American artist Pilgrim Jack has released a new single titled “Trauma”, an Afrobeat and dancehall-inspired record that explores themes of heartbreak, anxiety, emotional pressure, and personal healing.
Built around atmospheric production and melodic vocals, “Trauma” blends Afro-fusion rhythms with elements of melodic rap, creating a reflective sound that leans into late-night moods and emotional storytelling.
The track focuses on the challenges of carrying emotional wounds while attempting to move forward, offering listeners a personal perspective on vulnerability and self-reflection.
According to the artist, the song addresses feelings of pain and anxiety that can linger long after difficult experiences, while also highlighting the process of emotional recovery.
“Trauma” by Pilgrim Jack is out now on all streaming platforms.
American singer Eylsia Nicolas has released a new single titled “That’s Fine By Me”, an Afropop-inspired track that blends elements of rhythm and blues, house music, and contemporary pop.
The release marks another chapter in the artist’s unconventional career path, which has seen her transition from professional tennis to law, business, and eventually music.
Performing under the stage name Eylsia Nicolas, Lisa Pamintuan first gained recognition as a tennis player. She won international tournaments at a young age, became the youngest winner of the Irish Open at 14, and later competed at major events including the US Open and Wimbledon before injuries brought her tennis career to an end.
Following her departure from professional sports, she earned a law degree and built a career in business, working with companies involved in technology, retail, and music. She later founded an educational institution in China and went on to become a college president in the United States.
According to the artist, her return to music came after overcoming a series of personal and health challenges, including lung damage and vocal issues following the COVID-19 pandemic. Nicolas says she used sound restoration technology and research developed through her own ventures to help recover her singing voice.
Speaking about ”That’s Fine By Me”, the singer described the record as an attempt to create a distinctive sound by singing over Afropop rhythms rather than directly within traditional genre conventions.
“This new song is Afropop, but I’m singing on top of the rhythm rather than inside it, trying to create a new sound—part rhythm and blues, part house, and entirely my own,” she said.
The release follows a period in which Nicolas has been building her presence as an independent artist while also managing business interests, including her luxury brand, Nicolas of Palm Beach.
“That’s Fine By Me” is now available on major streaming platforms.
French neoclassical composer Christopher Carr has released a new single titled “Anastasis”, which also serves as the lead track for his upcoming album of the same name. The piece has been available on streaming platforms since March 6, 2026.
Built within a neoclassical framework, “Anastasis” draws influence from established composers in the genre, including Arvo Pärt, Ludovico Einaudi, and Max Richter. The track follows a familiar structure for modern classical releases: a minimal, delicate introduction that gradually builds into a more layered and intense arrangement.
Carr has stated that significant attention was given to the string recordings, which form the core texture of the composition. The production leans on slow development and repetition, aiming for atmosphere rather than traditional melodic progression.
The title “Anastasis,” a Greek word meaning “resurrection” or “rising”, reflects the central theme of the piece—inner recovery and transformation after difficulty. The track is positioned around ideas of renewal and emotional rebuilding, though it remains largely instrumental in its delivery.
The cover artwork has also drawn attention, featuring a depiction of Jesus Christ wearing a crown of thorns with visible blood imagery. The visual choice aligns with the themes of suffering and resurrection referenced in the title, though it may be interpreted differently by listeners depending on context and sensitivity to religious symbolism.
In a brief statement, Carr described the composition as a reflection on uncertainty and the idea of finding hope through change, framing the piece as a response to difficult personal and global conditions.
“Anastasis” continues his development of a neoclassical sound identity focused on cinematic structure and emotional pacing, though it does not significantly depart from the stylistic conventions associated with contemporary piano-led classical music.
“Anastasis” by Christopher Carr is out now on all streaming platforms.
South African Soul Amapiano artist and producer De’Max has released a new single titled “Push It”, a track that combines deep Amapiano log drums, Afrobeats-inspired rhythms, and vocal delivery focused on motivation and persistence.
The song is built around a simple message: stop waiting for the right moment and act. Across its verses and hook, De’Max uses direct lines such as “Nothing moves if you don’t” and “Push it when it’s heavy, push it when it’s hard” to reinforce the theme of forward movement and self-drive.
Positioned between club energy and reflective songwriting, “Push It” aims to work both as a dancefloor track and a motivational record. It leans on Amapiano’s percussive foundation while layering emotional vocals that speak to hesitation, fear of failure, and delayed ambition.
Speaking about the release, De’Max shared:
“I made ‘Push It’ for every person sitting on a dream, waiting for a sign. The sign is the song. Move.”
De’Max is based in Lydenburg, Mpumalanga and describes his sound as “Soul Amapiano” a style that blends Amapiano’s log drum-driven production with Afrobeats influences and melodic elements.
“Push It” by De’Max is out now on all streaming platforms.
Nigerian rising artist Leetuman has released a new single titled “RHATID”, a collaboration with Legzy Jay.
According to information shared around the release, “RHATID” blends rhythmic percussion, modern Afrobeats influences, and a performance style that leans into expressive, high-energy delivery.
Leetuman described “RHATID” as a personal statement shaped by persistence and artistic growth.
The song is positioned as a reflection of his current mindset, with emphasis on progression rather than reinvention.
“RHATID” by Leetuman featuring Legzy Jay is out now on all streaming platforms.
Senegalese singer FANIA has released a new album titled L’EMPREINTE” (The Imprint), a self-composed and self-produced project that continues her blend of African rhythms, world music influences, and contemporary production styles.
The album positions itself as an introspective body of work, with FANIA describing her artistic identity as rooted in originality and independence. “I am the imprint of an artist. I will never be a copy, nor a robot,” she notes in her artistic statement, framing the project around themes of identity, spirituality, and personal expression.
A multilingual and cross-genre approach
On L’EMPREINTE, FANIA moves across multiple languages including Wolof, Pulaar, Soninké, French, and English. This multilingual approach reflects her Senegalese background and broader intent to reach audiences beyond regional boundaries.
Musically, the album incorporates African instrumental influences with elements of world music and modern production textures. Rather than sticking to one genre, the project leans into a fusion style that prioritizes atmosphere and vocal delivery over commercial formatting.
Production and recording
The album was recorded in Dakar at Pape Armand Boye’s studio before being mixed in Paris at Studio 180 by Arnaud Bascuñana.
The production credits highlight a collaborative but instrumentally grounded setup, featuring live musicians such as Stanway (piano), Jean Mermoz Deguénou (Rhodes), Sékou Diabaté (guitar), Alassane Cissé (bass), Laye Lô (drums), Thio Mbaye (percussion), and Milda (trumpet).
A focus on artistic control
Unlike many mainstream releases, L’EMPREINTE is positioned as a fully artist-led project, with FANIA handling writing and composition herself.
As she continues to build her catalog, FANIA’s latest album adds to a growing body of work that sits between traditional African sounds and global music experimentation, without fully aligning to mainstream commercial Afrobeats structures.
L’EMPREINTE by FANIA is out now on all streaming platforms.
Belgian dance music producer and DJ Laurent Wery has returned with a new release, teaming up with N.J.E. for “You Can Call Me Al vs So Let It Be.”
The track reimagines the spirit of the classic “You Can Call Me Al,” blending it with modern commercial house production and festival-ready energy. Built around catchy vocal hooks, uplifting melodies, and emotional chord progressions, the song delivers a feel-good atmosphere while maintaining enough momentum for club and radio play alike.
Wery is best known for dance records such as “Hey Hey Hey”, a track that gained international attention and became one of his signature releases.
With “You Can Call Me Al vs So Let It Be,” he continues to lean into the upbeat dance sound that has defined much of his catalogue.
The production draws influence from contemporary EDM and crossover dance-pop, combining polished vocals with energetic house rhythms.
Fans of artists such as David Guetta, Calvin Harris, and Lost Frequencies may find familiar elements in the track’s accessible yet energetic approach.
“You Can Call Me Al” by Laurent Wery Featuring N.J.E. is out now on all streaming platforms.
Ghanaian Afrobeats artist Twicy is putting his own spin on a classic with the release of his new single, “Rock With You”, a cover of Michael Jackson’s iconic 1979 hit of the same name.
Rather than attempting to recreate the original record, Twicy leans into contemporary Afrobeats influences, blending smooth melodies, rhythmic percussion and laid-back production to give the song a fresh feel. The result is a version that pays tribute to the original while introducing it to a younger audience more familiar with today’s African pop sound.
Originally written by Rod Temperton and produced by Quincy Jones, Michael Jackson’s Rock With You remains one of the defining records from the legendary Off The Wall album and continues to influence generations of artists across different genres.
For Twicy, the song, released on March 3rd, adds another familiar title to a growing catalogue that has seen him experiment with different sounds while maintaining an Afrobeats foundation. The Ghanaian singer has steadily built a name for himself through songs such as Live It Up, Lotto and Monalisa, earning recognition in Ghana and beyond.
His version of Rock With You focuses on the song’s timeless themes of connection and enjoyment, while introducing a more relaxed Afro-fusion groove. While some listeners may prefer the nostalgia and disco energy of the original, Twicy’s take offers a different perspective that fits comfortably within today’s Afrobeats landscape.
As more African artists continue to revisit and reinterpret global classics, Rock With You serves as another example of how familiar records can find new life through modern sounds and different cultural influences.
”Rock With You “ by Twicy is out now on all streaming platforms.
Digital artist Nasty Guerrero has released a new single titled “Pose,” a dance-focused record that blends ballroom-inspired energy with Afro House influences.
Driven by pulsing percussion, electronic textures and an infectious groove, “Pose” is built for movement. The track leans into confidence and self-expression, using its title as both a statement and an invitation for listeners to step onto the dancefloor.
Rather than focusing on complex storytelling, “Pose” prioritizes rhythm and atmosphere. The production is anchored by steady Afro House-inspired drums, while vocal elements add personality without distracting from the song’s primary goal: keeping the energy high.
The release continues Nasty Guerrero’s exploration of club-oriented sounds. Known for combining digital artistry with global music influences, the artist once again delivers a record that sits comfortably between electronic dance music and Afro-inspired rhythms.
As Afro House continues to influence dance music around the world, more artists are experimenting with the genre’s possibilities. “Pose” joins that growing conversation by incorporating ballroom-inspired aesthetics while remaining rooted in a rhythm-driven sound.
While the track does not attempt to reinvent the Afro House formula, it succeeds in delivering what it sets out to achieve: a high-energy dance record with a clear sense of purpose.
”Pose” by Nasty Guerrero is out now on all streaming platforms.
Every artist has a first release. For Nigerian Afrobeats artist Bobby SR, that release is “Remember.”
The debut single is built around a simple idea: success is good, but knowing where you came from matters too.
On “Remember,” Bobby SR reflects on real-life struggles, family prayers, faith, and the journey many young people face while chasing bigger dreams. The track combines motivational themes with uplifting Afrobeats energy, delivering a message rooted in gratitude, perseverance, and staying grounded.
According to the artist, the song is about remaining humble, trusting God, and never forgetting your roots, even when life starts moving in a different direction.
“Remember” marks Bobby SR’s first official release as he begins his journey in the Afrobeats space.
“Remember” by Bobby SR is now available on streaming platforms.
