Ghanaian artist Onyansapow Bowaanopow has released a new single, “CONTENTMENT II”, featuring reggae musician Ras Kuuku.
Classified as a reggae release, “CONTENTMENT II” follows Onyansapow Bowaanopow’s earlier song “Contentment”, which centred on themes of gratitude, self-acceptance and avoiding envy. The new version brings Ras Kuuku into the record, expanding on the collaboration while maintaining the song’s focus on contentment.
“CONTENTMENT II” by Onyansapow Bowaanopow ft Ras Kuuku is now available on streaming platforms.
Ghanaian artist Unvex has released his new Afrobeats single “Oh Youth,” taken from his EP Genesis of Tuga.
The track reflects the realities faced by young people today, focusing on pressure, survival, and the drive to succeed. Built on a melodic foundation with an emotional delivery, “Oh Youth” combines relatable storytelling with a sound shaped by contemporary Afrobeats influences.
Unvex draws inspiration from a wide range of artists including Wiz Khalifa, Vybz Kartel, and Omar Sterling, blending those influences into a style that balances introspection with rhythm and accessibility.
The single continues the narrative of Genesis of Tuga, presenting a project rooted in lived experience and youth perspective, with “Oh Youth” standing out as one of its most reflective moments.
“Oh Youth” by Unvex is out now on all streaming platforms.
Ghanaian-American Afrobeats artist Massaeli has released a new single titled Challenger, a high-energy Afro-dance record that blends romantic storytelling with upbeat, dance-driven production.
Produced by KenliBeatz, the track centres on themes of romantic intent and long-term commitment, with Massaeli positioning himself not as one option among many, but as the final choice.
Challenger uses subtle wordplay to build its narrative, weaving in references such as “Excalibur” and “exes” to frame love as both a battle of loyalty and a declaration of certainty. The result is a track that feels playful yet intentional, balancing emotional depth with club-ready energy.
Despite its romantic theme, the song maintains a vibrant Afro-dance foundation, driven by high-energy percussion and rhythmic bounce designed for the dancefloor while still carrying a clear lyrical message.
“Challenger” by Massaeli is out now on all streaming platforms.
Ghanaian-American artist Charley-A has released a heartfelt new song titled Ayekoo (A Song for Mom), a personal tribute to his late mother and a broader salute to mothers everywhere.
“Ayekoo,” a Ghanaian expression used to congratulate someone for a job well done, frames the emotional core of the track.
The song was inspired by a family gathering in 2023, when Charley-A and his siblings came together to remember their mother 28 years after her burial, sharing memories filled with both laughter and grief.
The record reflects on love, loss, and gratitude, while also acknowledging the emotional and mental strength of mothers who carry the weight of caregiving and family life. Through the song, Charley-A extends appreciation to women everywhere who take on the role of raising and nurturing children.
“Ayekoo (A Song for Mom)” is now available on all streaming platforms
Ghanaian artists Dreamo and Gaddy have released a new single “Make No Time”
It’s the second single off their forthcoming collaborative album, blending elements of Afro House and Afro-pop.
“Make No Time” encapsulates the ethos of Dreamo & Gaddy’s upcoming project— resilience, self-awareness, and growth through adversity—delivered through a sound
“Make No Time” by Dreamo & Gaddy is out now on all streaming platforms.
Berlin-based artist Giddens returns with his new single “We No Play,” the first entry point into his upcoming concept album FTM.
“We No Play” is positioned as a defining statement rather than a standalone release.
The track captures cycles of pressure, resilience, and forward motion, introducing the central idea behind the album: that constant adaptation can sustain you, but also gradually dissolve a stable sense of self.
Rooted in experiences between Berlin and Accra, the single reflects themes of identity under pressure, emotional endurance, and the tension between self-preservation and belonging.
FTM builds on this foundation as a concept-driven project exploring fragmentation, diaspora, and emotional survival. Instead of a linear narrative, the album unfolds through layered fragments—like memory being continuously rewritten—mirroring the instability and repetition that shape modern identity.
“We No Dey Play” by Giddens is out now on all streaming platforms.
Longtime friends Mr Eazi and King Promise have released a joint album See What We Have Done”
Following the success of its lead singles – the nostalgic Backstreet Boys interpolating ‘That Way’, the sun-drenched romantic drop ‘Mariana’, and the title track ‘See What We’ve Done’, the album marks a defining new chapter for two of African music’s most influential voices.
The nine-track project includes production credits from an elite roster including GRAMMY-winning hitmakers GuiltyBeatz (Beyoncé, Jorja Smith), JAE5 (J-Hus, Dave), KillBeatz (Ed Sheeran, Wizkid) and AoD (FKA Twigs, Doja Cat).
The Nigerian Grammy winner (Mr Eazi) and the Ghanaian Afro pop sensation (King Promise) describe the See What We’ve Done album as a “celebration of friendship, growth, and gratitude, and that spirit sits at the heart of the project.”
See What We’ve Done by Mr Eazi and King Promise is out now on all streaming platforms.
Ghanaian artist Beniikay introduces his new single “Sorsorkusor,” an Afro R&B/pop record that blends soulful melodies with a calm yet uplifting sound.
The track delivers a message of resilience and determination, encouraging listeners to keep pushing forward and never give up despite life’s challenges.
“Sorsorkusor” by Beniikay is out now on all streaming platforms.
Ghanaian-American gospel singer Charley-A has released his latest single, “Be Still”, a much-needed song to prompt christians to remain firm in God.
This song is a musical anchor designed to lead listeners away from anxiety and direct them to the refuge of God’s presence. Rooted in the timeless promise of Psalm 46:10, the song begins with a pleasant harmonious melody, acknowledging the overwhelming noise of life, before building into a powerful declaration of God’s absolute sovereignty.
It invites the believer to stop fighting, stop striving and for a few precious minutes, simply be in the presence of the Almighty. It speaks directly to the exhaustion of our current culture, providing a soaking worship experience that helps people surrender their burdens.
“Be Still” by Charley-A is out now on all streaming platforms.
“U DEY FOR ME”, the new single by Ghanaian- American gospel singer Charley-A is a declaration that God is not just a distant creator, but an “ever-present help”.
The title translates to “You’re there for me” in Pidgin English and the song is a reminder that in the middle of chaos, in the quiet, in the valleys and on the peaks, God is not just watching but walking beside his children.
“U DEY FOR ME” by Charley-A is out now on all platforms.
Translating to “pure love,” the song blends warm guitar melodies, steady rhythmic grooves, and soulful expression, paying homage to the timeless sound that has shaped generations of Ghanaian music. With “Odo Fitaa”, the UK-based artist bridges tradition and modernity, drawing influence from classic highlife storytelling while crafting a sound that resonates with contemporary listeners.
“I wanted to create something honest and warm,” says Caleb Myles.
“This song that reflects pure love while blending traditional Ghanaian highlife elements I grew up with, but with a modern Afro feel.
The rapper’s second release of the year, ‘Yolo,’ is a humble declaration that promises a reborn Kwesi Slay with deeper artistic resolve.
Born Bernard Kwesi Appiah, Kwesi Slay made his 2018 debut with “Seven,” featuring Kwesi Arthur.
He went on to release several collaborations with Medikal (‘Frass’), Quamina MP (‘Pussy Cat’), and Kuami Eugene (‘Follow Me’)
Early this year he returned from a seven year hiatus with the Afro-Soul single ‘Tuutu Doo.’
“I needed to disconnect to realign,” Kwesi Slay reveals. “My break was a period of recalibration and creative rebirth. I needed a break to gather strength to come back stronger. Through it all, I’ve lived, grown, and now, I’m ready to speak again, louder than ever before.”
Enter ‘Yolo,’ an Afrobeats anthem meant to reignite the artist’s passion for music. This upbeat track is centered on the universal truth: you only live once. Or as Kwesi Slay plainly puts it: “How you dey live today? Nobody dey care. If you die today? Nobody dey care.”
Ghanaian Afrobeats artist, LUCKY SIKI, makes his industry debut with the party anthem “Derty December”
It’s a high-voltage song that perfectly captures the sight and sound of Nigeria’s festive season, with its colors, unfiltered and raw energy and camaraderie.
Driven by an Afrocentric trap beat with ambitious storytelling of the diaspora lifestyle, the record captures it all; the movement of shakers from party to afterparty, in convoys and police escorts, the meeting of old friends and introduction to new ones from around the world, all gathering to celebrate the season in Lagos, Nigeria.
From “March that machine” to “na convoy convoy,” “Derty December” captures the reckless joy and coded status play that defines December in Naija.
“This is Lagos’ most notorious month bottled in a beat: the chaos, the champagne, the convoys, the comeback energy of the diaspora,”says Lucky Siki.
He added: “December in Nigeria is “pure madness”, it is electric, rowdy and dangerous but the raw joy you experience is what pulls you back every year and that’s what I wanted to capture with this track.”
Derty December plays into this rowdiness, it’s a chant-driven street anthem built for the clubs, for the cruise, and for every night the city refuses to sleep.
“Obroni Kokoo” blends Ghanaian Pidgin storytelling and the title means “Red Foreigner” in Twi — a nickname he grew up with as a mixed-race kid between Accra and Germany.
This track captures hi dual identity: diasporic roots, raw emotion, and global sound.
Prod.Liberty and Nathi Mensa have released a new single, “Blow Up”, an energetic Afrofusion track blending Afrotrap-inspired rhythms, early-2000s vocal vibes, and modern club-ready production.
Produced by Prod. Liberty (Austria) and performed by Nathi Mensa (Ghana), the song combines international flair with catchy grooves and a fast-paced, danceable energy.
Ghanaian Afrobeats singer-songwriter Twicy hosted an exclusive event in Accra to celebrate the release of the video for his new single “All Over Me” produced by Sweet Poison.
— Afrobeats Head Loves Timothee Ideh (@AfrobeatsHead) July 26, 2025
The premiere for “All Over Me” which is one of the songs on his debut album Far Away was attended by Kojo Myles, who directed the video and other rising stars in the Ghanaian music scene including Billz, Obibini Takyi Jr., R. Kay, and Mo Jigger.
Twicy has been making waves in the Ghanaian and Nigerian music industry especially since the release of his singles “Living It Up” and Lotto which he preformed on Glitch Africa during his trip to Nigeria.
“All Over Me” is his second single this year after “Monalisa”
“Dem Dead” is a bold, high-energy anthem that brings together rising Nigerian artist DRELA and Ghanaian Grammy nominee and BET Awards winner STONEBWOY in a powerful West African-Caribbean collaboration.
“DEM DEAD” is a fusion of Afrobeats, Dancehall, and street-hop energy — a sonic showdown that’s as raw as it is infectious. With Drela’s fiery delivery and Stonebwoy’s commanding presence.
Built on a foundation of rhythmic percussion, punchy melodies, and urgent lyrical delivery, the track bridges Afrobeats and Dancehall with an edge that speaks to both street resilience and celebration. The title “Dem Dead” is an expression from West African Pidgin, loosely translating to “They’re finished” or “They’re done for.”
In the context of the track, it’s a confident declaration of dominance and survival in a chaotic world.
In his second release of the year since “Kindess” the artist burst who into the limelight in 2006 with “You May Kiss the Bride” takes fans back to the early days of his careee when his sound was heavily dominated by rap in his mother tongue of “Akan”
UK-based Afrobeats singer and songwriter Cayzee has released a new love song “For My Baby” inspired by artists like Fireboy DML, King Promise and Camidoh.
The Ghana native describes the song as a “heartfelt ode to real, gentle love — blending smooth Afrobeat rhythms with soulful melodies and reflective lyrics.”
“For My Baby” was created during a moment of personal vulnerability, and I wanted the sound to feel just as intimate and soothing,” he explains.
The track is a follow-up to Cayzee’s last single “Hate To See You Cry” and part of a bigger story he’s building — bringing Afrobeat and soul together in fresh, melodic ways.
With songs like Lotto and Live it Up, Ghanaian artist Twicy is making a name for himself in the Afrobeats scene.
I recently caught up with him over Zoom shortly after his return from an Easter vacation to the Sao Tome and Principe, part of his prize for winning Artist of the Year at the 2024 Central Music Awards.
Born Ernest Bright Acquah in Agona Swedru located in the central region of Ghana, Twicy’s knew early on that he wanted to sing and perform around the world, largely influenced by his father who regularly played records by Fela Anikulakpo-Kuti and Bob Marley among others.
“Those songs shaped me, I would always imagine what it would be like to have people all over the world singing my songs,” he recalls.
After graduating from the Edinam an High School 2013, he was determined to pursue his dream full, recording early mixtapes and covers in studios around his hometown. “It was an exciting but challenging time, going from one studio to the other and trying to get money for the studio sessions,” Twicy says.
In 2016 he won first place in a Song Remix Competition organized by The Media Blast PR and Dailey’s Entertainment which earned him a record deal with Dailey’s Entertainment.
“I’m grateful to Big Moe and Dailey’s Entertainment. They really changed my life”
His win at the 2024 Central Music Awards capped up an eventful year which saw him embark on a media tour in Nigeria when I first met him. We connected early that year after his manager Moses Dailey hired me to join Twicy’s media and communications team.
“2024 was a busy but exciting year for me. I went to Nigeria and the UK for the first time in my life,” he says.
While in he Lagos, I took Twicy to the New Afrika Shrine and Ojuelgeba, Wizkid’s former hood which also inspired one of the biggest Afrobeats songs of the same name.
“I love Lagos and it was an honour to visit Fela’s shrine,” he tells me. “And Wizkid has always been such an inspiration to me so it was so inspiring to see his old hood. It felt good to be experience such iconic places in Afrobeats history.”
“One of my favourite things about Lagos was the food, especially the steaming bowl of cat fish pepper soup we had at the Afrika Shrine”
He tells me that he thought was actual cat meat pepper soup when he heard me making the order.
It reminded me of an old joke by comedian Basketmouth about a Nigerian who orders cat fish in a Ghanaian restaurant but is surprised when the waiter brings him a bowl of normal fish cut in into tiny pieces. So of course he was confused and wanted to know why to which the waiter in his Ghanaian accent replied that the fish had been “cut”
“I love the energy of Lagos, it’s similar to Accra in some ways. Something is always happening. “I loved the vibe at Obi’s House and the yellow Danfo buses. We have them in Ghana too. We call them Trotro,” he says.
“I also think about the CMS Church. It’s so beautiful and I plan to to shoot the video for my forthcoming single “All Over Me”
“It’s a beautiful song. I can’t wait to share it with my fans and that would be the perfect place to shoot the video”
“I love Lagos and I’m grateful for all the friends I made there, my friends in the media, Amos Ikwuje and Latino Perrico.
As we close, I ask Twicy about his dream collaborations and he lists Olamide, Ayra Starr, Crayon, Mqgixx and Shallipoppi who’s song “Laho” is currently doing ‘madness’ in Ghana.
Ghanaian singer and songwriter Sofie, has released a new project, Coke Sessions LA, an EP that captures the raw essence of her sound in its most authentic form. The live-recorded EP features fan-favorite originals and a surprise cover, all delivered with electric energy and soul-stirring artistry.
Coke Studio Sessions LAshowcases the soul of Afro fusion across four electrifying tracks: “SUV (Live),” “Loading (Live)”, “Party Pooper (Live)”, and “Bruises off the Peach (Live cover).”
Backed by a tight live setup, drums, bass, electric guitar, and keyboard. Each performance brings a fresh energy to the music, blending groove driven instrumentation with heartfelt storytelling.
The EP weaves through high-energy rhythms and more introspective moments, offering listeners a front-row experience of Sofie’s sonic journey.
From high- energy moments in “SUV” (Live) to more reflective tones in “Bruises off the Peach,” Coke Studio Sessions LA captures the spontaneity and emotion of a live performance while staying true to the artist’s distinctive sound. It’s a stripped yet full-bodied experience that bridges raw feeling with refined musicality.
The performance is elevated by a dynamic live band, featuring Shane Njoloma on keyboard, Mahima Joshi on guitar, Shareef Addo on bass, and Brandon Stennett on drums.
Sofie’s powerful vocals and storytelling shine through in this stripped-down setting, proving once again her ability to blend groove-driven instrumentation with emotional depth. The EP reflects the evolution of an artist firmly grounded in her identity and craft. Engineered by Joseph Sestito, mixed by Ramiro Fernandez-Seoane, and mastered by Zach Pereyra, the EP balances raw performance with polished audio quality; a testament to the strength of live musicianship and the enduring power of storytelling.
This release follows a consistent stream of music from Sofie, whose discography includes a mixtape, three EPs, and several singles. Her most recent release, “SUV (Live),” dropped in April 2025 and set the stage for this powerful collection of performances.
With Coke Studio Sessions LA, Sofie doesn’t just perform but she invites us into her world, track by track, beat by beat, word by word. This EP is not just a listening experience; it’s a reminder of what live music can and should feel like.
Asiama introduces his sound to the world with “Akoma”, capturing a pulse that beats through struggle, rises on faith, and endures through an unbreakable journey of hope in his debut single.
Years of quiet perseverance have only strengthened the pulse within. With “Akoma,” Asiama brings to life a song powered by every moment of waiting, every silent hope and every unseen prayer. ‘“Akoma” is not just a debut; it is the sound of a heart charging, beating louder and stronger than ever before.
Asiama (pronounced “Eh-See-Ama”) is a Ghanaian singer, songwriter, and musician
whose artistry bridges the timeless essence of Ghanaian Highlife with the emotional depth of Soul and the raw energy of Hip-Hop.
Born Emmanuel Asiamah Mensah in Effiduase, Kumasi, and raised in a musically rich household where gospel, choral harmonies, and Highlife rhythms shaped his earliest sonic memories. From his formative years leading vocal groups to studying Music, Theatre, and Dance at the University of Ghana, Asiama has honed a sound deeply rooted in heritage and forward-thinking innovation. His journey took a pivotal turn under the mentorship of legendary multi-instrumentalist and producer Kwame Yeboah, whose influence helped refine his artistic identity.
With a captivating stage presence and an innate ability to blend traditional Ghanaian sounds with contemporary textures, Asiama has built a reputation through self-
produced shows such as 90 Minutes with Asiama and 9ti Minutes with the Suns. Now on the verge of releasing his debut EP, he is poised to introduce a fresh narrative that pays homage to his roots while carving out a space within the global music landscape.
“Akoma” is a heartfelt plea for salvation from the turmoil of human desire and reasoning. The lyrics explore the inner battle between the heart–drawn to fleeting pleasures–and the mind, which seeks peace but often leads through painful struggles. The protagonist witnesses the moral decay of society, where people pursue wealth through dark and unethical means. Despite temptations, they refuse to compromise their soul, turning to Nyame (God) for guidance, wisdom, and strength.
The chorus echoes a desperate cry for divine intervention, pleading for a saviour from their own conflicting emotions and thoughts. The song is a deeply spiritual and emotional journey, highlighting the fragility of the human condition and the need for divine grace–a portrayal of a person torn between desire and conscience, pleading for divine strength to overcome the temptations of the heart and mind, revealing an unbeatable spirit on a timeless journey.
Ghanaian Afro-fusion artist, Exo Xan returns with his first single of the year, “Sorry” a mesmerising love ballad that intricately weaves themes of heartbreak, broken promises, and the emotional weight of strained relationships.
With his distinctive, soul-stirring vocals, “Sorry” is set to strike a chord with listeners worldwide.
Production credits go to industry heavyweights, Samsney and Kayso. “Sorry” is a sonic blend of contemporary afro fusion and evocative melodies, capturing the raw vulnerability of love turned sour. Exo Xan’s expressive vocal delivery is both delicate and powerful, painting vivid emotional landscapes that resonate deeply.
“This record encapsulates all the trials and emotionally draining promises that come with love. It expresses a desire to break free from the weight of stress in relationships and maintain constant harmony, which seems difficult at times,” he explains.
With an unmistakable ability to fuse emotion with melody, Exo Xan continues to solidify his place as one of Ghana’s most promising musical talents.
About the Artist
Born Samuel Nyarko Kwabena Okletey, Exo Xan is a Ghanaian Afro-fusion singer and musician.
Before gaining recognition, he had long been involved in music from a very young age. In his senior year at Accra Academy’s class of 2018, he won the prestigious “Artist of the Year” award, demonstrating his burgeoning musical aptitude and passion for music. His 2019 EP “Diabolo” was well-received by his fans. Exo Xan has worked with luminaries such as Black Sherif, BiQo, $pacely, and Samsney over the course of his career.
The singer uses his music and platform to advocate for various social problems. Having an ever-expanding fan base, taking them on a journey of emotional connection, which he has established through his unyielding dedication to his craft.
The track, “Kindness” which is his first single of the year, combines his signature groovy African rhythms memorable vocals.
A lot has changed in the Afrobeats scene since 2004 when “You May Kiss the Bride” ruled the airwaves and Bollie, who is set to release an album later this year is determined to prove that he’s been improving his craft.
“I have learned a lot musically and lyrically over the years and I believe it’s time to exhibit my growth to the world through my music and fresh sound which is a blend of my afro root vibes with dancehall and reggae music influence.”
Released just in time for both Valentine’s Day and Women’s Month, the track combines sweet melodies, hypnotic percussions and Twicy’s soulful vocals to create an electrifying energy that is perfect for the dance floor.
A multiple award-winning artist, Twicy is popular for making music that transcends borders and contributing to the world domination of the Afrobeats genre.
Ghanaian Afrobeats artist Twicy won two awards at the 2024 Central Music Awards, topping off an impressive year.
The “Live it Up” singer was named Artist of the Year and Male Vocalist of the Year at the ceremony which was held Friday, November 29th in the Ghanaian city of Cape Coast.
Twicy was nominated in an impressive eight categories including Songwriter of the Year, Video of the Year.
This caps an impressive year which saw the rising star take over the airwaves in Nigeria, Ghana and the UK with two hit songs “Lotto” and “Live it Up”
Shortly after the release of his debut album Far Away, the singer went on a media tour in Lagos, the entertainment capital of Africa where he had a growing fanbase.
He opened up about his life and career during interviews with some of the country’s most popular media personalities including Osi Suave at the Beat FM, and Melissa at Vybz FM.
He also appeared on Silverbird TV, Soundcity Radio and ESplash on TVC.
The award-winning singer has also been praised for his performance of “Live it Up” on the Glitch Africa stage.
With such an impressive outing in 2024, the singer is no doubt poised to extend his lead as one of the most talented emerging artists in the Afrobeats scene.
