Afro-soul artist Bravo Real has released a new single titled “Addicted”, a record that explores themes of love, emotional attachment and the blurred line between romance and obsession.
The song is built around a blend of soulful melodies and reflective lyrics, focusing on a relationship dynamic where emotional dependence leads to ignored warning signs. Across the track, Bravo Real reflects on heartbreak and the process of coming to terms with its aftermath.
The single centres on the experience of becoming deeply attached to someone while overlooking red flags, before later confronting the consequences of that emotional investment. It frames the aftermath as a period of self-reflection and gradual healing.
“Addicted” continues Bravo Real’s focus on emotionally driven songwriting within an Afro-soul framework. His music often draws from personal experiences and themes of vulnerability, with earlier releases including tracks such as “Loyalty”.
The single is described as being inspired by real emotions and personal reflection, with its narrative built around familiar relationship experiences rather than abstract concepts.
“Addicted” by Bravo Real is available now on major streaming platforms.
Independent artist AYO has released a new single titled “Move & Groove”, a smooth Afro-R&B track that blends Afrobeats rhythms with contemporary R&B production.
The song is built around a laid-back instrumental featuring warm percussion and soft melodic elements. The production sits in a relaxed pocket, with AYO’s vocal delivery placed prominently over the rhythm.
On “Move & Groove”, AYO leans into a calm and restrained performance style, delivering vocals that follow the rhythm rather than overpower it. The track maintains a steady, intimate tone throughout, with minimal instrumental shifts.
The song draws from both traditional Afrobeats structures and modern R&B influences, combining rhythmic percussion with a smoother, atmospheric arrangement. The result is positioned as a slow-tempo record aimed at relaxed listening contexts.
AYO, an independent Afro-R&B artist based in Washington, D.C., was born and raised in the city and has Nigerian roots. He has been releasing music since 2018, developing a sound centred on blending emotive vocals with African-influenced production styles.
Move & Groove by AYO is available now on major streaming platforms.
Port Harcourt artist Tezymiles has released a new single titled “Na Money”, a street-influenced Afrobeats track that focuses on money, relationships and the pressures that sit between both.
The song is built around a simple but recurring idea: financial stability often shapes personal relationships. Over an upbeat, club-ready instrumental, Tezymiles delivers verses that lean into familiar street expressions and everyday observations about hustle and survival.
At the centre of the track is the hook “Na money be the koko,” a phrase that drives the song’s message about money as a determining factor in modern life. The lyrics touch on ambition, romantic disappointment and the reality of prioritising financial progress.
Lines such as “Why should I be sorry oh? When I dey find money oh” and “If you leave me I no go sweat” frame the song around self-reliance and emotional detachment in the face of economic pressure.
Speaking about the release, Tezymiles positioned the track as a reflection of daily struggle and ambition.
“Na money be the koko,” he said. “This song is for every guy out there grinding.”
“Na Money” by Tezymiles is now available on major streaming platforms.
Ibadan-based artist Deehzer has released a new single titled “Render”, adding another entry to a growing catalogue of Afrobeats records built around everyday experiences and personal reflection.
The song arrives as the latest release from the emerging artist, whose music draws inspiration from contemporary Nigerian acts such as Bella Shmurda, Kizz Daniel, Barry Jhay and Muyeez
According to Deehzer, the song was inspired by the pressures of daily life and the need to occasionally step back and appreciate the present.
“Render” is about enjoying the present and not allowing life’s pressures to stop you from being happy,” he said. “Sometimes we need to slow down, appreciate where we are and simply enjoy the moment.”
“Render” by Deehzer is available on major streaming platforms.
Kabusa Oriental Choir has released a cover of Kehlani’s “Folded”, offering a different interpretation of the song through choral arrangements and Afrosoul influences.
The Abuja-based group, known for reworking contemporary songs with layered vocal performances, recorded the cover earlier this year after what choir director Austin Nwamara describes as a long creative pull toward the record.
According to Nwamara, the idea to revisit “Folded” first emerged in late 2025 and remained on his mind even as the choir worked on other material.
“This song started calling out to me since October last year and followed me into 2026,” he said. “We recorded other songs and were on the verge of releasing them, but this song wouldn’t let me be.”
The project was developed alongside producer David Acekeyz, who worked with the choir to build a new sonic framework around the original song. While the first version of the instrumental did not immediately resonate with him, Nwamara says he felt there was something worth exploring in it.
From there, the group developed the vocal arrangements through rehearsals before heading into the studio in Abuja to record the track.
The choir describes the recording process as unusually straightforward, with the song taking shape naturally once work began.
Originally performed by Kehlani, “Folded” centres on the emotional aftermath of a breakup and the tension between needing space and ending a relationship altogether. Kabusa Oriental Choir retains those themes while shifting the song’s presentation toward Afrosoul and choral music.
“Ever ended a relationship in the heat of the moment and immediately wished you could hit pause instead of stop?” the choir said when discussing the song’s message. “It’s a look at the fine line between needing space and throwing away something good.”
Kehlani’s performance served as a key reference point throughout the process, particularly the emotional quality of her vocal delivery. Rather than dramatically altering the song’s core, the choir focused on translating those emotions through harmonies and ensemble performance.
The release arrives ahead of a planned tour, where the group expects to include the song in its live set.
For Nwamara, the project also reflects his broader approach to creativity.
“When a song is calling out to you, you better answer it,” he said. “Otherwise it starts calling someone else.”
“Folded” Kabusa Oriental Choir by is available now on major streaming platforms.
Portuguese artist R4IZES has released a new single titled “Leva-me sem destino”, a track that blends Afrobeat influences with kizomba elements.
The song is built around rhythmic percussion and melodic production typical of Afro-infused Lusophone music styles. The arrangement combines steady rhythmic patterns with warm instrumental textures and vocal-led delivery.
According to R4IZES, “Leva-me sem destino” explores themes of love and emotional attachment, focusing on a desire to escape responsibilities and societal expectations with a partner.
The track is structured around a continuous rhythmic flow, with emphasis on repetition and gradual progression rather than abrupt shifts in arrangement.
R4IZES is a Portuguese artist whose work is rooted in songwriting and Lusophone musical traditions, drawing from a range of styles across Portuguese-language music.
“Leva-me sem destino” by R4IZES is available on streaming platforms.
Producer Marco Mento has teamed up with Ghanaian artist Weezden for a new single titled “Dance”. The track brings together Afro-inspired rhythms and electronic production elements.
Built around rhythmic percussion and melodic layers, “Dance”focuses on groove-driven arrangement and steady progression. The production leans on warm instrumentation and a structure designed around movement and repetition.
The collaboration draws on influences from different musical backgrounds, combining Afro-inspired styles with contemporary electronic elements.
It’s presented as a cross-cultural collaboration between artists based in New York and Ghana, reflecting shared influences across Afro-Caribbean rhythms, Afrobeats, and global electronic music.
“Dance” by Marco Mento feat. Weezden is available on major streaming platforms.
French producer Paul STR has released a new single titled “Marula”, a track that combines Afro House elements with modern electronic influences.
The song is built around steady rhythmic percussion and electronic production, with emphasis on groove-based structure typical of Afro House music. The arrangement focuses on gradual progression rather than rapid shifts.
“Marula” by Paul STR is available on streaming platforms, including Spotify.
Nigerian artist Efosa Big-joe has released a new single titled “Kurukere Girlina”, a track that draws from Afrobeats and Afrofusion influences.
The song is built around rhythmic percussion and melodic vocal delivery, with production that leans on contemporary Afrobeats-style arrangement. Elements of repetition and layered melodies are used throughout the track.
In press materials, the record is described as a high-energy Afrobeat and Afrofusion release with a focus on melody and groove.
Efosa Big-joe frames the song as part of his ongoing work within Afrobeats and Afrofusion, with emphasis on accessible melodies and rhythmic structure.
“Kurukere Girlina” by Efosa Big-joe is available on major streaming platforms.
