ALEXATOR has released “Genesis”, the first track from a new electronic music project that will unfold across multiple releases.
The track combines electronic production with electric guitar, drawing from trance, progressive electronic music and electronic rock.
According to ALEXATOR, the project is structured as a continuous story, with each release forming part of the larger sequence. “Genesis” serves as the starting point of that story.
The track’s production brings together melodic electronic elements, guitar instrumentation and cinematic touches.
Spain-based artist Pater Kush has released “In Paris”, an Afropop-leaning track centred on romance and spending time with someone special.
Released on February 13, the song uses an Afrobeat-inspired rhythm and melodic vocals to frame a story around a couple enjoying a day together in Paris. Its lyrics and concept reference the city’s familiar romantic associations, with shopping and shared experiences forming part of the narrative.
The song sits within Pater Kush’s broader Afro-fusion approach, which incorporates Afropop, Dancehall and other African influences. “In Paris” places those elements against a contemporary production while keeping the focus on its romantic storyline.
Pater Kush is an independent artist based in Spain whose music draws on themes including relationships, everyday experiences and life between African and international influences.
Miami-based artist Chuc Nova has released a new single, “X Times”, combining Afropop and hip-hop across melodic verses and a chorus that sits at the centre of the track.
The track reflects the overlap between the two genres, particularly in the way Nova approaches the contrast between the verses and chorus. Rather than introducing several different sections, “X Times” keeps its arrangement focused on the vocal and hook.
Chuc Nova is based in Miami, Florida, where he continues to develop music across Afropop and hip-hop.
Sierra Leonean artist Lil_P has released a new single, “Stay the Night”, a melodic Afropop track centred on the feeling of wanting a night with someone special to last a little longer.
The Nashville-based artist leans into warm vocals and a laid-back rhythmic arrangement, with the song’s lyrics touching on late-night drives, dancing until sunrise and spending time with someone without putting pressure on the moment.
“Stay the Night” sits between Afropop and contemporary African pop, with soulful melodic elements shaping its romantic tone. Rather than focusing on a complicated love story, the song stays with the simplicity of enjoying someone’s company and the anticipation that comes with a new connection.
Lil_P, who is originally from Sierra Leone, draws from Afropop and contemporary African sounds while incorporating influences from his experiences living in the United States.
Nigerian rapper Blaqbonez has opened up about the events that led to his feud with fellow rapper Odumodublvck, revealing that he discovered the woman he had been intimate with was dating the rapper.
Speaking on the Nevon Podcast, Blaqbonez said he was unaware that the woman was in a relationship with Odumodublvck because he had never asked who else she was seeing.
According to him, the situation began when the woman sent him a message saying she could no longer continue their friendship. Blaqbonez said he felt the message was “performative” and believed she was trying to make it appear as though he was the one holding on to the relationship.
He eventually asked her directly who she was dating and discovered she was with Odumodublvck.
Blaqbonez said he chose to respect their relationship and walk away.
“You guys won’t hear from me again. I will respect everything that you guys have. Peace,” he recalled telling her.
However, he said the situation escalated when Odumodublvck contacted him shortly afterwards and asked whether he had been intimate with the woman.
Blaqbonez said he refused to provide details because he did not want to interfere with their relationship.
“I don’t know what she told you, so I can’t answer this question and affect anything that you guys have,” he recalled telling Odumodublvck.
According to Blaqbonez, Odumodublvck then responded: “Then we are enemies since you are not telling me. Peace out, bro.”
Blaqbonez described his relationship with the woman as a “friends with benefits” arrangement rather than a formal relationship.
“I can’t say we were dating or anything. It wasn’t official, but like, the best term to describe it would be like friends with benefits, right? Because we kind of like, were friends and we were intimate,” he said.
He said he subsequently asked Odumodublvck when his relationship with the woman had started, believing that the timeline would clarify whether there had been any overlap.
According to Blaqbonez, Odumodublvck refused to disclose when they had started dating, further escalating the tension between them.
Blaqbonez recounts his first conversation with Odumodublvck
Blaqbonez also recalled another conversation with Odumodublvck after the situation came to light.
“Then he calls me, and this time I pick up the call. I’m like ‘bro, what’s our problem’, then he says ‘you dey disturb my babe’,” he said.
Blaqbonez added that Odumodublvck sent him another message about five minutes later asking, “when last una f#ck?”
Blaqbonez’s team has also shared a screenshot of the WhatsApp conversation between the two rappers, providing a record of the exchange described during the interview.
Blaqbonez’s account offers his explanation of how the feud began and provides further context around the tension between the two rappers.
Davido has revealed that Wande Coal had been trying to reach him weeks before their recent exchange over the unreleased “Come My Way” collaboration.
Speaking during a TV interview shortly after the artists traded words on X, Davido said Wande had asked for his phone number about two weeks earlier. He said he instructed the person who received the request not to share it.
Davido also showed a screenshot of a WhatsApp conversation dated July 22. In the exchange, someone informed him that Wande had been asking for his number and asked whether they should give it to him.
According to Davido, he declined and said Wande was “acting like a baby.”
The revelation comes after the two artists publicly disagreed over “Come My Way”, a collaboration that gained attention through its unreleased snippet.
Davido previously explained that Wande had contacted him to record a verse for the song, but that he did not agree with the proposed plan to release Wande’s version first and add his contribution later as a remix.
Wande responded that Davido was trying to dictate the release of a song that was not his, adding that the song had already done well without him.
The exchange then became more personal, with Davido calling Wande “Mr Little 🍆” and Wande responding with “Mr. Toto beggar 😂.”
Davido’s latest comments add another layer to the disagreement, suggesting that Wande had attempted to establish direct contact before the exchange played out publicly.
Davido and Wande Coal have exchanged words on X over the unreleased collaboration “Come My Way”, revisiting a snippet that has circulated online and sparked interest among fans.
Responding to a post about why the collaboration never materialised as an official release, Davido explained that Wande Coal had initially reached out to him for the song. According to Davido, he recorded his verse after being approached, but disagreed with the proposed release plan.
“He hit me up to do the song. so I recorded that verse,” Davido wrote. “I think he wanted to drop it first then drop my own as a remix & I was like no oh, I didn’t record it as a remix. It would have been nice sha.”
Wande Coal responded to Davido’s explanation, disputing the idea that Davido should have had a say in how the song was released.
“Song wey no be your own you wan dictate release plan. That song f#kin did well without you on it bruv!!!” Wande Coal wrote.
The exchange then became more personal, with Davido replying, “No vex Mr Little 🍆.”
Wande Coal responded: “No vex too Mr. Toto beggar 😂.”
The back-and-forth has brought renewed attention to “Come My Way”, a song whose snippet has circulated online without an official release featuring both artists. The exchange also offers some context on why the collaboration between two established Nigerian artists did not move forward.
Blending traditional Afrobeat rhythms with contemporary UK urban influences, “Life is an anthem of resilience and gratitude — a celebration of the highs, lessons, and journeys that shape us. With infectious percussion, warm melodies, and Bobo’s soulful delivery, the song captures both an authentic African essence and a modern international appeal.
Speaking on the track, Bobo says:
“Life is about appreciating every moment — the good, the bad, and the in-between. It’s my reminder to myself and my listeners to keep moving forward and cherish the ride.”
Since relocating to the UK, the Nigerian-born artist who now lives in Cardiff, has been steadily building his sound, drawing from his Nigerian roots while embracing the creative energy of the UK’s music scene.
George Micheal Gilto has released his new single “No Distance Tonight”, a genre-blending track that brings together Afro-Pop, Afro House and Amapiano influences.
The track uses a vocal-led arrangement with layered instrumentation and a dance-oriented rhythmic foundation. Gilto describes his music as genre-fusing, with his work also spanning R&B, electronic and dance music.
That genre-crossing approach is consistent with Gilto’s broader work as a singer-songwriter, producer and independent artist. The Sudanese-Egyptian-Australian musician works across Afro-Pop, R&B, electronic and dance music, often using melody and production as points of connection between styles.
“No Distance Tonight” also comes from an AI-assisted production process. According to Gilto, AI tools are incorporated into his workflow, while the creative direction, arrangement, quality control and final decisions remain under his direction. It places the track within a growing conversation around how independent artists are incorporating assistive technology into contemporary music-making without removing human decision-making from the process.
a-night journey through Paris on “À Travers Paris”
Bodo Bifroest blends Amapiano, Organic House, Afro and World Music influences on “À Travers Paris,” an instrumental track inspired by the French capital after sunset.
The track draws from late-night walks and drives through Paris, using organic rhythms, melodic textures and African-inspired elements to create an atmospheric interpretation of the city.
Rather than following a conventional club structure or functioning as a traditional travel soundtrack, “À Travers Paris” sits between the two. Its instrumental arrangement focuses on movement and atmosphere, reflecting the experience of passing through the city at night.
The track is part of Bifroest’s broader approach to genre-blending electronic music, which spans Electronic, World, Hip-Hop and Lo-fi and Chill. His work also includes instrumental pieces alongside more lyrical material dealing with personal, social and global themes.
Bifroest says his return to music followed an extended period shaped by illness, personal challenges and reflection, during which music became an outlet for his experiences.
