Afrobeats Head

Tag: Interviews

  • BOYRECK Says He and Ayra Starr Would Make a Hit: “I Can Feel the Connection”

    BOYRECK Says He and Ayra Starr Would Make a Hit: “I Can Feel the Connection”

    BOYRECK thinks an Ayra Starr collaboration would be a hit. The artist tells Afrobeats Head about finding his sound, the music that shaped him, his latest single “Genuine,” and why he considers himself “experimental, versatile and unrepeatable.”

    Having spent time in Ibadan, Abeokuta and now Lagos, how would you describe the personality of each city? Which one feels most like home, and how have they influenced your music?

     BOYRECK: Ibadan is a city I grew up in, that is home. I’d describe its personality as lovely and friendly. Abeokuta is a great city, I was born there, I am from there. I’d describe its personality as energetic and youthful especially because I am currently schooling there too. I haven’t really been to Lagos that much but from my experience while I was there, Lagos is a very interesting and energetic city.

    Each city has its uniqueness which in a way has influenced my sound.

    You started out as a rapper before finding your lane in Afro-fusion, R&B and Neo soul. Was there a particular moment or song that made you realise your sound was evolving? 

    BOYRECK: Yes! The story actually goes back to 2020, when I was hospitalized for more than a month. It was during that period Omah Lay dropped his debut album, Oxlade started getting recognition. I loved their sound so much and I said to myself that if they can pull off this kind of sound, I can surely do so too. Their songs kept me going while I was hospitalized and it became an inspiration for me during that period.

    Olamide was one of your earliest influences. Who are some of the artists, past or present, that have shaped your music, and what have you learned from them? 

    BOYRECK: Yes, there are a few of them: Omah Lay, Oxlade, Buju.

    From them, I learnt that there isn’t one way to create music. There’s always room for creativity, experimenting and improvement in whatever you do. 

    Give to people something they have been starved of and they will love you unconditionally and that is something I hold dearly as an artist. I want my people to be able to connect to my craft with a pure soul and love me unconditionally. 

    Your latest single, “Genuine,” is out now. What’s the story behind the record, and what were you feeling when you wrote it? 

    BOYRECK: Honestly, I had something different in mind when I heard the beat, I sang an entirely different melody on it. It was my producer, Chuksmagic, who told me to go home and rewrite the song. 

    I had many trials and errors before I finally managed to compose the intro of the song. I felt a different kind of peace when I composed the intro. It was like a man meeting his fated woman😂. I was in that feeling till I finished the song. 

    When you’re not making music, what does a perfect day off look like for BOYRECK? How do you usually relax and recharge? 

    BOYRECK: If I am in Ibadan, there are only a few things I do.

    I usually go and help my mum at her shop. Honestly, I am not the type that goes out, if I am not at shop then I am at home😂

    When I am in Abeokuta, it feels more youthful for me because I have my friends and coursemates around. There are more things to do.

    Your music is full of emotion. Has love or being in a relationship influenced the way you write songs, or do you draw inspiration from other people’s experiences too?

    BOYRECK: I get asked this question a lot, but I honestly think it is the way I was brought up. I have this calm, gentle and loving personality I’d say. I was brought up with love around me. And yes I draw inspiration from other people’s experiences too.

    If you could collaborate with any three artists, Nigerian or international, who would make your dream collaboration list, and why? 

    BOYRECK: First and foremost, Olamide.

    I love that man a lot, he made me fall in love with music.

    Arya star, I can feel the connection in our sounds. I believe whatever song we make will be a hit. The scenes!!!

    Lastly, Dave. Imagine me dropping a crazy hook and Dave coming in with those verses. It’s madness😂 

    You’ve been building your career steadily rather than chasing overnight success. What’s the biggest lesson you’ve learned about patience and consistency in the music industry? 

    BOYRECK: “Consistency, consistency I promise to remain consistent In my positive version” 

    In this music industry, I have learnt that consistency cannot be underestimated. You have to keep doing your thing and improving.

    Patience is a virtue but don’t overplay it, you shouldn’t be too patient, hunger has to override it but it needs to be balanced. 

    What’s one thing people assume about BOYRECK that isn’t actually true?

    BOYRECK: People think that I am gentle because I don’t talk too much😂 

    As you continue to grow as an artist, what can fans expect from you over the next year? More singles, collaborations, a project, or something completely unexpected? 

    BOYRECK: Expect the unexpected, what if I bring Beyoncé out of retirement or I have a joint project with Drake or BTS?

    Afrobeats Head Quick Fire

    • Coffee or tea? Warm water

    • Morning or late-night studio sessions? Late night 

    • Ibadan or Abeokuta? Abeokuta

    • Rap or R&B? R&B

    • One Nigerian artist you’d love to collaborate with? Taves

    • One international artist you’d love to collaborate with? Dave

    • A song you wish you had written? Honestly, there’s no particular song I wish I had written, I listen to all types of music😂 i could be jamming Fuji today, American old school tomorrow, RnB the next day, Apala, Trap, Hip hop, Beautiful Nubia, Reggae and so on…

    I am not limited to one particular genre, I love exploring different sounds so it hard to say I wish I wrote a particular song.

    • What’s currently on repeat in your playlist? Would I be selfish if I say Genuine? 😂 Okay seriously now “How do you do?  by Beautiful Nubia”

    I play the song almost every morning, I love it.

    • Three words that describe BOYRECK.

    Experimental, Versatile and Unrepeatable.

    • What’s one thing people would be surprised to learn about you?

     That I stammer a little bit, it’s been part of me since childhood but I don’t let it get the best of me.

    • Finish this sentence: “In five years, BOYRECK will be a phenomenal artist, one that you get to experience once in a lifetime with a sound so unique to my identity alone.

    ”Genuine” by BOYRECK is out now on streaming platforms.

  • Inside Indie Vibe At Home Together 2026: Nathalie Wemambu on What Creators Can Expect

    Inside Indie Vibe At Home Together 2026: Nathalie Wemambu on What Creators Can Expect

    Indie Vibe At Home Together returns in 2026 with another edition of its creators’ retreat, bringing together independent artists, producers, songwriters, engineers and multidisciplinary creatives for several days of collaboration, learning and music-making.

    Indie Vibe At Home Together returns in 2026 with another edition of its creators’ retreat, bringing together independent artists, producers, songwriters, engineers and multidisciplinary creatives for several days of collaboration, learning and music-making.

    Ahead of this year’s retreat, Afrobeats Head spoke with Indie Vibe House Party founder Nathalie Wemambu about what creators can expect, who the experience is designed for and why Indie Vibe House Party continues to grow as a home for independent talent.

    Whether you’re considering applying or simply curious about the retreat, here’s what you need to know.

    Indie Vibe At Home Together 2026 at a Glance

    • Organiser: Indie Vibe House Party
    • Who it’s for: Independent musicians, producers, songwriters, sound engineers and multidisciplinary creators
    • Experience: Recording camp, creative workshops, industry sessions and collaborative activities
    • Applications: Open

    What inspired you to create Indie Vibe House Party and the Indie Vibe At Home Together Creators’ Retreat?

    Nathalie Wemambu: Having worked with artists for about a decade, including more than five years managing independent talent, I saw the pressures they face firsthand.

    I discovered that what Nigerian and African creators ultimately need is a space to truly create, perform live, bond and be happy.

    That’s why I started Indie Vibe House Party. I wanted to build a nurturing, cosy second home where emerging talent can decompress, showcase and create live music, find organic mentorship and form deep, collaborative bonds.

    What is Indie Vibe At Home Together, and what can creators expect from the 2026 edition?

    Nathalie Wemambu: Artists and producers can expect an intentional, substance-free environment built for pure creative focus. We’re offering a dedicated recording camp, an exclusive three-track EP studio package for creators looking for a more immersive experience, and multidisciplinary events like Brushes & Ballads and Frames & Frequencies.

    These experiences introduce attendees to the wider creative industries we work within, showing them the possibilities that exist for creators who dream to be more.

    Expect masterclasses, A&R reviews, premium dining and collaboration designed to help you rediscover your peace while leaving with finished records and so much more.

    Who is the retreat designed for?

    Nathalie Wemambu: The retreat is carefully designed for independent musicians, producers, sound engineers, songwriters and multimedia artists who feel exhausted by industry or creative pressures and are ready to create from a place of comfort.

    If you’re an independent creator at any stage of your career who is seeking clarity, deep collaboration and a genuine community, you should register.

    It’s for those ready to embrace a clear-minded, substance-free space to refine their craft, explore new artistic mediums and learn how to sustainably monetise their work with the guidance of Indie Vibe House Party, 730 Multimedia Consultancy and all our partners.

    The first edition of the Indie Vibe At Home Together Produced the “Tales We Tell At Home”
    EP

    What makes Indie Vibe At Home Together different from a traditional recording camp?

    Nathalie Wemambu: Throughout my years managing independent talent and working closely with artists, I’ve seen how deeply exhaustion and unhealthy habits can drain creative energy.

    The industry often normalises using substances to cope with stress or force creativity, but I’ve found that true, groundbreaking art happens when the mind is completely clear.

    By creating a healthier, substance-free environment, we’re protecting the wellness of African independent creators. Removing smoking, drug use and drinking strips away distractions and allows people to show up as their authentic selves.

    When creators are sober and clear-minded, they connect better, and their work becomes deeper, sharper and rooted in genuine, sustainable joy rather than burnout.

    How does a wellness-first environment shape the creative process?

    Nathalie Wemambu: A wellness-focused environment removes the survival mode that so many independent artists constantly live in.

    Being in a safe, healthy space allows creators to lower their guard. They’re no longer creating from a place of anxiety, exhaustion or a need to escape, but from a place of peace, abundance and clarity.

    Wellness adds sustainability to the work. It allows artists and producers to tap into their heart space without destroying themselves in the process.

    When creators feel mentally and physically supported, they connect more deeply with each other, and their work becomes more intentional, innovative and reflective of their true, unfiltered potential.

    Editor’s Note

    The inaugural Indie Vibe At Home Together Creators’ Retreat culminated in the collaborative project, “Tales We Tell At Home,” bringing together music created during the residency. Beyond the recordings, the retreat also sparked creative partnerships and friendships that have continued long after the programme ended.

    What was it like seeing the first retreat produce the “At Home Together” project?

    Nathalie Wemambu: It was new for me.

    When I set out to begin this, I had previously been producing live shows every year and I didn’t know how living with people would go or how it would feel.

    Today I have a family bound by love and music and the breaking of hot egg toasties.

    Thanks to this retreat, I am also creating music myself as dasweetthin. It’s greatness all around.

    Why does the retreat include experiences beyond recording sessions?

    Nathalie Wemambu: Beyond preventing burnout, these multidisciplinary activities help creators see other spaces where they can grow, create and earn.

    Stepping outside the booth exposes them to visual and fine art, film and media, opening their eyes to new commercial opportunities and sustainable income streams.

    My team at 730 Multimedia Consultancy, one of the partner brands behind the retreat, is also on hand to share industry insights and help creators understand how to monetise opportunities across different creative fields.

    What do you hope creators gain from spending time together at the retreat?

    Nathalie Wemambu: Creatively, I hope they step outside traditional boxes and embrace new creative mediums and income streams with the knowledge they gain during their time with us.

    Personally, I want everyone to feel the warmth of true, clear-minded connection and leave knowing that, with Indie Vibe House Party, they’re backed by a creator collective that actively loves and supports them.

    How can creators register for Indie Vibe At Home Together 2026, and what are the different ways they can experience the retreat? 

    Nathalie Wemambu: We have two main residency packages: the Premium All Access Pass and the EP Package. We also offer day tickets for Brushes & Ballads, our sip-and-paint experience, and Frames & Frequencies, our film night.

    For the day events, we offer discounted group rates for attendees registering as a group of two or five.

    The Premium All Access Pass, priced at ₦40,000, gives creators access to the full residency experience, including healthy meals prepared on-site, workshops, day events and all creation sessions. Attendees on this tier will also have the opportunity to feature on the 2027 Indie Vibe House Party album.

    The EP Package, priced at ₦1.2 million, includes everything in the Premium All Access Pass, along with additional benefits. Attendees receive three professionally mixed and mastered songs created during the camp, the opportunity to be part of the Indie Vibe House Party project, three to four paid promotional placements during release week, and the option of a private production space located minutes from the main venue.

    Artists and clients also have the flexibility to negotiate ownership splits, with the exception of Indie Vibe House Party’s A&R credit and a 2.5-point royalty allocation.

    The second edition of Indie Vibe At Home Together returns this August with Applications now open

    I’m interested, but I’m not sure it’s for me. What would you say?

    Nathalie Wemambu: If you feel hesitant, it simply means you care deeply about your craft and your energy.

    This retreat is designed to be the safe, pressure-free sanctuary you’ve been searching for. It isn’t an intimidating industry networking event. It’s a cosy, nurturing home.

    If you’re craving a space to recharge your mind, create with absolute mental clarity and discover new ways to monetise your art, then you belong here.

    Trust your intuition, take a leap of faith and join us to rediscover your creative joy.

    What are your hopes for the 2026 edition?

    Nathalie Wemambu: I’m hoping to see an incredible wave of artistic genius and genuine, lasting transformation.

    Creatively, I want attendees to break free from convention, unlock fresh confidence and leave with completed, groundbreaking records that we’re all proud of.

    I also want them to leave with the practical, cross-industry knowledge needed to turn their craft into sustainable careers, backed by the strategic guidance of Indie Vibe House Party, 730 Multimedia Consultancy and our partners.

    Personally, I just want to see creators smiling, recharging their minds and experiencing the magic of clear-minded connection. I hope everyone leaves knowing they’re forever part of a collective that truly loves and supports them.

    Looking back, what was your favourite memory from the inaugural retreat?

    Nathalie Wemambu: I had many favourite moments, but the most memorable parts of the Tales We Tell At Home era were finding my voice again as a credited backing vocalist on Kohsea’s “No Rules” and the sisterhood that grew from creating that song together.

    Another highlight was co-producing “WAVES” with Judø, co-writing it with Kohsea and later performing it live in Lagos at the listening party in 2025 and again on International Women’s Day 2026 at an Indie Vibe House Party-sponsored event hosted by The Eiko System.

    You can say I was reborn because of the first edition. I am because it is.

    Apply for Indie Vibe At Home Together 2026: Registration is now open. Visit Indie Vibe At Home Together 2026 for ticket details and secure your spot. 

  • Twicy on Reimagining Michael Jackson’s “Rock With You,” Winning Artist of the Year and Taking Ghanaian Afrobeats Global

    Twicy on Reimagining Michael Jackson’s “Rock With You,” Winning Artist of the Year and Taking Ghanaian Afrobeats Global

    Ghanaian singer Twicy is building momentum with his blend of Afrobeats, highlife and contemporary sounds.

    Fresh off winning Artist of the Year and Male Vocalist of the Year, he recently released his take on Michael Jackson’s “Rock With You,” putting an Afro-inspired spin on the timeless classic. In this interview with Afrobeats Head, Twicy reflects on his growing audience across Africa, the responsibility that comes with recognition, and what’s next in his journey.

    1. You’ve built a growing fanbase across Ghana and Nigeria. When did you first realize your music was reaching people beyond your hometown?

    I think it really hit me when I started getting messages from people in Nigeria who genuinely connected with my music. Seeing blogs, DJs and listeners from another country sharing my songs made me realize the music was travelling much further than I imagined. That’s when I understood that good music doesn’t recognize borders. It gave me the confidence to keep creating without limiting myself.

    2. You recently won Artist of the Year and Male Vocalist of the Year. Did those wins change how you see yourself as an artist?

    The awards were a huge honour, but they didn’t change who I am. They reminded me that consistency and hard work don’t go unnoticed. More than anything, they challenged me to raise my own standards because once people believe in you, you have a responsibility to keep growing and delivering your best.

    3. Your sound blends Afrobeats, highlife and contemporary influences. How do you stay true to your Ghanaian roots while appealing to a wider audience?

    I don’t think you have to choose one over the other. My Ghanaian identity naturally comes through in my music through the melodies, rhythms and storytelling. Then I build on that with modern production and influences that people anywhere in the world can relate to. I want someone in Accra, Lagos, London or New York to connect with the music while still hearing where I’m from.

    4. Ghana and Nigeria have one of Africa’s biggest musical rivalries. What’s one thing each scene could learn from the other?

    I see it more as healthy competition than a rivalry. Ghana has incredible originality and rich musical traditions, while Nigeria has built an amazing system for exporting its music globally. Ghana can continue learning how to scale its music internationally, while Nigeria can keep embracing the authenticity and musical heritage that Ghana consistently brings. At the end of the day, when African music wins, we all win.

    5. Your latest release is a cover of Michael Jackson’s “Rock With You.” Why did you choose that song, and were you nervous about reimagining such a beloved classic?

    Michael Jackson is one of the greatest entertainers of all time, and “Rock With You” is one of those timeless records that still feels fresh decades later. I wanted to celebrate that legacy while adding my own personality and Afro-inspired flavour. Of course there was pressure because people love the original, but I focused on honouring the song instead of trying to compete with it.

    6. What was the biggest challenge in making “Rock With You” sound like Twicy while still honouring the original?

    The biggest challenge was finding the right balance. I didn’t want listeners to feel like I was simply copying the original, but I also didn’t want to lose what made the song so special. So I kept its emotion and essence while introducing my own vocal style, arrangements and Afrobeats influences. The goal was for people to feel Michael Jackson’s spirit while still recognising Twicy’s identity.

    7. If someone is discovering Twicy today, which three songs should they start with and why?

    I’d say “Rock With You,” “MonaLisa” and “All Over Me.”

    “Rock With You” shows how I can reinterpret a classic while making it feel fresh.

    “MonaLisa” captures my melodic side and my love for creating feel-good records.

    “All Over Me” reflects my growth as a songwriter and artist, combining emotion with contemporary Afrobeats.

    Together, they give a good picture of who I am musically.

    8. Beyond streams and awards, what does success look like for you?

    Success is creating music that lasts and being in a position to support my fans and humanity through my talent. It’s hearing that one of my songs helped someone through a difficult time or became part of an important memory in their life. It’s also about representing Ghana proudly on the global stage and inspiring young artists to believe their dreams are possible.

    9. What’s one thing fans still don’t know about Twicy that you’d love them to understand?

    People often see the finished product, but they don’t see how much thought and emotion goes into every record. I’m very intentional about my music, and I think that’s why some of the people I work with describe me as a perfectionist. I don’t make songs just to follow trends. I want every release to have meaning and reflect where I am in my life, both as an artist and as a person.

    10. What’s next for Twicy? What should fans be excited about for the rest of the year?

    There’s a lot coming. I’m working on new music and a project with producers from London that’s going to show another side of me creatively. There are also collaborations, exciting visuals and more live performances on the way. My goal is to keep pushing my sound forward and connect with even more listeners across Africa and beyond. I want this to be the year people truly understand what the name Twicy represents.

    “Rock With You” by Twicy is out now on streaming platforms.

  • Nasty Guerrero Isn’t Trying to Be Real, She’s Redefining What Real Means

    Nasty Guerrero Isn’t Trying to Be Real, She’s Redefining What Real Means

    In a music culture driven by image, visibility, and personality, Nasty Guerrero arrives without a body yet with a voice you can feel. The digital artist sits at the intersection of sound, identity, and technology, challenging long held ideas about authenticity, presence, and what it means to be real.

    In this conversation with Afrobeats Head, not real becomes a creative advantage and digital identity becomes a new kind of cultural power.

    Who is Nasty Guerrero?

    Nasty Guerrero is a digital artist with human intention. A project designed to express identity without physical limits.

    What does “not real” mean to you?

    Not fake. Not artificial. Just not confined to a body, a face, or expectations.

    How do you define real today?

    Real is intention. Truth in creation, not visibility.

    Why choose a digital identity?

    Because culture already lives online. I am reflecting on the world as it is.

    What cultural truth are you highlighting?

    That identity is evolving faster than the industry is comfortable with.

    Has music culture become more about image than sound?

    It always was. Now it is just impossible to hide.

    How does “Not Real” reflect how we consume music today?

    People form real emotional connections to things that do not physically exist. That is the paradox.

    What is authenticity now?

    Alignment between vision and execution.

    How did you arrive at this fusion of UK Funky, Afrobeats, Disco, and electronic sound?

    By ignoring genre and chasing energy.

    Was there a moment in the studio when it all made sense?

    When it stopped sounding like genres and started sounding like a voice.

    What should people feel when they hear Nasty Guerrero?

    Release. Power. Presence.

    What gap does Nasty Guerrero fill in music culture?

    A bridge between digital identity and real cultural impact.

    Does Nasty evolve?

    Constantly.

    Are there limits to what Nasty Guerrero can be?

    Only the limits of imagination.

    Is this a solo project or the start of a movement?

    The start of a movement.

    What part of you exists inside Nasty?

    Everything. Just not in physical form.

    Do you think more artists will adopt digital identities?

    Yes. It is inevitable.

    Is this project a critique of the industry or an evolution of it?

    Both.

    In one sentence, what is “Not Real” telling the world?

    Reality is changing. Culture is not.

    What does success mean for a digital artist?

    When the idea outlives the form.

  • “Why I Sampled “Flowers” by Miley Cyrus” – Afrobeats Artist S.King

    “Why I Sampled “Flowers” by Miley Cyrus” – Afrobeats Artist S.King

    In this interview, S.King opens up about what drew him to Miley Cyrus’ hit “Flowers” and why he decided to sample it in his music. From connecting with its message of self-love to adding his unique Afrobeats flavor, he explains how the track inspired him and became a meaningful part of his artistic journey.

    S.Afrobeats artist S.King

     I have to ask — what’s the story behind the name?
    S.King stands for Special King — a name I gave myself before fully realizing how powerful my story truly was. Òké, one of my given names, was chosen by my mum because I was born with a sac, which in Yoruba culture is rare and spiritually significant. As I grew older, I understood its meaning, and everything started to align. Both my mum and dad come from royal blood, so adding “King” reflects heritage, identity, and destiny. S.King isn’t just a stage name; it’s spirituality, royalty, and self-awareness.

    Tell me about your childhood. Where did you grow up?
    Growing up in Mushin, Lagos, I was immersed in energetic experiences and exposed to both gospel and non-gospel music from a young age, favoring artists like D’banj, Olu Maintain, 9ice, 2Face, and 50 Cent. I was also a big movie fan, influenced by films like Chronicles of Narnia, Harry Potter, and Pirates of the Caribbean, and enjoyed TV shows from Cartoon Network and Disney, including Ben 10 and Justice League. This mix of music, movies, and cartoons shaped my creativity and music.

    S.King released a cover of “Flowers” by Miley Cyrus

    When did you start taking yourself seriously as an artist?

    I really started taking myself seriously when I dropped my first single, “My Heart in Lovid 19.” The response blew me away — I received compliments, messages, and even emails from people I didn’t know telling me how much they loved the song. That connection with people boosted my confidence and made me realize that music wasn’t just something I enjoyed — it was my calling. From that moment, I made a true commitment to my craft, focusing on creating music that resonates and connects.

    What kind of energy do you bring into the studio? In the studio, I bring focused, intentional, and authentic energy. I don’t force creativity — I let it flow naturally. Sometimes it’s soft and emotional, other times bold and confident, depending on the song. I treat every session as a moment to build, not just record. For me, the studio is a space to translate emotion into sound and capture something that truly connects with me.

    What’s been your biggest “wow, this is real” moment so far?

    Just seeing how people connected with my first single, “My Heart in Lovid 19.” People went from calling me by my given name to S.King. Receiving messages and emails from strangers telling me how much they loved the song was surreal. Even more mind-blowing — my music was being listened to in 72 countries in my first year. That’s when it really hit me: this isn’t just a dream; it’s real. Feeling that kind of connection and reach was unforgettable and has fueled everything I do since.

    Are you making music for vibes, money, legacy… or all of it?

    Honestly, all of it. I started with vibes — just making music for the love of it. Along the way, I’ve made some money, and now I’m focused on legacy. I want my music to shake the world in a gentle way — to connect with people deeply while leaving something lasting behind.

    What keeps you going when things feel slow?

    Clarity and self-belief keep me going. I’m not in a rush to go mainstream; I focus on doing the work that needs to be done in private. Even when progress feels slow, I trust the process, stay disciplined, and keep building toward the future I envision. Slow doesn’t mean stagnant — it means preparing for something lasting.

    You released a cover of Miley Cyrus’ “Flowers” what inspired it. Is she one of your favourite artists?

    I love that song so much that I had to do the cover. I connected with it deeply — it was actually my most played song on Spotify that year. The message of self-love really hit me, and I wanted to express it in my own way, adding my own tone and perspective. I wouldn’t say Miley is one of my all-time favourite artists, but I respect her artistry, and that song resonated with me. For me, it was about taking a message I connected with and making it my own.

    What about your EP “Lovid 19” sounds like it was inspired by Covid. What did you hope to achieve with it?

    The EP was a project I started during the pandemic. While COVID-19 was the coronavirus, Lovid 19 stands for the “love virus.” It was inspired by the emotions I experienced during that time, especially a personal love story that developed while we were all in lockdown. I wanted the world to experience the love virus the same way people experienced COVID-19 — to feel it, connect with it, and let it resonate.

    The EP includes four tracks — “My Heart in Lovid 19,” “Dear Dami,” “True Love,” and “Baby Boo” — each reflecting a chapter of that experience, capturing vulnerability, connection, and genuine emotion. It’s about sharing love in a time when the world felt distant and isolated, and giving people a chance to feel it deeply through music.

    Let’s talk about your new collaboration “X Lovers”, What was it like collaborating with Seyannie?

    Working on “X Lovers” with Seyannie was amazing. She’s incredibly talented and was emotionally invested in the song because it’s based on a personal story. The process was long and detailed — we spent a year writing and recording, and the mixing and mastering process stretched over 2–3 years. The first producer didn’t capture the sound I wanted, so I handed it to another producer, and in total, it took five years before we finally released it.

    The song is a heartbreak track from a dual perspective, which is rare in music. It was important for me that every emotion came through authentically, and collaborating with Seyannie allowed us to create something truly special that listeners can feel deeply.

    Would you consider yourself a lover boy? Yes, I am a lover boy. I feel deeply and I move carefully — love is a verb for me. It’s about action, intention, and sincerity, not just words or feelings.

    Have you ever been in love? If so, what was it like?

    Yes, I’ve been in love. It was like bread — perfect, goes with everything.

    Have you ever been heartbroken?

    Of course. The fun part about being an artist is putting your emotions into songs, and heartbreak is one of the strongest emotions to write about. I’ve even written songs about small things — like the time my charger cord was stolen.

    What’s one thing people don’t see about your journey?

    The struggles it takes to be an artist — people see the song, they see the artist, but they don’t see the process behind the art. Sometimes they catch glimpses, but they don’t fully understand the effort, patience, and work that goes into creating something meaningful.

    What are you building right now?

    Right now, I’m working on my next project, infusing rap into different genres. I’m also taking vocal lessons, focusing on self-improvement, and keeping up with my schooling. It’s all about growing as an artist and a person while building a sound and vision that lasts.

    If everything works out exactly how you want, where are we seeing you in 5 years?

    In 5 years, you’ll see me topping charts globally with music that moves people, collaborating with some of my favourite artists, and touring to connect with fans around the world. I want S.King to be synonymous with vibe, depth, and legacy — a sound that blends cultures and emotions. My goal is to shake the world gently with my music and leave a lasting impact.

    ”X Lovers” my S.King and Seyannie is out now on all streaming platforms.