROBY EFFE hopes to channel over 30 years of experience as a club DJ into a sound that’s both authentic and current — a reflection of his deep connection with the dancefloor and its people.
With hard-hitting club anthems, smooth grooves, and lyrics rooted in real-life experience, the duo crafts an energy that’s both raw and global.
The title — a West African saying meaning ‘the truth always comes out’ — sets the tone for a project that’s authentic, danceable, and impossible to ignore.
Comprised of Gmgezeh from Nigeria, alongside Suwopp and Movie from Sierra Leone, they fuse cultural influences into a standout style. Since their 2021 debut, they’ve gained a loyal fan base with viral hits like “Too Fine” and “Fall In Luv,” amassing over 5 million streams.
They’ve also performed alongside Afrobeats stars like Ruger, Focalistic, Emmerson, King Promise, and Pheelz, cementing their place in the industry.
Berlin artist Jiggler has a new EP called Night Shades, released in September as Summer was slowly but surely coming to an end in the Western Hemisphere and the nights were getting longer again.
Jiggler is one half of former Bar 25 favourite Channel X.
The first track, “Night Shades”, which shares its name with the EP, captivates with its driving groove and wonderfully dreamy yet uplifting lead synth.
With the second original, “Voyager”, the journey through the night continues seamlessly, albeit in a more rousing and darker way. Jiggler is supported by a total of three artists with their own interpretations of the originals: Richard Elcox, the Scottish Berliner by choice, who was already playing around with his brother’s Korg MS-20 at the age of 11 and the well-known Matija and Contenance here in Zurich. The former has been part of the local scene for over three decades, the latter is well on his way to emulating Matija.
Stream Night Shades (Trust Your Emotions Remix)” by Jiggler Featuring Matija & Richard Elcox on Spotify
Kazakhstani artist Alik Ivanov has released a new “Friday”, a track that instantly immerses listeners in an euphoric, pulsating atmosphere of a Friday night.
It’s a blend of Indie Dance, Nu Disco, and Electronic Pop genres, infused with an infectious rhythm that is guaranteed to get everyone moving.
The track skillfully combines vintage synth sounds with modern, high-energy bass, creating the perfect soundtrack for late-night adventures and complete freedom.
“I used a purchased sample; the singer is from Zimbabwe, so I adapted my music to his voice
“Usaenda” is feel-good song with the right ingredients made for the dance floor.
Hakuna Patata has been making music for over 40 years and recorded songs in m a wide range of genres including Reggae, Dub, Funk, Soukous, African music, Dance, House, Cumbia, Surf, Rock, Samba, Bossa Nova and Latin Pop .
Nigerian Afrobeats artist Cruise Lord has teamed up with Decosuave for the explosive new single Your Papa, a fearless anthem that cuts through ego, privilege, and entitlement with razor-sharp energy.
The track takes aim at the arrogance of privilege, particularly the children of the elite who flaunt wealth built on corruption, while doubling as a universal statement for anyone tired of bullies hiding behind power.
“It’s not just about politics,” says Cruise Lord. “It’s about standing tall against anyone who thinks they’re untouchable. We flipped anger into rhythm and made it an anthem.”
American DJ Nerikomi has released his new single “Buru” a emotional Afro House track built around authentic East African vocal samples, organic percussion, and warm Rhodes chords recorded live.
The track which features American band Journey of theSoul, flows with atmospheric textures and expressive melodies, balancing light melancholy and inner peace.
Nerikomi’s music is inspired by Keinemusik, Maz, Antdot, Moblack, Samm, and Anja,
“This song is about leaving everything old behind and embracing the new things and energies in life,” says Sami. “It’s for everyone who’s stepping into a new phase in life.”
A part-time music video director, Sami shoots and directs all his videos and played the violin on “Go”
French Musician and composer Mark J SOLER has released a new single ‘Lazy Song’, a three-minute instrumental piece inspired by relaxing moments, conducive to inner thoughts, and of course Music as the conductor toward a form of ‘spirituality’.
“Lazy Song” was composed, played, and produced to sound like a slightly hypnotic jazz groove, deliberately laid back, like time stretching out over a solitary, quiet evening. The piano’s slightly off-sync phrasing aims to give a dreamy, drowsy sway, creating a psychedelic lounge atmosphere that’s both playful and disorienting.
“That was the intent in any case,” explains Mark. “With a simple melody to convey the introspective nature of such moment.
“Lazy Song” is part of a short EP, Walks, gathering three different styles of instrumental songs, all inspired by the ‘inner life’ idea, i.e. reproducing the world in thoughts, through Introspection, Solitude, Meditation… on Desires, Regrets, Acceptance, Nostalgia.. there are many aspects of it, making spirituality, Music being its natural language.
The second song in the EP is “Walking in the City”.
“Walking is known as one of the best remedies to evacuate dark thoughts and get back to a positive inner vision of the external world. I live near Paris. I walk a lot in the city that communicates its energy and beauty.”
The third title is called “Inner Life”, about prayer.
French artist Anantya returns with “Startup,” a futuristic electro track with influences from Daft Punk and Prodigy.
Composed with synths, the track marks his first collaboration with his brother Sunir. An immersive buildup of tension, mixing synthetic textures, chiseled rhythms, and retro DNA inspired by 90s video games.
With finely sculpted synthetic textures and a steadily rising intensity, Startup immerses the listener in the sonic universe of Anantya’s forthcoming album, Omega Cure — a project where each track unfolds as a self-contained soundscape of a transforming future.
Blending technological precision with raw emotion, Anantya delivers a striking debut
A San Francisco–based electronic music maker, has released their original album, “Constellation,” drawing from a blend of French Touch, Afro- house, and synthwave influences.
This release from Lansification is deeply influenced by the French Touch movement, with artists like Daft Punk, Air, and Polo&Pan inspiring the grooves, analog warmth, and retro- futurist spirit that permeate the tracks.
The album’s thematic core is shaped by the artist’s experience with dyslexia, channeling the disorder’s enhancement of auditory perception, spatial reasoning, and musical pattern recognition into a compelling musical journey.
“Constellation” stands out by offering a personal perspective on dyslexia’s impact on auditory perception, delivering a full sonic universe filled with groove swaps, beat switches, and cosmic layers that transport listeners on a unique auditory voyage.
Solid State Nothingness, a Music Project created by Portuguese artist Marcos Talamonti has released a new single “Woods”
The track explores the fusion of electronic downtempo beats, grooves and moods, with organic tunes, mostly middle or far east instruments.
“In “Woods” you can feel the depths of the Arabic oud sounds while moving with some trippy grooves, says Solid State Nothingness.It evoques feelings of freedom, travel and connection with the soul of the listener.”
At just eight years old, Amariah uses her God-given voice to shine light in a world that deeply needs hope.
She blends her African heritage from the Kuku Tribe of South Sudan with her upbringing in Mississippi, USA, creating a unique sound that resonates with families, churches, and believers across the globe.
The track now gains a fresh sonic identity, blending Afro House and Deep Pop elements that bring both emotion and energy to a generation connected to the dance floor and streaming culture.
With refined production and an elegant electronic atmosphere, the remix preserves the nostalgic essence of the original while transporting the listener into a modern and cinematic soundscape.
“I wanted to recreate a feeling of time and emotion, but with dancefloor energy. ‘Time After Time’ is about connection and constancy — themes that never fade,” says SidekoDJ.
In this reinterpretation, the track takes on a modern and Electropop feel, featuring precise beats, emotional vocals, and production that blends sensuality with dancefloor energy.
The new version gives the song a fresh electronic dimension, turning its emotional core into a vibrant club experience.
German artist and producer, Sven Exner, has just released an anthem titled “Rise for Africa!” that not only celebrates the spirit of the Africa Cup of Nations but also the unity, pride, and love for Africa that transcends borders.
Inspired by Sven’s recent trip to Nairobi, Kenya,the song captures the electric atmosphere of anticipation surrounding the event and emphasizes the bond that sport brings to the people of Africa, even for those nations not directly competing.
With a chorus that chants, “Ayé Africa – raise your voice, feel the fire!” the song embodies the relentless energy, pride, and unity that come with the love for football and the continent itself. Through a fusion of English and French lyrics, Sven Exner connects a diverse audience, evoking a sense of shared identity and hope.
The song opens with a stirring call-and-response from a crowd, instantly setting a celebratory tone, before moving into its anthemic verses that speak of ambition, dreams, and the fiery hearts of Africans everywhere. The lyrics reflect the journey from humble beginnings to a future filled with glory, where the beautiful game unites people from all walks of life.
Sven Exner, who wrote and produced the track, explains, “When I visited Kenya earlier this year, I felt the intensity, the excitement, and the collective pride around the Africa Cup. Although Kenya wasn’t in the tournament, the love and passion for African football were so evident. It’s that spirit of unity and pride that I wanted to capture in this song.”
The track blends sharp lyricism, infectious melodies, and a fresh Afrofusion-meets-hip hop sound that is already generating buzz in the region’s music scene.
On the track, Medskolar delivers the bars, El King brings a captivating vocal edge, and Mars On The Beat ties it all together production that’s both futuristic and grounded in African rhythm.
“This track is about pushing boundaries and giving fans something they’ll never forget,” said Medskolar. “We wanted to make music that feels new but still connects deeply with our roots.” Producer Mars On The Beat added, “The energy in the studio was electric. Medskolar and El King brought their A-game, and together we built a sound that can resonate globally.”
Stream “Blowing My Mind” by Medskolar, El King and Mars On The Beat
With Crown & Altar, South African doctor, entrepreneur, and creative visionary Dr. Chad Marthinussen opens a new chapter in his passion project, Kings x Priests.
Where earlier works carried the driving energy of Afro-house and Amapiano, this record slows down. It breathes. It lingers. Built on Afrobeats, chill-wave textures, and intimate African rhythms, Crown & Altar still carries the pulse of the dancefloor — but with a gentler power, an energy that uplifts, heals, and praises.
“Born Again” the lead track on the album Crown and Altar is an intimate Afro beats /Fusion / chill wave project with a core theme of spirituality.
As part of our About to Blow series we will be highlighting talented creatives in our Afrobeats Head community who are igniting the scene and poised for stardom.
For the first edition I spoke to Slay Papa, an artist who’s childhood dream as a devout Catholic was to become a priest but by divine intervention ended up studying Theater Arts at the University of Benin.
“My secondary school was a minor seminary,” he tells me over the phone.
“I believed it was Gods plan for me but I wrote a letter to a letter to Claritians about attending a major seminary after secondary school and they never got back to me. Then I became anxious about getting into university.
“During Benediction, whenever the monstrance was raised I would pray to God to help me get into university if it was his will. And if not, let me get into a major seminary.
A real lover boy, the Ibadan-native got his stage name thanks to his popularity with the girls in a neighboring secondary school.
“My friend Clement TYB and I used to pay 300 Naira record love songs at a studio close to our school and sent them to the girls in another school. I had a lot of female friends on Facebook so my friends called me Slay King and later I became Slay Papa
His dilemma meant that he was the last of his classmates to register for the UME exams but was surprisingly the first to be accepted into the university.
While in school his music took a back seat and until he graduated in 2024 when he released his song “Sport” inspired by Asake’s “Skating” off his Lungu Boy album
“I wrote it on a trip to Abeokuta. My friend Jumabee invited me and I just spent a lot of time checking out beats on YouTube till I found the perfect one.
“It’s a reminder to myself that I need to keep moving forward in life. I can’t be stagnant. Just like Asake in “Skating”
Slay Papa and Jumabee are also working on a new song to be released “soon”
Slay Papa’s Top Three:
Influences: Wizkid, Asake and Shallipopi
Dream collaborations: Wizkid, Asake and Shallipopi
Dream venues to perform in: The 02, The Royal Albert Hall and The Wembley Stadium
Slay Papa and is confident that his music will change his life
“My greatest wish is for my music to take me around the world.”
He also has a mantra which he lives by and emphasizes on all his songs.
Before we end the call he makes me promise to include it my article.
It’s the first single of the year from the Brooklyn native who’s been performing and presenting music shows since the days of New York’s legendary dance clubs.
As part of the rollout for his third album, Philadelphia-based artist RAUSCH has issued a solo piano covers series highlighting some of his key influences.
Artists represented in this round of single releases have included Queen, Pink Floyd, Guns N’Roses, and the darker side of Billy Joel.
This 9th and final installment pays tribute to the Prince of Darkness, Ozzy Osbourne.
“I think the reason Ozzy Osbourne’s death hit me as hard as it did (for someone I never met) is because, above all else, he always seemed real,” says RAUSCH.
“People have long pointed out a darkness in some of my songwriting – “owning it,” as my therapist likes to say! – and I’ve only recently realized that it’s Ozzy himself whose lyrical voice really helped pave the way for embracing such psychological sincerity through (my) music.”
He added: “Seems neither of us knew any other way – only difference is I’ve never bitten into a bat, snorted ants, or p*ssed on the Alamo…
“As for the Ozzy selection? I was really tempted to go with lesser-known near-and-dear-to-my-heart favorites (“Old L.A. Tonight,” or the late-career gem “Ordinary Man”), but truth be told, I do in this case feel just as deeply moved by that which is most widely known: “Mama, I’m Coming Home.”
Stream “Mama, I’m Coming Home” (Piano Instrumental ) by RAUSCH
After playing the guitar for several bands, Tali recently returned to his first love: the piano.
He started playing the piano in a 2015. unable to bring his guitar with him during to deployment to the Middle East, he had to improvise to maintain his commitment to creating music.
The track is a heartfelt Afro-pop ballad that captures the intensity of love through raw emotions, smooth vocals, and captivating melodies.
Speaking about the collaboration, Captain E shared: “This song is about finding someone who feels like home—someone who perfectly matches your energy. Naya brought an incredible depth to the track, and I couldn’t have asked for a better partner on this record.”
The Michigan native describes the song as a “fun little track where the inspiration came from the cheesy but soulful synths in 80’s movies that my oldest sister would watch on repeat”
The solo piano is a piece filled with softness, elegance, and refinement. Its three themes, with joyful and optimistic accents, unfold with both majesty and delicacy. At the crossroads of classical, jazz, and pop, this work remains very accessible to the ear while being rich in writing and structure.
The interplay of minor and major tonalities gives it a unique charm, a distinctive character, and a singular grace.
DJ Oluteo has shared his new single “Summer Speaker Test”, an amapiano single driven by deep log-drum grooves, jazzy piano lines, and melodic vocal hooks.
While rooted in Lagos, the production is shaped by collaborative efforts with South African beat-makers—bringing true cross-border flavor.
Driven by summer vibes and cinematic textures, the track evolved during studio sessions featuring SA producers. Oluteo says, “This is a celebration of connection—Lagos energy infused with the rhythm of South Africa.”
Born Ibukunoluwa Olutayo, DJ Oluteo is based in Lagos, but has built strong connections in South Africa’s emerging scene.
The night was everything fans expected bold, energetic, and unapologetically cultural. From the music, the Don Julio drinks, to the electric crowd, the event was a showcase of confidence and celebration, setting the tone for what an Afrobeats album launch should feel like.
Afrobeats artist Taves and music executive Bizzle Osikoya at BNXN’s album launch hosted by Don Julio
At the center of the experience was Don Julio, the world’s leading luxury tequila, raising the bar for how milestones are celebrated in Nigeria’s music scene. Guests sipped on signature Don Julio cocktails curated to match the rhythm and pulse of the night smooth, stylish, and full of energy. Each toast amplified the spirit of BNXN’s “Captain” persona, making The Captain’s favourite tequila the perfect match for a night defined by achievement and cultural pride.
Big Brother Naija Hermes at BNXN’s album launch hosted by Don Julio Tequila
The event brought together some of the biggest names in music and entertainment, all sharing in BNXN’s moment while experiencing Don Julio as more than just a drink it was the spirit that fueled the celebration.
“BNXN has carved out his place as a true captain of Afrobeats, and nights like this deserve to be celebrated in bold style,” said Ifeoma Agu, Group Head of Culture, Influencers & Advocacy, Diageo South, West & Central Africa. “Don Julio is built on the same foundation of craftsmanship and confidence, which is why it belongs at the heart of moments like this.”
BNXN parties at his Captain album launch hosted by Don Julio Tequila
With the BNXN Captain album launch, Don Julio showed once again why it’s becoming The Icon of Celebration present at the high points of culture, artistry, and success, and redefining how Africa toasts its brightest stars.
About Don Julio
Founded on the pursuit of perfection, Don Julio Tequila is the world’s most popular luxury tequila. The brand is committed to celebrating the intentional moments in life, honoring the legacy of its founder, Don Julio González, who began crafting the world’s first luxury tequila in 1942. Don Julio encourages consumers to drink responsibly.
The song explores the emotional aftermath of deep love, guiding listeners through a journey of heartbreak, self-discovery, and personal growth.
“Papa” is a heartfelt ode to resilience and transformation.
Born Olena Kim in Ukraine with Korean and Nigerian roots, The AYAMI reflects on past relationships through the song, embracing forgiveness and the lessons learned, while confidently stepping into a stronger, wiser version of herself.
“Papa is the first song where my soul truly speaks on its own, without fear or pressure” The AYAMI shares. “After years of emotional dependence and losing many projects, I finally took control, rebuilt myself, and chose to move forward. This track is not just music—it’s my declaration that nothing and no one will ever stop me again.”
DJ ARTO is known for fusing tribal chants, African guitars with high-impact percussive drops.
While Italian native Stéphane Salerno describes his music as “Vinyl soul meets digital groove” and includes elements of funk, deep house and Afro House music in his works.
South African artist Medskolar has released a new single “Motion” is a soulful blend of Hip Hop, Afrofusion, and R&B that captures the energy of resilience, love, and forward momentum.
Medskolar’s storytelling style fuses sharp lyricism with melodic rhythms, creating a track that speaks to both personal growth and universal connection.
“Motion” is more than a song; it’s an anthem for those pushing through challenges and chasing their own rhythm in life,” says Medskolar.
Inspired by the likes of Burna Boy, J. Cole, and Tems. Medskolar is an emerging voice redefining Afro-inspired hip hop — bold, reflective, and emotionally charged.
An improvised piano piece recorded in a single take in his Reykjavík studio, it’s the second of three tracks that will form The Chromatic Sessions EP.
“Red” is a partner piece to Gold — released in July — with a final chromatic track called “Blue” set to follow.
The theme of colours emerged organically during the process of writing and recording. “It wasn’t something pre-planned,” says Dustin, who has also been nominated for an Academy Award. “I was improvising on the piano every day, and I realised I was always thinking about colours as I wrote. When you have the mic set up and you’re recording, it puts you into deep focus. There’s something about that red light being on that really pulls you into the moment.”
O’Halloran has long experienced synaesthesia — a mingling of the senses that may sound familiar to many. It can be something as simple as a taste snapping us back to a place we’ve been, a familiar scent triggering a powerful emotional flashback, or — in Dustin’s case — a certain sound evoking the feeling of a colour.
“I believe that people are more synesthetic than they realise,” he says. “It’s something that you can tune into. All sensations are ultimately translated in the brain — and I think you can learn to connect different parts of those sensations together.”
Such connections are a theme that runs through The Chromatic Sessions — including the connection between Dustin and his audience. All of the Chromatic singles come with downloadable sheet music when bought on Bandcamp, allowing listeners to play the music themselves.
It’s a gesture born of O’Halloran’s wish to forge a closer relationship with his listeners.
“Releasing music digitally feels so distant and disconnected,” he says. “And I think we’re all looking for connection. When people get involved in playing the music, it becomes part of them in a different way. It becomes communal. It becomes theirs.”
The album recently debuted at number one on the iTunes UK R&B/Soul Albums chart and #18 on the UK HipHop/R&B Albums chart.
Tiwa Savage’s “This One Is Personal” debuts at #1 on the iTunes UK R&B/Soul Albums chart pic.twitter.com/jWt87PswZC
— Afrobeats Head Loves Timothee Ideh (@AfrobeatsHead) September 3, 2025
I’ve loved Tiwa Savage since I first watched the “Kele Kele Love” in my uncle’s living room in Abuja in 2011 so when her team reached out to ask if I’d like to attend the event I was like of course!
Kelele Love. Still remember the very first time I saw the video. MTV Base or Trace I was mopping my uncle’s house in Abuja.😂 I was hooked!
— Afrobeats Head Loves Timothee Ideh (@AfrobeatsHead) April 20, 2022
Once at The Library Lagos I was greeted by a beautiful young lady who offered me ice cold water and a Don Julio cocktail.
She asked me to knock on a tiny door and a hand reached out with my ice cold cocktail.
Once inside The Library Lagos the music was hitting and the performances were amazing but Tiwa Savage arrived about an hour later and the energy went from good to great.
Tiwa Savage at her This One Is Personal album release party sponsored by Don Julio
She was joined by Taves, Shine TTW, her PR Manager Vanessa Amadi, Simi Badiru of TRACE and other members of her team.
Tiwa Savage and Flavour share a hug at her album release party
We spent all night dancing to her songs- both classics like “Kele Kele Love” “Eminado” “Love Me” “Diet” “Loaded” and new ones from the new album like “You4Me” “On The Low” “Holding It Down” and more and like the hypeman kept reminding us, it was hit after hit after hit.
Uti Nwachukwu walks the red carpet at the Tiwa Savage and Don Julio event
Other celebrities like Uti Nwachukwu, Jay Jay Okocha Flavour N’Abania were also there to support her.
Tiwa Savage was in high spirits, as she danced and passed out shots of Don Julio around.
The night finally ended at around 4 am. I was so tired but I’d had the time of my life.
We’re outside with Tiwa Savage and Don Julio to celebrate her album “This One Is Personal”
In a genre dominated by celebration, Llona positions himself not as a party-starter, but as a preacher of introspection. He draws on pain and trauma from his experiences within his nomadic community, offering a form of musical self-therapy.
While his message is potent, its consistent solemnity may limit his commercial reach—a trade-off that arguably strengthens his artistic authenticity. His music delivers a piercing resonance, a reflection so potent it makes the hairs on your skin stand on end.
His recent release, “Dead Flowers,” solidifies his place among Afrobeats‘ growing emotional voices. The track is a vital contribution to an expanding “afro-emotion” subgenre. Llona frames himself as a change agent, singing, “I believe / yes, I believed / I will build a future that’s just not for me / take away the chaos, advocate for peace.” He emphasizes an internal competition, needing no external validation: “I don’t care who is next / not the reason that I’m here.”
This is more than an expression of past pain; it’s a declaration of arrival. He signals a readiness to reveal the “hidden Super Star” he has realized he is.
This artistic identity was forged in his debut album, “Homeless,” which marked him as a distinctly introspective voice. The project expressed vulnerability, struggle, and resilience, often using dark humor to navigate despair. In “Still Scared,” he sings, “stuck in the place where they can’t save us… running and running like a stray dog / death is the only thing that saves us.”
Llona is actively building the foundation to become the face of “Emo-Afrobeats.” A key strategy is his ambitious “Homeless” nationwide tour, a rarity in the Nigerian music scene due to significant economic and logistical challenges. While major artists often focus solely on commercial hubs, Llona leveraged this tour to connect with the grassroots, performing in cities like Ogbomosho, Benin, Lokoja, Awka, Owerri, Lafia and Abeokuta. This grassroots focus builds a dedicated fandom and gives audiences what they yearn for “to see artists perform live”.
His music might not be “party flow,” but it speaks to the everyday Nigerian’s reality. The “Homeless” tour has skyrocketed his listenership, proving that his message of vulnerability and self-found therapy is not just artistically sound, but a viable path to building a legacy. Llona is a phenom to watch, potentially steering clear of his peers by forging one of the most strong, connected fandoms in the industry.
About the Author
Ibeh Fortune Chidinma is a media creative, podcaster, and culture writer passionate about music and entertainment space. He explores Afrobeats and African pop culture with a focus on the artists shaping today’s sound. When not writing, he is hosting the Spillers Podcast, where bold conversations meet social commentary. Follow him on X @Datafricanboy .
“Obroni Kokoo” blends Ghanaian Pidgin storytelling and the title means “Red Foreigner” in Twi — a nickname he grew up with as a mixed-race kid between Accra and Germany.
This track captures hi dual identity: diasporic roots, raw emotion, and global sound.
It blends Lagos Street energy with a trap bounce and is designed to catch attention right away.
“The track carries the same kind of instant pull you hear from Burna Boy, Rema, or Asake, but with more grit and bounce that sticks after the first listen,” says Onyaka.
Paris-based artist Visceral Design has released a new single “Give It Time” an emotional heartbreak song that addresses the breakdown of a passionate relationship between a man and a woman.
Written and produced by Marwan Bardawil, “Deep Beirut” features Joya on vocals and Marcel Ghrayeb on the Santur, with Marwan on guitar and background vocals.
The music combines an afrohouse music style with the oriental Santur instrument and arabic vocals to create a distinctive sound and feel while the lyrics combine English and Arabic and begin to describe the unique depth and complexity of Beirut.
The track is a cosmic journey through melodic textures, pulsing bass, and dreamy atmospheres.
On the inspiration behind her music, Spacey describes herself as a cosmic music producer with “a knack for blending experimental beats and interstellar vibes that sound like they were produced on the dark side of the moon.”
Stream “Explorer” by Spacey Panda and Orange A Bloom
