German artist Giddens is back with a new single “Obroni Kokoo” a blend of Afrobeats, Afro fusion and Afrohouse rhythms.
“Obroni Kokoo” blends Ghanaian Pidgin storytelling and the title means “Red Foreigner” in Twi — a nickname he grew up with as a mixed-race kid between Accra and Germany.
This track captures hi dual identity: diasporic roots, raw emotion, and global sound.
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Prod.Liberty and Nathi Mensa have released a new single, “Blow Up”, an energetic Afrofusion track blending Afrotrap-inspired rhythms, early-2000s vocal vibes, and modern club-ready production.
Produced by Prod. Liberty (Austria) and performed by Nathi Mensa (Ghana), the song combines international flair with catchy grooves and a fast-paced, danceable energy.
Stream “Blow Up” by Prod.Liberty and Nathi Mensa
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Ghanaian Afrobeats singer-songwriter Twicy hosted an exclusive event in Accra to celebrate the release of the video for his new single “All Over Me” produced by Sweet Poison.
Twicy is a three-time Central Music Award winner. He was named Artist of the Year at the 2024 edition when he was nominated for seven awards.
The premiere for “All Over Me” which is one of the songs on his debut album Far Away was attended by Kojo Myles, who directed the video and other rising stars in the Ghanaian music scene including Billz, Obibini Takyi Jr., R. Kay, and Mo Jigger.
Twicy has been making waves in the Ghanaian and Nigerian music industry especially since the release of his singles “Living It Up” and Lotto which he preformed on Glitch Africa during his trip to Nigeria.
“All Over Me” is his second single this year after “Monalisa”
Listen to “All Over Me” by Twicy
“Dem Dead” is a bold, high-energy anthem that brings together rising Nigerian artist DRELA and Ghanaian Grammy nominee and BET Awards winner STONEBWOY in a powerful West African-Caribbean collaboration.
“DEM DEAD” is a fusion of Afrobeats, Dancehall, and street-hop energy — a sonic showdown that’s as raw as it is infectious. With Drela’s fiery delivery and Stonebwoy’s commanding presence.
Built on a foundation of rhythmic percussion, punchy melodies, and urgent lyrical delivery, the track bridges Afrobeats and Dancehall with an edge that speaks to both street resilience and celebration. The title “Dem Dead” is an expression from West African Pidgin, loosely translating to “They’re finished” or “They’re done for.”
In the context of the track, it’s a confident declaration of dominance and survival in a chaotic world.
Listen to “Dem Dead” by Drela and Stonebwoy
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Ghanaian artist Bollie is back with a new single “Be Aware” a fusion of Afrobeats, Amapiano and Azonto.
In his second release of the year since “Kindess” the artist burst who into the limelight in 2006 with “You May Kiss the Bride” takes fans back to the early days of his careee when his sound was heavily dominated by rap in his mother tongue of “Akan”
Listen to “Be Aware” by Bollie
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UK-based Afrobeats singer and songwriter Cayzee has released a new love song “For My Baby” inspired by artists like Fireboy DML, King Promise and Camidoh.
The Ghana native describes the song as a “heartfelt ode to real, gentle love — blending smooth Afrobeat rhythms with soulful melodies and reflective lyrics.”
“For My Baby” was created during a moment of personal vulnerability, and I wanted the sound to feel just as intimate and soothing,” he explains.
The track is a follow-up to Cayzee’s last single “Hate To See You Cry” and part of a bigger story he’s building — bringing Afrobeat and soul together in fresh, melodic ways.
Listen to “For My Baby” by Cayzee
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With songs like Lotto and Live it Up, Ghanaian artist Twicy is making a name for himself in the Afrobeats scene.
I recently caught up with him over Zoom shortly after his return from an Easter vacation to the Sao Tome and Principe, part of his prize for winning Artist of the Year at the 2024 Central Music Awards.
“It was so peaceful, just like heaven,” he says.
Born Ernest Bright Acquah in Agona Swedru located in the central region of Ghana, Twicy’s knew early on that he wanted to sing and perform around the world, largely influenced by his father who regularly played records by Fela Anikulakpo-Kuti and Bob Marley among others.
“Those songs shaped me, I would always imagine what it would be like to have people all over the world singing my songs,” he recalls.
After graduating from the Edinam an High School 2013, he was determined to pursue his dream full, recording early mixtapes and covers in studios around his hometown. “It was an exciting but challenging time, going from one studio to the other and trying to get money for the studio sessions,” Twicy says.
In 2016 he won first place in a Song Remix Competition organized by The Media Blast PR and Dailey’s Entertainment which earned him a record deal with Dailey’s Entertainment.
“I’m grateful to Big Moe and Dailey’s Entertainment. They really changed my life”
His win at the 2024 Central Music Awards capped up an eventful year which saw him embark on a media tour in Nigeria when I first met him. We connected early that year after his manager Moses Dailey hired me to join Twicy’s media and communications team.
“2024 was a busy but exciting year for me. I went to Nigeria and the UK for the first time in my life,” he says.
While in he Lagos, I took Twicy to the New Afrika Shrine and Ojuelgeba, Wizkid’s former hood which also inspired one of the biggest Afrobeats songs of the same name.
“I love Lagos and it was an honour to visit Fela’s shrine,” he tells me. “And Wizkid has always been such an inspiration to me so it was so inspiring to see his old hood. It felt good to be experience such iconic places in Afrobeats history.”
“One of my favourite things about Lagos was the food, especially the steaming bowl of cat fish pepper soup we had at the Afrika Shrine”
He tells me that he thought was actual cat meat pepper soup when he heard me making the order.
It reminded me of an old joke by comedian Basketmouth about a Nigerian who orders cat fish in a Ghanaian restaurant but is surprised when the waiter brings him a bowl of normal fish cut in into tiny pieces. So of course he was confused and wanted to know why to which the waiter in his Ghanaian accent replied that the fish had been “cut”
“I love the energy of Lagos, it’s similar to Accra in some ways. Something is always happening. “I loved the vibe at Obi’s House and the yellow Danfo buses. We have them in Ghana too. We call them Trotro,” he says.
“I also think about the CMS Church. It’s so beautiful and I plan to to shoot the video for my forthcoming single “All Over Me”
“It’s a beautiful song. I can’t wait to share it with my fans and that would be the perfect place to shoot the video”
“I love Lagos and I’m grateful for all the friends I made there, my friends in the media, Amos Ikwuje and Latino Perrico.
As we close, I ask Twicy about his dream collaborations and he lists Olamide, Ayra Starr, Crayon, Mqgixx and Shallipoppi who’s song “Laho” is currently doing ‘madness’ in Ghana.
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Following the release of his joint EP Circles with producer DJFortune, Ghanaian Afrobeats artist Zotto is back with a new single “Target”.
Featuring long time collaborator Questo on the hook, this song is a highly inspirational song about wins and affirmation.
Listen to “Target” by Zotto
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Ghanaian singer and songwriter Sofie, has released a new project, Coke Sessions LA, an EP that captures the raw essence of her sound in its most authentic form. The live-recorded EP features fan-favorite originals and a surprise cover, all delivered with electric energy and soul-stirring artistry.
Coke Studio Sessions LA showcases the soul of Afro fusion across four electrifying tracks: “SUV (Live),” “Loading (Live)”, “Party Pooper (Live)”, and “Bruises off the Peach (Live cover).”
Backed by a tight live setup, drums, bass, electric guitar, and keyboard. Each performance brings a fresh energy to the music, blending groove driven instrumentation with heartfelt storytelling.
The EP weaves through high-energy rhythms and more introspective moments, offering listeners a front-row experience of Sofie’s sonic journey.
From high- energy moments in “SUV” (Live) to more reflective tones in “Bruises off the Peach,” Coke Studio Sessions LA captures the spontaneity and emotion of a live performance while staying true to the artist’s distinctive sound. It’s a stripped yet full-bodied experience that bridges raw feeling with refined musicality.
The performance is elevated by a dynamic live band, featuring Shane Njoloma on keyboard, Mahima Joshi on guitar, Shareef Addo on bass, and Brandon Stennett on drums.
Sofie’s powerful vocals and storytelling shine through in this stripped-down setting, proving once again her ability to blend groove-driven instrumentation with emotional depth. The EP reflects the evolution of an artist firmly grounded in her identity and craft. Engineered by Joseph Sestito, mixed by Ramiro Fernandez-Seoane, and mastered by Zach Pereyra, the EP balances raw performance with polished audio quality; a testament to the strength of live musicianship and the enduring power of storytelling.
This release follows a consistent stream of music from Sofie, whose discography includes a mixtape, three EPs, and several singles. Her most recent release, “SUV (Live),” dropped in April 2025 and set the stage for this powerful collection of performances.
With Coke Studio Sessions LA, Sofie doesn’t just perform but she invites us into her world, track by track, beat by beat, word by word. This EP is not just a listening experience; it’s a reminder of what live music can and should feel like.
Listen to the Coke Studio Sessions LA Live EP
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