“U DEY FOR ME”, the new single by Ghanaian- American gospel singer Charley-A is a declaration that God is not just a distant creator, but an “ever-present help”.
The title translates to “You’re there for me” in Pidgin English and the song is a reminder that in the middle of chaos, in the quiet, in the valleys and on the peaks, God is not just watching but walking beside his children.
“U DEY FOR ME” by Charley-A is out now on all platforms.
Translating to “pure love,” the song blends warm guitar melodies, steady rhythmic grooves, and soulful expression, paying homage to the timeless sound that has shaped generations of Ghanaian music. With “Odo Fitaa”, the UK-based artist bridges tradition and modernity, drawing influence from classic highlife storytelling while crafting a sound that resonates with contemporary listeners.
“I wanted to create something honest and warm,” says Caleb Myles.
“This song that reflects pure love while blending traditional Ghanaian highlife elements I grew up with, but with a modern Afro feel.
The rapper’s second release of the year, ‘Yolo,’ is a humble declaration that promises a reborn Kwesi Slay with deeper artistic resolve.
Born Bernard Kwesi Appiah, Kwesi Slay made his 2018 debut with “Seven,” featuring Kwesi Arthur.
He went on to release several collaborations with Medikal (‘Frass’), Quamina MP (‘Pussy Cat’), and Kuami Eugene (‘Follow Me’)
Early this year he returned from a seven year hiatus with the Afro-Soul single ‘Tuutu Doo.’
“I needed to disconnect to realign,” Kwesi Slay reveals. “My break was a period of recalibration and creative rebirth. I needed a break to gather strength to come back stronger. Through it all, I’ve lived, grown, and now, I’m ready to speak again, louder than ever before.”
Enter ‘Yolo,’ an Afrobeats anthem meant to reignite the artist’s passion for music. This upbeat track is centered on the universal truth: you only live once. Or as Kwesi Slay plainly puts it: “How you dey live today? Nobody dey care. If you die today? Nobody dey care.”
Ghanaian Afrobeats artist, LUCKY SIKI, makes his industry debut with the party anthem “Derty December”
It’s a high-voltage song that perfectly captures the sight and sound of Nigeria’s festive season, with its colors, unfiltered and raw energy and camaraderie.
Driven by an Afrocentric trap beat with ambitious storytelling of the diaspora lifestyle, the record captures it all; the movement of shakers from party to afterparty, in convoys and police escorts, the meeting of old friends and introduction to new ones from around the world, all gathering to celebrate the season in Lagos, Nigeria.
From “March that machine” to “na convoy convoy,” “Derty December” captures the reckless joy and coded status play that defines December in Naija.
“This is Lagos’ most notorious month bottled in a beat: the chaos, the champagne, the convoys, the comeback energy of the diaspora,”says Lucky Siki.
He added: “December in Nigeria is “pure madness”, it is electric, rowdy and dangerous but the raw joy you experience is what pulls you back every year and that’s what I wanted to capture with this track.”
Derty December plays into this rowdiness, it’s a chant-driven street anthem built for the clubs, for the cruise, and for every night the city refuses to sleep.
“Obroni Kokoo” blends Ghanaian Pidgin storytelling and the title means “Red Foreigner” in Twi — a nickname he grew up with as a mixed-race kid between Accra and Germany.
This track captures hi dual identity: diasporic roots, raw emotion, and global sound.