DJ SEAN KRONIK has released a new track titled “KOOOKOKODI – REMIX”.
The DJ and producer has previously released music across house and UK garage/bassline, with credits including collaborations with artists such as Kele LeRoc, Kayla Amor and Logan_olm.
“KOOOKOKODI – REMIX” continues that dance-oriented focus, with the remix format placing the emphasis on the track’s club and electronic character.
Caleb Myles (CAYZEE) has released a new single, “My Everything,” a love song that combines contemporary Afrobeats with elements of Ghanaian highlife.
The track is built around the feeling of finding someone who has become central to your life. Its lyrics focus on affection, appreciation and the sense of joy that comes with a meaningful relationship.
Musically, “My Everything” draws on the melodic character of Ghanaian highlife guitar, placing the guitar work alongside a modern Afrobeats production. The combination gives the song a warm, romantic feel while keeping its foundation rooted in African musical traditions.
For Caleb Myles, the release continues his exploration of Afrofusion and contemporary African-influenced pop, with “My Everything” taking a more intimate approach centred on love and connection.
Classace has released “Ten Toes,” a new Afrobeats and Afro-fusion single that uses a familiar game of Ludo to reflect on navigating life’s setbacks.
The song centres on the idea of staying grounded and continuing to move forward, even when circumstances do not go as planned. Its Ludo reference provides a simple framework for that perspective: players experience both wins and losses, but the game continues.
That idea carries into the song’s broader message about remaining focused on personal ambitions while dealing with the ups and downs that come with pursuing them.
“Ten Toes” is part of Classace’s upcoming debut album Lone Boy, a project built around his own songwriting and performances.
Classace is an independent artist from Nigeria who is based in Ghana and began releasing music in 2025.
Caleb Myles, also known as CAYZEE, has released a new single, “One More Time,” an Afrofusion track that explores the possibility of giving a relationship another chance.
The song centers on lingering feelings after a relationship has changed or ended, with its lyrics addressing desire, connection, nostalgia and the hope of revisiting a meaningful moment.
Musically, “One More Time” combines Afrobeats-inspired rhythms with smoother pop elements. Soft vocals and melodic production give the track an intimate feel, matching its focus on romantic longing and second chances.
Rather than presenting love as something straightforward, the song sits in the uncertainty of wanting to reconnect with someone who remains on your mind.
Samant D’legend is out with “Collect,” an Afrobeats/Afrofusion track about setting boundaries and dealing with the expectation to constantly give to others.
The song draws from everyday experiences of being asked for time, money, energy and emotional support, while questioning the idea that these things should always be freely given.
Its lyrics take a direct approach to the subject, including lines such as “I no dey carry your burden,” as the song pushes back against entitlement and one-sided expectations.
“Collect” pairs the subject with an upbeat production, creating a contrast between its danceable feel and its more serious message about protecting your time and peace.
Texas artist takenonote returns with “MENACE,” a hip-hop and Afrofusion track centered on ambition, self-belief and staying connected to the people who have been part of his journey.
The song reflects on the mindset of continuing to pursue new opportunities regardless of previous achievements. Its lyrics draw from takenonote’s experiences across music, business and his relationships with the people around him, framing ambition as something shared rather than purely individual.
Musically, “MENACE” combines hip-hop with Afrofusion influences, incorporating Ghanaian slang into takenonote’s writing. The cultural references connect the track to his Ghanaian roots while its rap-driven foundation keeps it within his broader hip-hop sound.
The Ghanaian connection also comes through in the cover art, which references “233,” Ghana’s international dialing code, alongside visual elements drawn from the country’s flag and cultural identity.
“MENACE” follows takenonote’s recurring interest in personal growth, identity and cultural connection. It also continues the blend of rap, R&B and Afrofusion that runs through his work.
Suki Salaam has released “Body,” an Afrobeats track that incorporates elements of jazz and saxophone into its production..
The song is built around an Afrobeats rhythm, with saxophone melodies appearing throughout the arrangement. The jazz influence comes primarily through the instrumentation, while the percussion keeps the track grounded in an Afrobeats structure.
It focuses on rhythm and melody, with the saxophone providing one of the defining musical elements of the record.
“Body” is now available on major streaming platforms.
DJ Amacoz and Tusure have released “Cinderella,” a new Afrobeats-leaning collaboration released on June 23, 2026.
The track sits within the Afrosounds space, pairing Tusure’s vocal performance with DJ Amacoz’s production.
For Tusure, “Cinderella” follows earlier 2026 releases including “No Nonsense”.
DJ Amacoz has also released and contributed to music projects throughout 2026, including Afro Rave Mixtape, Amapiano 2026 (Mixtape) and several DJ mixes.
“Cinderella” is available now on major streaming platforms.
Sojaa, the recording name of Kenechukwu Nicholas Okeke, has released “Bazooka,” a new single combining Afrobeats with Amapiano influences.
The track brings together rhythmic percussion, bass-driven production and melodic elements, with the arrangement drawing from the rhythmic patterns associated with both genres.
“Bazooka” reflects Sojaa’s approach to combining contemporary African sounds while keeping the production focused on rhythm and melody.
“Bazooka” is available now on major streaming platforms.