Afrobeats Head

Blog

  • Lilwaboy Shares Afrobeats Single “File”

    Lilwaboy Shares Afrobeats Single “File”

    Lilwaboy has released “File,” an Afrobeats single built around a playful Nigerian expression about respecting what belongs to someone else.

    The song uses the phrase, “File, no touch am o, if no be you get am, make you no touch am o,” as its central hook. The expression essentially means that if something does not belong to you, you should not touch it.

    “File” combines Afrobeats rhythms with a street-influenced sound, with the repeated phrase giving the song its main lyrical refrain.

    Lilwaboy is an independent Afrobeats artist based in Spain with Nigerian roots.

    The track is now available on streaming platforms.

  • Aruhtra and Deeprule Share Afro House Remix of Steve Monite’s “Shake Your Booty”

    Aruhtra and Deeprule Share Afro House Remix of Steve Monite’s “Shake Your Booty”

    Aruhtra and Deeprule have released an Afro House remix of Steve Monite’s “Shake Your Booty,” reworking the Nigerian artist’s original with a contemporary electronic production.

    The remix retains Monite’s vocal performance while introducing rolling percussion, bass-heavy rhythms and warm synths. The production shifts the song toward Afro House, giving the original a more club-oriented arrangement.

    Monite is best known for “Only You,” his 1984 cult classic which has remained a reference point in Nigerian pop music and was later covered by Frank Ocean. “Shake Your Booty” comes from the same period of Monite’s catalogue.

    The new version, titled “Shake Your Booty (Aruhtra & Deeprule Remix),” brings together Monite with producers Aruhtra and Deeprule.

    The track is now available on streaming platforms.

  • Valerian Steel and Manufracture Music Fuse Industrial EBM and Darkwave on “Synthetic Species””

    Valerian Steel and Manufracture Music Fuse Industrial EBM and Darkwave on “Synthetic Species””

    Valerian Steel and Manufracture Music have released “Synthetic Species”, a track that combines industrial EBM and Darkwave with a narrative about technological dependence and system failure.

    The song’s concept developed after Steel experienced a power grid failure during a winter storm. The sudden loss of electricity and the resulting shutdown of digital infrastructure became the starting point for a fictional scenario in which synthetic entities created to replace humanity eventually experience a collapse of their own.

    “Synthetic Species” addresses system failure, cybernetic decay and the tension between human consciousness and machines. Its production combines EBM basslines and industrial percussion with Darkwave textures and gothic-influenced vocals.

    Steel, the electronic composer and producer behind Manufracture Music, describes the track as a reflection on the point at which reliance on synthetic systems breaks down.

    Manufracture Music is Steel’s main electronic project, drawing from EBM and Industrial while exploring the relationship between technology, sound and human experience.

    “Synthetic Species” is now available on streaming platforms.

  • LODIC Revisits 1990s and 2000s Dance Sounds on “DROWN”

    LODIC Revisits 1990s and 2000s Dance Sounds on “DROWN”

    Electronic artist LODIC has released “DROWN,” a melodic dance track built around a recurring “don’t let me drown” refrain.

    The song uses water as a metaphor for feeling overwhelmed by uncertainty, with its lyrics describing the tension between being pulled under and trying to keep moving forward.

    “DROWN” draws from late-1990s and early-2000s dance music while using contemporary electronic production. The track is structured around a melodic chorus, which arrives at 0:43, and features LODIC on vocals.

    “DROWN” is LODIC’s seventh release.

    The track is now available on streaming platforms.

  • Dizzy Cross Draws on Nigerian Dance Culture on “Komole”

    Dizzy Cross Draws on Nigerian Dance Culture on “Komole”

    Dizzy Cross has released “Komole,” an Afrobeats track from the artist’s debut EP, FIRST OF ALL.

    The song takes its title from “komole,” a Nigerian expression associated with dancing and moving the body. Its lyrics and production focus on letting go, enjoying the moment and using dance as a form of celebration.

    Musically, “Komole” is built around Afrobeats rhythms and melodic hooks, with a groove-led arrangement that keeps the focus on movement and enjoyment.

    The track joins “Nobody Knows” and “Money Come” on FIRST OF ALL, Dizzy Cross’ debut EP.

    “Komole” is now available on streaming platforms.