UK-based gospel collective Ground Zero Choir has released a new single titled God of Wonders, an uplifting Afrogospel track centered on themes of faith, miracles, and divine power.
Built on vibrant African rhythms, choir-led harmonies, and energetic praise, the song celebrates the belief that God’s miracle-working power remains active today. It draws inspiration from biblical stories such as turning water into wine, calming storms, healing the sick, raising Lazarus, and opening prison doors, using these references to reinforce its central message of hope and possibility.
God of Wonders blends contemporary gospel with Afrobeats-influenced percussion to create a sound that is both modern and spiritually driven. The record encourages listeners to worship, believe again, and embrace a renewed sense of faith.
A key refrain in the song declares:
“God of wonders! God of miracles! You still, You still do these things!”
The collective describes the track as a celebration of “nothing is impossible with God,” emphasizing themes of encouragement, expectation, and spiritual renewal.
“God of Wonders” by Ground Zero is out now on all streaming platforms.
Rising artist Rivera RV, originally from Guinea-Bissau and currently based in the UK, has released a new single “Conecta”
Produced by LBeatz, “Conecta” serves as the first single of his upcoming project, the EP 29, scheduled for release at the end of May.
With the release, Rivera reinforces his mission to celebrate and honour Ghetto Zouk, one of the most defining genres of urban Lusophone music.
Born in the late 1990s in the Netherlands by the group Quatro Plus, Ghetto Zouk quickly spread across the African diaspora and captivated an entire generation. Characterized by its strong emotional depth, captivating melodies, and a distinctive urban aesthetic, it became an essential soundtrack of the 2000s.
“I want to bring back Ghetto Zouk in an authentic way. I grew up listening to those sounds, and they are part of my identity. ‘Conecta’ is about returning to the essence, but with a new, more current, and more personal vision,” says Rivera.
Based in the United Kingdom but deeply connected to Lusophone music, Rivera entered the music scene over a decade ago and has performed at venues such as Coliseu dos Recreios, O2 Indigo London, OVO Arena Wembley, Clapham Grand, Manchester Academy Arena, among others.
“Conecta” by Rivera RV is out now on all streaming platforms.
Concrete Psalms Music announces the release of Echoes Of You, the latest single from UK-based Amapiano artist and producer Sgubhu Mlilo.
The track marks a bold statement in the evolution of Amapiano, introducing listeners to his proprietary Q∆NTVM SoundTM, a cinematic, spatially engineered approach to the genre designed for global audiences.
“This isn’t traditional Amapiano. Q∆NTVM SoundTM is engineered for spatial clarity elements feel distant yet sharp, the mix avoids distortion while maintaining power. It’s built for the future of sound playback,” says Sgubhu Mlilo
Unlike conventional productions in the genre, Q∆NTVM SoundTM prioritises spatial separation, mix clarity, and emotional depth positioning Sgubhu Mlilo at the intersection of African cultural roots and global sonic innovation. The approach draws on cinematic sound design principles, with future playback systems in mind.
The track’s visual direction mirrors its sonic identity: modern Black love, luxury lifestyle aesthetics, dinner settings, city lights, and late-night calm energy. Key visual references include couples dressed in all-black, intimate natural interactions, and the quiet confidence of a night out premium, soft, and deeply human.
Sgubhu Mlilo is currently workin on his debut album Noise & Prayers a full-length project exploring spirituality, emotion, modern African identity,
“Echoes of You” by Sgubhu Mlilo is out now on all streaming platforms.
UK-based Nigerian gospel artist Enajitey returns with “Ayo”, a vibrant Afro-fusion Gospel track centered on joy, gratitude, and celebrating God’s goodness.
It blends soulful vocals with uplifting, rhythmic production inspired by African praise.
“Ayo” by Enajitey is out now on all streaming platforms.
UK-based Afropop artist Nelz returns with message in his latest single “Run Am,” The track blends vibrant Afrobeat rhythms with motivational storytelling, showcasing Nelz’s signature mix of reflective lyricism and feel-good energy.
With hooks like “It feels good oh yeah, my guys on my side,” Nelz paints a picture of ambition anchored in gratitude, friendship, and belief. Affirming the “do your best and leave the rest” nursery rhyme, Nelz decides to give all he has got and live without worries or anxiety of what will be… he decides to let God “run am like that”.
“Run Am” by Nelz is out now on all streaming platforms.
Nigerian artist AdeJosh has released his new Afrobeats single “Made for You”
The UK-based artist fuses Afrobeats, Dancehall, Hip-Hop, and R&B into a sound that is both globally resonant and deeply personal.
Influenced by artists such as Usher and Michael Jackson, and shaped by frequent trips to Nigeria, AdeJosh’s sound reflects a rich fusion of culture, rhythm, and melody.
Since his debut in 2016, he has collaborated with notable artists and producers including Afro B, LAX, Mayorkun, Gabzy, Blaqbonez, and Keys The Prince.
AdeJosh has also appeared at Made In Lagos Festival, Indigo at The O2, and supported Lojay on the XOXO Tour and BNXN at Indigo O2.
“Made for You” by AdeJosh is out now on all streaming platforms.
UK-based Afrobeats artist Lekkybanky has released his latest single, “Shikishiki”
Inspired by real-life ambition and lifestyle energy, the track captures themes of money, attraction, motivation, and self-belief.
Born and raised in Ile-Ife in Osun State of Nigeria, Lekkybaky draws inspiration from Africa’s rich musical heritage, blending highlife, Afrobeat, and Amapiano with a modern twist.
“Shikishiki” by Lekkybaky is out now on all streaming platforms.
Nigerian-born, UK-based producer Olorunfemi is carving a unique space in the lo-fi scene, blending atmospheric, space-themed beats with subtle nods to his African roots. From the crackle of vinyl to the warmth of Highlife rhythms, his music isn’t just “background noise”—it’s a journey through nostalgia, cosmos, and quiet reflection.
In this interview with Afrobeats Head, Olorunfemi opens up about his creative process, the influence of living between two worlds, and his upcoming project, Venus, which promises to bring a Naija Highlife/Palmwine vibe to the global lo-fi landscape.
For people just discovering you through Afrobeats Head, who are you and how did lo-fi become your lane?
If you’re just discovering me, I’m a lo-fi artist and music producer dedicated to crafting atmospheric, space themed tracks. Lo-fi became my lane because I’ve always loved the imperfections like the hiss of a tape, the crackle of a vinyl and how a simple, dusty beat can make you feel mellow.
It’s a genre that lets me explore the vastness of the universe from a very intimate, grounded perspective.. Just pure vibes.
You’re Nigerian but based in the UK. How do those two worlds show up in your sound?
Being Nigerian in the UK means balancing two energies. Nigeria gives my music its rhythmic soul and that “never say die” spirit, while the UK influences my moody, spacey textures. I don’t force the Naija elements, they enter naturally because na where I come from. It’s like jollof, different recipes, same soul.
Do you consciously try to infuse Nigerian elements into your beats, or does it happen naturally?
Honestly, I don’t force it at all. It just happens naturally because it’s in my DNA. Apart from my Saturn (Sátúrùn) EP, I’ve got a new project called Venus dropping on January 30th. That one is a complete Highlife/Palmwine bounce. It’s pure rhythm and nostalgia, my way of showing that lo-fi can still have that authentic home feeling.
How would you describe your music to someone who thinks lo-fi is just “background music”?
I tell them it’s not just background noise, it’s the foundation for your thoughts. It’s the canvas that helps you focus or cool your mind after a long day.
My music isn’t just random loops; it’s a whole journey. It’s about giving you a vibe to breathe in, it doesn’t just fill the room, it sets the mood.
What emotions or headspace are you usually in when you’re producing?
I’m usually in a state of quiet wonder, just catching a calm vibe. I like to sit in that space where the world feels still and my mind can just wander through the stars. It’s really about finding peace in the middle of all the noise.
I produce from a place of reflection and serious nostalgia. Whether I’m tapping into that cosmic stillness or catching that warm feeling, the goal is always to create a sound that helps you cool your heart and just be.
Your projects are all named after planets and celestial bodies. You have earth, mars, jupiter. Is there a reason for that?
I’ve always been fascinated by how massive yet peaceful the universe is. Naming my projects after celestial bodies gives the music scale and reminds us that even when life is loud, there’s a quiet beauty out there.
How has living outside Nigeria shaped the way you connect with home through music?
Living abroad will make you get a sense about your roots. When you’re far away, you have to be intentional. For me, music is the bridge. It’s how I stay connected to the soil while I’m overseas.
Nostalgia plays a big role in lo-fi. What memories do you find yourself returning to most?
I always go back to those quiet Naija nights, specifically the warm air and the muffled sounds of the street from a distance. That peaceful, hazy feeling is exactly what I try to capture in my beats.
Do you feel pressure to sound “African enough,” especially as a Nigerian producer in a global genre?
I don’t feel that pressure at all because no be by force to follow the crowd. Being a Nigerian in a niche space like lo-fi is the flex itself. My sound is authentic because it’s mine, whether I’m using heavy percussion or just spacey vibes.
How important is it to you that African producers are part of conversations around alternative and niche sounds?
It’s massive. We bring a different spice to the table. Just like my new Venus EP dropping soon, it’s a complete Highlife bounce that shows how our “alternative” sounds can stand anywhere. We’re showing the world that African creativity no get limit.
Walk us through your creative process. What sparks a beat for you?
It usually starts with a mood. I fit just hear a sound on the street or get a melody while staring at the sky. Once that spark hits, I start layering textures to build a whole world around it.
What’s one thing listeners might not realize goes into making a lo-fi track?
People think it’s just loops, but there’s plenty of “soul” work involved. It’s those tiny imperfections and the way the frequencies hit to make you calm down. It’s intentional chaos.
How do you know when a beat is finished?
I know a beat is ready when I can close my eyes and feel like I’ve traveled somewhere. If I start overthinking, I know I’ve reached. Less is more.
Lo-fi is known for its chill, relaxing vibes, but how do you relax when life gets hectic?
When life gets busy, I just step back. I spend time with family and the people I love, that is where I find real peace. I also like to relax and zone out with a good movie.
How has being UK-based influenced your opportunities and audience?
Being in the UK has opened doors for global reach. The “London chill” mixes with my roots to give the music a unique edge that resonates here and back home.
Where do you feel your strongest support comes from? Africa or the diaspora?
It’s a mix. The diaspora really feels that nostalgia, but I’m seeing big love from Africa too. People back home are really starting to vibe with alternative sounds now.
What’s been the most validating moment in your journey so far?
Seeing my tracks like “Ganymede” or “Díónì” on global playlists. Knowing someone is using my music to find peace is the ultimate win.
What are you currently working on?
Right now, all my energy is on my new EP, Venus, dropping 30/01/2026.
How do you want your sound to evolve over time?
I want to keep growing without losing that spacey vibe. I’m moving toward blending more live instruments with my lo-fi foundations.
What do you hope people feel when they listen to your music late at night or during quiet moments?
I want you to feel seen. Whether you’re studying or just overthinking at 2 AM, my music is that “no worries” zone.
Tell us about your upcoming project, Venus. What inspired it?
It’s a complete Highlife bounce. I wanted to bring that classic energy into the lo-fi world. It’s warm, rhythmic and very Naija.
Do you also make traditional Afrobeats music or have plans to do so?
I used to play with traditional Afrobeats back in the day, but right now, my focus is fully on lo-fi. That’s where my head is at.
Still, that Naija rhythm is the heartbeat of everything I do, so you’ll always hear those elements in whatever I create. It’s just me blending my roots with the chill vibe I’m feeling now. The rhythm still dey, just in a different way.
Would you be open to collaborating with Afrobeats artists on Lo-fi and Afrobeats?
I’d love to collaborate with artists like Tems or Lojay, their voices on a lo-fi beat? O’boy, that would be fire!
If so, who are your dream collaborators?
Working with The Cavemen would be pure fire for that Highlife/Palmwine feel.
Quick Fire Questions
Lagos or London?
Lagos (November to February) for the energy and London (March to October) for the grind.
Headphones or speakers?
Headphones all day!
One word to describe your sound.
Cosmic.
Olorunfemi’s new EP Venus comes out on Friday, January 30th 2026
Translating to “pure love,” the song blends warm guitar melodies, steady rhythmic grooves, and soulful expression, paying homage to the timeless sound that has shaped generations of Ghanaian music. With “Odo Fitaa”, the UK-based artist bridges tradition and modernity, drawing influence from classic highlife storytelling while crafting a sound that resonates with contemporary listeners.
“I wanted to create something honest and warm,” says Caleb Myles.
“This song that reflects pure love while blending traditional Ghanaian highlife elements I grew up with, but with a modern Afro feel.
The title means bull in Zulu, reflecting the track’s forward momentum and strength.
Inspired by artists like Black Coffee, Shimza and Themba. “Inkunzi” is driven by rolling percussion, a heavy low end and a steady, hypnotic groove built for club and festival settings.
Featuring Julian Marley, ArrDee, Ramz and more, the 9-track LP debuts A!MS’ new ‘Global Street’ sound, channeling the rebellious spirit of pirate radio while fusing it with his Mediterranean cultural roots and Cypriot/Lebanese/Italian DNA.
Global Street, or Street Global, “depending how street or how global you want it to sound” is a new genre for the outsiders, a sound identity for those beyond traditional industry definitions. Rooted in hip hop and UK garage, A!MS says “it’s built for the
creators of today – influencers, streamers, sneaker collectors, and more – and shaped by the idea that the next global star can come from anywhere. It’s a genre that breaks the limits others try to impose, where music is timeless, art is limitless, and the power is back in the hands of the people.”
Co-produced hitmaking duo Cool & Dre, the album also boasts productions credits from Antaeus, Michelin Shin, Golden and others
The project comes to life through a series of star-studded tracks; ‘Light & Love’, a collaboration with the iconic Julian Marley, Antaeus, and Hypertone, delivers a bold message of unity and upliftment. Another highlight is ‘Need Somebody’ with UK chart-topper ArrDee, oozing with infectious Afrobeat energy.
The Peak Season album was made in Cyprus, a place described by A!MS as a “music industry desert”. This gave A!MS space away from London’s hustle to find his own sound.
He describes it as his version of what Jamaica was for Bob Marley: a creative haven, free from noise and influence, where something truly global could be born.
In the build-up to the album this summer, A!MS is once again hosting a series of his hugely popular Wave Fests at WaterWorld WaterPark in A!MS’ current base of Ayia Napa in Cyprus. This year, revellers will be treated to sets by ‘Need Somebody’ feature artist ArrDee, Lil Pump, B Young, Dappy, Oxlade, Ramz, Wiley, ZieZie and A!MS himself. This unique multi-sensory event boasts The Biggest Sound System in the Mediterranean and has received TripAdvisor’s Travellers’ Choice Award.
NGAIO’s sound that draws from soul, grime, jazz, afro and electronic influences.
The remixed project began as an experiment – electronic versions of the original tracks NGAIO performed live using her Ableton Push to bring new life to the songs turning a twenty minute EP into a 60 minute show.
‘This is me evolving — not just as an artist, but as a producer. Through performing Four Quarters live, I experienced the songs in new ways and saw how to flip them through the lens of the club; incorporating the bass-heavy energy I’m known for as a DJ,” says NGAIO.
“It’s a celebration of transformation, the power of underground music and positive messaging to reflect how the rave can instigate self-appreciation and collective belonging.’
An active part of Bristol’s underground music community, NGAIO is the founder of Booty Bass, a collective of female and non-binary DJs championing bass-heavy music from around the globe.
And it’s sure to resonate with fans, thanks to its standout blend of Afropop grooves and swinging delivery, all topped off with Nelz’s unmistakable vocals.
Collabo is the debut single from Real Zeal, marking his return to music after a 12-year break. It’s a groovy Afrobeats track that celebrates unity, teamwork, and positive energy.
After a 12-year hiatus, UK-based Afrobeat artist Real Zeal makes a return to the music scene with his electrifying new single, “Collabo.”
The track is a celebration of togetherness, groove, and the power of shared experiences—marking the beginning of a bold new chapter for the Nigeria native, born Ben Zeal Ezegbu.
Rising West London artist Rhys has released his brand new single “The Sun”, a vibrant summer anthem blending Afrobeats, smooth R&B melodies, and feel-good energy.
Designed to soundtrack Summer nights and warm days, “The Sun” captures the essence of summer with its infectious rhythm and uplifting vibe. It’s a record made for both the dancefloor and chilled moments with friends.
“The Sun is all about good energy and enjoying the moment. I wanted to create a track that feels like summer no matter where you are,” says Rhys.
Rhys is now pushing forward with monthly releases, building momentum with fresh sounds and stories. Rooted in West London’s diverse music culture, his style draws on Afro-swing, R&B, and contemporary UK influences, creating a unique sonic identity.
Blending traditional Afrobeat rhythms with contemporary UK urban influences, “Life is an anthem of resilience and gratitude — a celebration of the highs, lessons, and journeys that shape us. With infectious percussion, warm melodies, and Bobo’s soulful delivery, the song captures both an authentic African essence and a modern international appeal.
Speaking on the track, Bobo says:
“Life is about appreciating every moment — the good, the bad, and the in-between. It’s my reminder to myself and my listeners to keep moving forward and cherish the ride.”
Since relocating to the UK, the Nigerian-born artist who now lives in Cardiff, has been steadily building his sound, drawing from his Nigerian roots while embracing the creative energy of the UK’s music scene.
Built for peak-time energy, “THIS IS WHY WE RAVE continues Drum Dad & Bass Boy’s recent sonic direction—clean, punchy, and engineered for big rooms—while Jimmy Danger’s voice adds the raw, unmistakable rave authority that fans have been hearing in their live sets.
Stream “This Is Why We Rave” by Drum Dad & Bass Boy ft Jimmy Danger
Known for his ability to blend vulnerability with vibey grooves, Ghanaian-born CAYZEE delivers a song that feels both exciting and heart-wrenching – a sonic push-and-pull between passion and pain.
“GIMME A REASON” explores the breaking point in love – where silence becomes louder than words, and longing turns into confrontation.
“This song came from a place of emotional honesty,” says CAYZEE. “Sometimes, you’re just waiting for that one reason to stay, to keep fighting. And when it doesn’t come… the silence says it all.”
Scope a Nigerian Afrobeats artist based in the UK, is hoping to connect with fellow Gen Z’s all over the world with the release of his debut EP Son of the Light.
He describes the six-track project as a “journey through the shadows for the youth”
“In a world often shrouded in darkness, we all yearn for a beacon of hope-a flicker of light that guides us through our struggles and uncertainties,” he explains.
“In creating this project, I sought not just to tell a story but to illuminate the path for those who feel lost in their own shadows.
The composer had never previously published the drafts which were written in 2018 on Sibelius and piano and lost to a broken hard drive.
The inspiration for the single was born from a trip to the stunning Alila Jabal Akhdar resort in Oman, a birthday gift to the artist from their girlfriend.
One evening, as the sun began to set over the dramatic landscape, the couple found themselves lost in a dried riverbed, with darkness falling fast.
With only the light from their phones to guide them, they navigated their way back towards the hotel under a vast and brilliant canopy of stars, a humbling and unforgettable experience that became the creative seed for the new track.
“Gravity, or the starry night above Oman”masterfully captures this scene. The music is both intimate and expansive, reflecting the feeling of being a small part of an immense and beautiful universe.
“We were starting to get worried about 6pm as the sun was getting lower and lower in the sky , but before we knew it we were out in the pitch dark making our way back to the hotel to the lights on our phones, it was terrifying and beautiful all at once,” says Alex. “There’s a unique feeling that comes with being truly lost, but then you look up and see this cosmic map laid out above you. All we could hear was the crunch of our feet on the gravel and our own breathing”.
About Bistro of art:
Alex is British Neoclassical composer who composes under the name Bistrot of art, inspired by travels in the Middle East, Scandi and his time studying French art history.
Born in 1989, he started playing piano at age 16 and wrote his first compositions shortly afterwards. He had a creative spell while living in Dubai for work, and released several pieces influenced by the Arabian starlit night sky. He takes breaks from composing, sometimes for years at a time, to draw deep inspiration and focus on other things but he always comes back refreshed with something new.
After a long break from composing he came back to another creative spell while on holiday in Nice where he finished writing drafts of several EPs.
“Music has a deep calming effect on me, medicinal even. I often keep working and reworking original ideas into different pieces that reflect my current mood. I would like to create more for piano and it’s my desire to write in a neoclassical style.”
Fusing smooth Afrobeats, dancehall, and R&B influences, “The Best I Know” is a lyrical exploration of life’s cycles—of love
lost and found, of growth, of the moments that bring us back to where we began, but with new eyes.
The Nigerian-born artist who lives in Wrexham, Wales, describes his sound as one that feels both intimate and universal.
“This song represents coming full circle—not just in relationships, but in personal growth. It’s about seeing everything with new clarity, embracing who you’ve become,” he says.
Produced and mixed by Shifu “The Best I Know” arrives as the lead single from Escaphini’s upcoming EP, set to drop later this year.
Marking his most reflective work in the past year, “Be Kind” delves deep into the emotional terrain of time’s passage and the universal fear and acceptance of outgrowing one’s prime, whilst also saying that he will not be running after time.
Unlike its energetic 120 BPM rhythm might suggest, the song is not a celebration but a poignant meditation.
In “Be Kind,” Time itself is personified: Nelz addresses Time directly in heartfelt lyrics, asking it to show compassion to the new generation.
The track’s chill, introspective vibe, paired with its undeniable groove, captures a rare blend of vulnerability and rhythm.
It’s the tenth single of the year by the prolific Nigerian-born music minister after “Onyeoma (Good God)”, “Sugar in my Heart”, “Flowers”, “Grace Love Money”, “Breakthrough”, “Rock and Shelter”, “E Give Me Bakery” and “Your Love”
The single serves as another taster of what’s in store from A!MS’ upcoming album entitled ‘Peak Season.
“Need Somebody” delivers a bold message of escape, safety, upliftment, and cultural fusion produced by Columbia’s Golden Boy and Stige contributing to the writing.
Previous single “Light & Love” with Julian Marley has already amassed over 5 million hits across all platforms and alongside the album it is officially being submitted for GRAMMY consideration in the Best Global Music Performance category.
Fresh from the underground, British DJ V-12 drops “Murda Style,” a fierce new jungle track that delivers raw energy straight to the dance floor.
Mixing heavy-hitting breakbeats, rolling basslines, and sharp ragga samples, Murda Style is a bold homage to the classic jungle sound while pushing it into darker, modern territory.
True to its name, the track cuts through with unapologetic attitude — built to ignite raves, underground sessions, and festival stages alike.
Speaking about the release, DJ V-12 said:
With ‘Murda Style,’ I wanted to capture the essence of what made me fall in love with jungle: relentless drums, heavy bass, and that raw edge that gets your heart racing. This one’s for the heads who keep the scene alive.
UK DJ and producer V-12 invites listeners into a hypnotic journey with the release of his latest single, “Moonlit Whispers.”
Mixing ethereal melodies with deep, pulsing beats, the track captures the delicate balance between mystery and intimacy that comes alive under moonlight.
Crafted with lush synth layers and haunting vocal textures, “Moonlit Whispers” showcases V- 12’s signature style: experimental soundscapes fused with emotive rhythm.
Drawing inspiration from late-night city drives and starlit skies, the song weaves together elements of downtempo electronica and ambient music to create an immersive listening experience.
“It’s first song in the EP after the interlude that shifts from melodic house to a more emotional ambient texture,” explains V-12. “A song that whispers to you when the world quiets down.”
Afro House Anthem “GYAL,” is a cross-continental collaboration between London artist and curator Manu, Bermuda native DJ/producer Korie Minors, and Caribbean-born, now UK based artist Merchant.
The song has already earned early support from fellow artists like Francis Mercier, Kitty Amor, Alex Wann, Fiona Kraft, and others.
“This record is something that is truly unique and special to all of us as artists and to the genre of Afro House,” says Jamaican born Merchant.
“GYAL” represents the sonic evolution of a genre that’s exploded across the globe, by being forward but also rooted in the core of all of our cultures. Having the vocal be in patois is particularly special to me, not only because I am Jamaican, but because it also highlights Jamaica’s wide ranging cultural impact.”
The the track pairs layered percussion and deep, rolling basslines with an infectious Jamaican vocal hook—capturing the energy of a peak-hour Ibiza dancefloor with undeniable global appeal.
Manu shares that “this is a production that crosses genres, cultures, and styles.
With “GYAL” we created something original and we hope that it provides an experience people want to feel over and over.”
Manu is the founder of tastemaker label Klub Record and a champion of Afro House across Europe.
He’s built a following of over 200k fans, playing a pivotal role in bringing together dedicated fans and newcomers to Afro House, sharing a niche sound in a dependable and palatable way which everyone can identify with via the label and his Deep Sounds podcast.
Korie Minors has built an impressive career – not only curating events such as AfroJam, but also working and performing with brands and organizations such as Soho House, St. Regis, Bermudian Government and more.
The hip-swaying uplifting melodic techno track is part of his forthcoming double LP, a concept album steeped in the lore of the graphic novel series THE PANHARMONION CHRONICLES, also created and written by Henry Chebaane, the artist behind the LX8 (Life x Infinity) project.
The song “Ghosts of Sound” is the title of vol.2 in the graphic novel series, due to be published during Winter 2025 by Supanova Media. This second book and related songs follow on from the first novel TIMES OF LONDON, published in 2023.
THE PANHARMONION CHRONICLES narrate the story of Alex Campbell, a multi-cultural female music composer who struggles with a conflicted identity, a traumatic past and repressed supernatural abilities while fighting a violent supremacist cult through Time.
In the novel Ghosts of Sound, Alex – a DJ and EDM producer, travels back to the 19th century and uses electronic dance music to boost the courage of a community of immigrants fighting off a tyrannical imperialist power.
The novel is a blend of science-fiction, horror, and alternative history that invites questions about contemporary social issues; spiced by hints of humour, pop culture and references that will appeal to dance music lovers of all genres.
LX8 is the musical alias for French-British songwriter, artist, author and designer Henry Chebaane. Inspired by the example of film director John Carpenter who also produces music and comics, LX8 has started his own musical journey, and “Ghosts of Sound” was his debut single in 2023.
Since then, he has released several more tracks of dance music with a wide variety of melodic techno vibes.
A recent arrival on the EDM scene, LX8 music style defies easy description but can be summarised as a “sonic quest into the human consciousness and the nature of reality.” A fan of house and trance music of the last four decades, LX8 wants to keep these sounds alive and inclusive for a new generation of global listeners from all cultures.
As an award-winning multimedia storyteller, Henry Chebaane also produces and directs his own videos, often set in locations that he has designed himself.
His first graphic novel “The Panharmonion Chronicles: Times of London” was published in 2023 by Supanova Media and has become a cult thriller with electronic music fans. His next novel in the same series is “Ghosts of Sound”, which is also the title of a forthcoming double album.
The concept double LP is a sonic exploration of The Panharmonion Chronicles story and its speculative universe, blending euphoric music and melodic techno with dark cinema.
The track is a melodic journey through heartbreak, offering a compelling contrast between Tiisan’s catchy vocals and Ajna Music’s pulsating Afrobeats production.
British DJs Rich and Jamie who are collectively known as Audiojack, are tapping into nostalgia with their new single “9pm at the diner” which was inspired by classic American movies of the 80s.
“It’s the sort of track we might play at an outdoor summer party as the sun goes does, feelgood vibes all round,” Audiojack explains.
“The idea for 9pm At The Diner was born when we came across the dusty old chords sample, which reminded us of classic 80s movies, and conjured up feelings of an imagined American youth, riding around on BMXs, going for milkshakes and burgers at the diner etc, so we kept that nostalgic vibe in mind and created the track around that theme.
Nigerian-born, London-based rising star Naza SYF returns with a new single titled “Show It”, track that merges Afrobeat, soul, hip-hop, and streetwise rhythm.
“Show It” marks a new chapter in Naza SYF’s genre-defying sound — one that balances vulnerability with swagger, intensity with groove.
Built on smooth percussive layers, subtle melodic textures, and emotionally resonant lyrics, the track invites listeners to let go of inhibition and fully express who they are.
Known for his signature tag “Za Vibes Only”Naza SYF, explains the inspiration behind the track: “I wrote ‘Show It’ to reflect what most people are afraid to do — be real with their feelings.
Whether it’s love, ambition, attraction, or truth, it takes courage to be seen without filters. This track is me saying: stop hiding — show it.”
Drawing influence from artists like Daft Punk, Porter Robinson, and REZZ, the album uses modular synths, layered textures, and live sampling to create a deeply emotive listening experience.
“This album is about emergence — the moment we realise we’re not just surviving, but awakening,” says XÆRA. “It’s the soundtrack to becoming self-aware in a world that’s constantly rewriting what consciousness even means.”
Following the success of her breakout single “Move From Mè,” which garnered an impressive 600k streams in just four months, Lahrel continues to impress with her dynamic sound.
Now, Lahrel is taking a bold leap into a completely different musical realm with “Sit Down,” a blend of Afrobeats, dancehall and pop in which she features fellow UK artist , Afro B fresh off the success of his hit single “Joanna”
UK-based Afrobeats singer and songwriter Cayzee has released a new love song “For My Baby” inspired by artists like Fireboy DML, King Promise and Camidoh.
The Ghana native describes the song as a “heartfelt ode to real, gentle love — blending smooth Afrobeat rhythms with soulful melodies and reflective lyrics.”
“For My Baby” was created during a moment of personal vulnerability, and I wanted the sound to feel just as intimate and soothing,” he explains.
The track is a follow-up to Cayzee’s last single “Hate To See You Cry” and part of a bigger story he’s building — bringing Afrobeat and soul together in fresh, melodic ways.
Inspired by his mother, a musician who introduced him to her own sound as a child and his sister who taught him how to write, Louis Morgan’s music is boasts hip-hop, electronic, experimental, spiritual and acid jazz influences.
“Hate To See You Cry” the new single by UK-based artist Caleb Myles, weaves Afro-fusion rhythms with emotional storytelling, delivering a soulful, melodic sound that balances vulnerability and groove.
With smooth vocals and heartfelt lyrics, the track explores the pain of watching a loved one struggle, wrapped in warm percussion and atmospheric production.
It’s intimate, melancholic, and deeply relatable—crafted to resonate with listeners who appreciate emotionally rich storytelling over lush production. “This song is a reflection of the helplessness one feels when someone they care about is hurting,” says CAYZEE. “I wanted to capture that raw emotion and translate it into a sound that resonates universally. I believe that “Hate To See You Cry” has a lot of potential as a song that most people can relate to.
Following the success of “Not Nice” and “SGMA”Remix, rising Afrofusion artist Neo 21 returns with “E”Enthralled”, a captivating new single that sets the tone for his highly anticipated debut EP, Teriqus, arriving mid-2025.
A fusion of Afrobeats, Hip-Hop, and Melodic Rap, “Enthralled” captures the intoxicating feeling of being completely drawn to someone—where body language speaks louder than words, and emotions run deep.
“This track isn’t just about one person,” Neo 21 explains. “It’s about that universal, electric moment I’m sure loads of people can relate to when attraction turns into obsession—the butterflies, the unspoken connection, the rush of something new.”
To accompany the single, Neo 21 is set to release a music video directed by Toothless Films.
UK Afrobeats artist Loco Loco has released a new single- “Make It Official” a record that showcases Loco Loco’s fresh take on Afrobeats, combining soulful rhythms with contemporary sounds.
“JOY (As an Act of Resistance)’ is a sunny trip-hop at its finest: warm, uplifting, and defiant. It’s a song about resilience — coming in from the cold, finding shelter, and choosing joy no matter the circumstance. With bouncy basslines, hopeful horns, and a steel drum melody that beams with light, this track is designed to lift spirits and move feet.
While the album Shades of Sunshine is a celebration of diversity in sound — a vibrant journey through Trip-Hop, House, UK Garage, and Jungle. With rich instrumental layers, soulful vocal samples, global percussion, and bold basslines, this is dance music for the mind, body, and soul.
Myriad plans to drop each track from the album will drop weekly over the next 10 weeks.
UK Afrobeats artist Princess Wonda returns with a commanding new single, “No Yawa,” a vibrant and unapologetic anthem celebrating the relentless grind and the blessings that follow focused hustle.
Fresh off a series of career-defining moments—including headline shows, millions of streams, and licensing deals with hit TV series—Princess Wonda continues to carve her lane as a fearless voice in the Afro-fusion scene. With “No Yawa,” she delivers an introspective yet defiant message: trust in your work, ignore the distractions, and let the results speak.
“This track is for everyone who’s putting in the work, staying consistent, and letting God and the universe elevate them in due time. It’s a reminder that real hustle doesn’t need validation from naysayers or pocket watchers,” says Princess Wonda.
Backed by pulsing Afrobeat production, “No Yawa”blends rich sonic textures with introspective lyricism, highlighting the connection between faith, financial freedom, and peace of mind. It’s a sound that’s both grounded and futuristic—perfectly matched by the bold, metallic aesthetic of the accompanying cover art, where Princess Wonda exudes power and poise in a shimmering chrome look.
“Sunshine” is one of the tracks from Mairose’s first EP My Next Chapter This feel good uplifting Hip/hop dance track with an upbeat sound, and catchy chorus.
Definitely has holiday/ festival vibes that will have you dancing all night. Until the sun goes down.
Mairose is an emerging Hip-hop R&B singer-songwriter hailing from Manchester UK. Well known for her unique acapella mashups on Tik Tok, She engages her audience with her soulful vocals. Sunshine is so far her biggest hit gaining over 1k streams within days of it’s release, and reaching over 800 monthly listeners worldwide, in over 80 countries.
The track, “Kindness” which is his first single of the year, combines his signature groovy African rhythms memorable vocals.
A lot has changed in the Afrobeats scene since 2004 when “You May Kiss the Bride” ruled the airwaves and Bollie, who is set to release an album later this year is determined to prove that he’s been improving his craft.
“I have learned a lot musically and lyrically over the years and I believe it’s time to exhibit my growth to the world through my music and fresh sound which is a blend of my afro root vibes with dancehall and reggae music influence.”
Following the vibrant energy of her last single In My Cup, lauded for its infectious rhythm and celebration of life’s pleasures, UK-based Afrobeats singer, Dara Blaxx returns with a fresh sound in her latest track, “The Mission”
Produced by Diego Castro, “The Mission” perfectly captures the mysterious and magnetic pull of connection, sparking something much bigger than just attraction.
Dara’s signature vocals, flirty lyrics & fluid flow explore themes of attraction, intimacy & serendipitous moments that feel as though they were written in the stars.
With every note, she brings a deep sense of intimacy and emotion, gliding effortlessly between rich harmonies and whispers. This track lingers long after the first listen, making it a must-hear for lovers of R&B and Neo-Soul.
