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  • Alex Alidor releases Afro-Caribbean single “ARI 2”

    Alex Alidor releases Afro-Caribbean single “ARI 2”

    Alex Alidor has released “ARI 2,” a new single that brings together Afrobeats and Caribbean musical influences. The release is presented by independent label SAINT-DENIS RECORDS.

    The track draws on the rhythmic foundations of Afrobeats alongside elements rooted in the Caribbean soundscape. The combination reflects the musical connection between African and Caribbean cultures, with the production built around contemporary rhythms and dance-oriented instrumentation.

    “ARI 2” forms part of Alex Alidor’s current musical work with SAINT-DENIS RECORDS and explores the meeting point between African and Caribbean sounds.

    “ARI 2” is available now on major streaming platforms.

  • DJ Amacoz and Tusure release “Cinderella”

    DJ Amacoz and Tusure release “Cinderella”

    DJ Amacoz and Tusure have released “Cinderella,” a new Afrobeats-leaning collaboration released on June 23, 2026.

    The track sits within the Afrosounds space, pairing Tusure’s vocal performance with DJ Amacoz’s production.

    For Tusure, “Cinderella” follows earlier 2026 releases including “No Nonsense”.

    DJ Amacoz has also released and contributed to music projects throughout 2026, including Afro Rave Mixtape, Amapiano 2026 (Mixtape) and several DJ mixes.

    “Cinderella” is available now on major streaming platforms.

  • Sojaa releases Afro-fusion single “Bazooka”

    Sojaa releases Afro-fusion single “Bazooka”

    Sojaa, the recording name of Kenechukwu Nicholas Okeke, has released “Bazooka,” a new single combining Afrobeats with Amapiano influences.

    The track brings together rhythmic percussion, bass-driven production and melodic elements, with the arrangement drawing from the rhythmic patterns associated with both genres.

    “Bazooka” reflects Sojaa’s approach to combining contemporary African sounds while keeping the production focused on rhythm and melody.

    “Bazooka” is available now on major streaming platforms.

  • Jhon François François reflects on resilience in “No Hope Left”

    Jhon François François reflects on resilience in “No Hope Left”

    Jhon François François has released “No Hope Left,” a new single that explores perseverance in the face of financial hardship, isolation and uncertainty.

    The song follows the perspective of someone dealing with debt, rejection and loneliness while continuing to search for reasons to move forward. Through its lyrics, “No Hope Left” examines resilience and the determination to endure difficult circumstances rather than surrender to them.

    Based in Belgium, Jhon François François writes music that often centres on social issues and personal experiences. His work addresses themes including hope, dignity and human resilience, using storytelling to reflect everyday struggles.

    With “No Hope Left,” the Belgian-Congolese artist continues that approach, presenting a song that focuses on persistence during periods of adversity.

    “No Hope Left” is available now on major streaming platforms.

  • Ally Fresh, DJ IV and Braines honour Kenyan football culture on “Kadenge”

    Ally Fresh, DJ IV and Braines honour Kenyan football culture on “Kadenge”

    Ally Fresh has teamed up with DJ IV and Braines for “Kadenge,” a collaborative Afro House single inspired by Kenyan football culture and the legacy of football icon Joe Kadenge.

    The track blends electronic dance music with Kenyan rhythms, Swahili lyricism and elements of Swakacha, a style that combines electronic production with coastal East African musical influences.

    Drawing inspiration from street football and childhood games familiar to many Kenyans, “Kadenge” reflects on creativity, confidence and community through music rooted in local culture. The song also pays tribute to Joe Kadenge, one of Kenya’s most celebrated footballers, whose name has become synonymous with football skill and flair.

    For Ally Fresh, the release is both a tribute to a sporting figure and a celebration of the everyday football culture that shaped generations of young players across Kenya. The collaboration with DJ IV and Braines brings together contemporary Afro House production with rhythms and melodies influenced by Kenyan musical traditions.

    “Kadenge” serves as the first single from the forthcoming Swakacha Deluxe album.

    “Kadenge” is available now on major streaming platforms.

  • loveoleglove continues SRL project with “Feel It in Your Heart”

    loveoleglove continues SRL project with “Feel It in Your Heart”

    loveoleglove has released a new single “Feel It in Your Heart”, marking the 18th release in the ongoing SRL (Soul Real Love) project.

    The single combines melodic house, progressive house and trance influences with cinematic production and vocal-driven arrangements. Rather than building around an immediate drop, the track develops gradually through evolving melodies and layered electronic textures.

    According to oveoleglove , “Feel It in Your Heart” explores the relationship between emotion and music, encouraging listeners to engage with feeling before analysis. The arrangement follows a structured progression, moving from spoken passages into fuller rhythmic sections before returning to quieter piano-led moments.

    Reflecting on the new single, the artist says: “I didn’t write this song to be heard. I wrote it to be felt.”

    The release forms part of the wider SRL project, in which each track examines a different emotional experience through electronic music. Across the series, loveoleglove has focused on melodic compositions that combine house music with cinematic elements.

    “Feel It in Your Heart” is now available on major streaming platforms.

  • Gemiini explores a new creative direction on “Jah-Eli”

    Gemiini explores a new creative direction on “Jah-Eli”

    Gemiini has released “Jah-Eli,” a new single that marks the beginning of a new creative direction for the artist.

    The track blends Afrofusion with elements of Afrobeats while reflecting Gemiini’s preference for making music outside of conventional genre boundaries. Rather than following a fixed formula, “Jah-Eli” centres on melody and personal expression, presenting a sound shaped by the artist’s own creative instincts.

    Born and raised in Nigeria, the 24-year-old artist describes his approach as one that prioritises authenticity over trends. “Jah-Eli” continues that philosophy, combining melodic songwriting with themes that aim to resonate across different audiences while remaining rooted in his musical identity.

    Gemiini says the release represents the start of a broader shift in his music, as he continues to develop an Afrofusion sound informed by Afrobeats and other influences without limiting himself to a single style.

    “Jah-Eli” is available now on major streaming platforms.

  • Sydney Sharp continues Resonate rollout with “PeaceMan”

    Sydney Sharp continues Resonate rollout with “PeaceMan”

    Sydney Sharp has released “PeaceMan,” the second single from her upcoming EP Resonate, a five-track project scheduled for release throughout 2026.

    Written in early spring 2026, “PeaceMan” explores themes of love, peace and human connection. The song is built around Afrobeats-inspired rhythms with elements of R&B and pop, using a reflective approach to tell the story of someone searching for a meaningful relationship.

    The single was created in collaboration with musician, engineer and producer Alex Enamorado, who produced the track using an Akai MPC. The pair previously worked together on “Ghost in My Bed,” the first single released from Resonate.

    Based in Providence, Rhode Island, Sydney Sharp is a singer-songwriter and pianist whose background includes classical piano and songwriting. Resonate marks a shift towards an Afrobeats-inspired R&B sound while continuing to explore themes of relationships, empathy and personal connection.

    “PeaceMan” is available now on major streaming platforms.

  • Akili explores resilience on “I So Blue” ahead of upcoming album Tobago Nights

    Akili explores resilience on “I So Blue” ahead of upcoming album Tobago Nights

    Akili has released “I So Blue,” the third single from his forthcoming album Tobago Nights, scheduled for release in October 2026.

    Written during a difficult period while the artist was in Panama, the song draws on a series of personal experiences that shaped its message. Conversations with family and friends, along with reading Willie Dixon’s I Am the Blues, influenced the track’s focus on confronting hardship rather than avoiding it.

    Musically, “I So Blue” combines Afrobeats, reggae and blues, reflecting the blend of influences that runs throughout Akili’s work. The song explores themes of resilience, self-reflection and personal growth through a production that balances rhythmic grooves with melodic songwriting.

    The release forms part of a monthly rollout leading to Tobago Nights. The project follows Akili’s debut album, Tobago Vibez, which drew on his experiences living in the Caribbean through a mix of Soca, Afrobeats and R&B.

    Based in New York, Akili’s music brings together Afrobeats, Soca and contemporary R&B. His songwriting is influenced by both African and Caribbean musical traditions, reflecting experiences across both regions.

    “I So Blue” is available now on major streaming platforms.

  • Inside Indie Vibe At Home Together 2026: Nathalie Wemambu on What Creators Can Expect

    Inside Indie Vibe At Home Together 2026: Nathalie Wemambu on What Creators Can Expect

    Indie Vibe At Home Together returns in 2026 with another edition of its creators’ retreat, bringing together independent artists, producers, songwriters, engineers and multidisciplinary creatives for several days of collaboration, learning and music-making.

    Indie Vibe At Home Together returns in 2026 with another edition of its creators’ retreat, bringing together independent artists, producers, songwriters, engineers and multidisciplinary creatives for several days of collaboration, learning and music-making.

    Ahead of this year’s retreat, Afrobeats Head spoke with Indie Vibe House Party founder Nathalie Wemambu about what creators can expect, who the experience is designed for and why Indie Vibe House Party continues to grow as a home for independent talent.

    Whether you’re considering applying or simply curious about the retreat, here’s what you need to know.

    Indie Vibe At Home Together 2026 at a Glance

    • Organiser: Indie Vibe House Party
    • Who it’s for: Independent musicians, producers, songwriters, sound engineers and multidisciplinary creators
    • Experience: Recording camp, creative workshops, industry sessions and collaborative activities
    • Applications: Open

    What inspired you to create Indie Vibe House Party and the Indie Vibe At Home Together Creators’ Retreat?

    Nathalie Wemambu: Having worked with artists for about a decade, including more than five years managing independent talent, I saw the pressures they face firsthand.

    I discovered that what Nigerian and African creators ultimately need is a space to truly create, perform live, bond and be happy.

    That’s why I started Indie Vibe House Party. I wanted to build a nurturing, cosy second home where emerging talent can decompress, showcase and create live music, find organic mentorship and form deep, collaborative bonds.


    What is Indie Vibe At Home Together, and what can creators expect from the 2026 edition?

    Nathalie Wemambu: Artists and producers can expect an intentional, substance-free environment built for pure creative focus. We’re offering a dedicated recording camp, an exclusive three-track EP studio package for creators looking for a more immersive experience, and multidisciplinary events like Brushes & Ballads and Frames & Frequencies.

    These experiences introduce attendees to the wider creative industries we work within, showing them the possibilities that exist for creators who dream to be more.

    Expect masterclasses, A&R reviews, premium dining and collaboration designed to help you rediscover your peace while leaving with finished records and so much more.


    Who is the retreat designed for?

    Nathalie Wemambu: The retreat is carefully designed for independent musicians, producers, sound engineers, songwriters and multimedia artists who feel exhausted by industry or creative pressures and are ready to create from a place of comfort.

    If you’re an independent creator at any stage of your career who is seeking clarity, deep collaboration and a genuine community, you should register.

    It’s for those ready to embrace a clear-minded, substance-free space to refine their craft, explore new artistic mediums and learn how to sustainably monetise their work with the guidance of Indie Vibe House Party, 730 Multimedia Consultancy and all our partners.

    The first edition of the Indie Vibe At Home Together Produced the “Tales We Tell At Home”
    EP

    What makes Indie Vibe At Home Together different from a traditional recording camp?

    Nathalie Wemambu: Throughout my years managing independent talent and working closely with artists, I’ve seen how deeply exhaustion and unhealthy habits can drain creative energy.

    The industry often normalises using substances to cope with stress or force creativity, but I’ve found that true, groundbreaking art happens when the mind is completely clear.

    By creating a healthier, substance-free environment, we’re protecting the wellness of African independent creators. Removing smoking, drug use and drinking strips away distractions and allows people to show up as their authentic selves.

    When creators are sober and clear-minded, they connect better, and their work becomes deeper, sharper and rooted in genuine, sustainable joy rather than burnout.


    How does a wellness-first environment shape the creative process?

    Nathalie Wemambu: A wellness-focused environment removes the survival mode that so many independent artists constantly live in.

    Being in a safe, healthy space allows creators to lower their guard. They’re no longer creating from a place of anxiety, exhaustion or a need to escape, but from a place of peace, abundance and clarity.

    Wellness adds sustainability to the work. It allows artists and producers to tap into their heart space without destroying themselves in the process.

    When creators feel mentally and physically supported, they connect more deeply with each other, and their work becomes more intentional, innovative and reflective of their true, unfiltered potential.


    Editor’s Note

    The inaugural Indie Vibe At Home Together Creators’ Retreat culminated in the collaborative project, “Tales We Tell At Home,” bringing together music created during the residency. Beyond the recordings, the retreat also sparked creative partnerships and friendships that have continued long after the programme ended.


    What was it like seeing the first retreat produce the “At Home Together” project?

    Nathalie Wemambu: It was new for me.

    When I set out to begin this, I had previously been producing live shows every year and I didn’t know how living with people would go or how it would feel.

    Today I have a family bound by love and music and the breaking of hot egg toasties.

    Thanks to this retreat, I am also creating music myself as dasweetthin. It’s greatness all around.


    Why does the retreat include experiences beyond recording sessions?

    Nathalie Wemambu: Beyond preventing burnout, these multidisciplinary activities help creators see other spaces where they can grow, create and earn.

    Stepping outside the booth exposes them to visual and fine art, film and media, opening their eyes to new commercial opportunities and sustainable income streams.

    My team at 730 Multimedia Consultancy, one of the partner brands behind the retreat, is also on hand to share industry insights and help creators understand how to monetise opportunities across different creative fields.


    What do you hope creators gain from spending time together at the retreat?

    Nathalie Wemambu: Creatively, I hope they step outside traditional boxes and embrace new creative mediums and income streams with the knowledge they gain during their time with us.

    Personally, I want everyone to feel the warmth of true, clear-minded connection and leave knowing that, with Indie Vibe House Party, they’re backed by a creator collective that actively loves and supports them.


    How can creators register for Indie Vibe At Home Together 2026, and what are the different ways they can experience the retreat? 

    Nathalie Wemambu: We have two main residency packages: the Premium All Access Pass and the EP Package. We also offer day tickets for Brushes & Ballads, our sip-and-paint experience, and Frames & Frequencies, our film night.

    For the day events, we offer discounted group rates for attendees registering as a group of two or five.

    The Premium All Access Pass, priced at ₦40,000, gives creators access to the full residency experience, including healthy meals prepared on-site, workshops, day events and all creation sessions. Attendees on this tier will also have the opportunity to feature on the 2027 Indie Vibe House Party album.

    The EP Package, priced at ₦1.2 million, includes everything in the Premium All Access Pass, along with additional benefits. Attendees receive three professionally mixed and mastered songs created during the camp, the opportunity to be part of the Indie Vibe House Party project, three to four paid promotional placements during release week, and the option of a private production space located minutes from the main venue.

    Artists and clients also have the flexibility to negotiate ownership splits, with the exception of Indie Vibe House Party’s A&R credit and a 2.5-point royalty allocation.

    The second edition of Indie Vibe At Home Together returns this August with Applications now open


    I’m interested, but I’m not sure it’s for me. What would you say?

    Nathalie Wemambu: If you feel hesitant, it simply means you care deeply about your craft and your energy.

    This retreat is designed to be the safe, pressure-free sanctuary you’ve been searching for. It isn’t an intimidating industry networking event. It’s a cosy, nurturing home.

    If you’re craving a space to recharge your mind, create with absolute mental clarity and discover new ways to monetise your art, then you belong here.

    Trust your intuition, take a leap of faith and join us to rediscover your creative joy.


    What are your hopes for the 2026 edition?

    Nathalie Wemambu: I’m hoping to see an incredible wave of artistic genius and genuine, lasting transformation.

    Creatively, I want attendees to break free from convention, unlock fresh confidence and leave with completed, groundbreaking records that we’re all proud of.

    I also want them to leave with the practical, cross-industry knowledge needed to turn their craft into sustainable careers, backed by the strategic guidance of Indie Vibe House Party, 730 Multimedia Consultancy and our partners.

    Personally, I just want to see creators smiling, recharging their minds and experiencing the magic of clear-minded connection. I hope everyone leaves knowing they’re forever part of a collective that truly loves and supports them.


    Looking back, what was your favourite memory from the inaugural retreat?

    Nathalie Wemambu: I had many favourite moments, but the most memorable parts of the Tales We Tell At Home era were finding my voice again as a credited backing vocalist on Kohsea’s “No Rules” and the sisterhood that grew from creating that song together.

    Another highlight was co-producing “WAVES” with Judø, co-writing it with Kohsea and later performing it live in Lagos at the listening party in 2025 and again on International Women’s Day 2026 at an Indie Vibe House Party-sponsored event hosted by The Eiko System.

    You can say I was reborn because of the first edition. I am because it is.

    Apply for Indie Vibe At Home Together 2026: Registration is now open. Visit Indie Vibe At Home Together 2026 for ticket details and secure your spot.