Year: 2025

  • Tiwa Savage and Don Julio Host Star-Studded Bash to Celebrate Her ‘This One Is Personal’ Album at the Library Lagos

    Tiwa Savage and Don Julio Host Star-Studded Bash to Celebrate Her ‘This One Is Personal’ Album at the Library Lagos

    Tiwa Savage and Don Julio tequila hosted a release party at swanky Lagos nightclub The Library to celebrate her new album This One Is Personal.

    The album recently debuted at number one on the iTunes UK R&B/Soul Albums chart and #18 on the UK HipHop/R&B Albums chart.

    I’ve loved Tiwa Savage since I first watched the “Kele Kele Love” in my uncle’s living room in Abuja in 2011 so when her team reached out to ask if I’d like to attend the event I was like of course!

    Once at  The Library Lagos I was greeted by a beautiful young lady who offered me ice cold water and a Don Julio cocktail. 

    She asked me to knock on a tiny door and a hand reached out with my ice cold cocktail.

    Once inside The Library Lagos the music was hitting and the performances were amazing but Tiwa Savage arrived about an hour later and the energy went from good to great.

    She was joined by Taves, Shine TTW, her PR Manager Vanessa Amadi, Simi Badiru of TRACE and other members of her team.

    We spent all night dancing to her songs- both classics like “Kele Kele Love” “Eminado” “Love Me”  “Diet” “Loaded” and new ones from the new album like “You4Me” “On The Low” “Holding It Down” and more and like the hypeman kept reminding us, it was hit after hit after hit.

    Other celebrities like Uti Nwachukwu, Jay Jay Okocha Flavour N’Abania were also there to support her.

    Tiwa Savage was in high spirits, as she danced and passed out shots of Don Julio around.

    The night finally ended at around 4 am. I was so tired but I’d had the time of my life.

    A 10 over 10 night for real. 

  • Is Llona The New Face of Emo-Afrobeats?

    Is Llona The New Face of Emo-Afrobeats?

    By Ibeh Fortune Chidinma

    In a genre dominated by celebration, Llona positions himself not as a party-starter, but as a preacher of introspection. He draws on pain and trauma from his experiences within his nomadic community, offering a form of musical self-therapy.

    While his message is potent, its consistent solemnity may limit his commercial reach—a trade-off that arguably strengthens his artistic authenticity. His music delivers a piercing resonance, a reflection so potent it makes the hairs on your skin stand on end.

    His recent release, “Dead Flowers,” solidifies his place among Afrobeats‘ growing emotional voices. The track is a vital contribution to an expanding “afro-emotion” subgenre. Llona frames himself as a change agent, singing, “I believe / yes, I believed / I will build a future that’s just not for me / take away the chaos, advocate for peace.” He emphasizes an internal competition, needing no external validation: “I don’t care who is next / not the reason that I’m here.”

    This is more than an expression of past pain; it’s a declaration of arrival. He signals a readiness to reveal the “hidden Super Star” he has realized he is.

    This artistic identity was forged in his debut album, “Homeless,” which marked him as a distinctly introspective voice. The project expressed vulnerability, struggle, and resilience, often using dark humor to navigate despair. In “Still Scared,” he sings, “stuck in the place where they can’t save us… running and running like a stray dog / death is the only thing that saves us.”

    Llona is actively building the foundation to become the face of “Emo-Afrobeats.” A key strategy is his ambitious “Homeless” nationwide tour, a rarity in the Nigerian music scene due to significant economic and logistical challenges. While major artists often focus solely on commercial hubs, Llona leveraged this tour to connect with the grassroots, performing in cities like Ogbomosho, Benin, Lokoja, Awka, Owerri, Lafia and Abeokuta. This grassroots focus builds a dedicated fandom and gives audiences what they yearn for “to see artists perform live”.

    His music might not be “party flow,” but it speaks to the everyday Nigerian’s reality. The “Homeless” tour has skyrocketed his listenership, proving that his message of vulnerability and self-found therapy is not just artistically sound, but a viable path to building a legacy. Llona is a phenom to watch, potentially steering clear of his peers by forging one of the most strong, connected fandoms in the industry.

    About the Author

    Ibeh Fortune Chidinma is a media creative, podcaster, and culture writer passionate about music and entertainment space. He explores Afrobeats and African pop culture with a focus on the artists shaping today’s sound. When not writing, he is hosting the Spillers Podcast, where bold conversations meet social commentary. Follow him on X @Datafricanboy .

  • Ghanaian-German Afrobeats Artist Giddens Reflects on his Identity as a Mixed Race Man on  Twi Language Single “Obroni Kokoo”

    Ghanaian-German Afrobeats Artist Giddens Reflects on his Identity as a Mixed Race Man on  Twi Language Single “Obroni Kokoo”

    German artist Giddens is  back with a new single “Obroni Kokoo” a blend of Afrobeats,  Afro fusion and Afrohouse rhythms.

    “Obroni Kokoo”  blends Ghanaian Pidgin storytelling and the title means “Red Foreigner” in Twi — a nickname he grew up with as a mixed-race kid between Accra and Germany. 

    This track captures hi dual identity: diasporic roots, raw emotion, and global sound. 

    Stream “Obroni Kokoo” by Giddens

    Follow Giddens on Instagram

  • François Marius Shares Reggae Single “Midnight In Paris” 

    François Marius Shares Reggae Single “Midnight In Paris” 

    Canadian singer-songwriter Fançois Marius has released a new single “Midnight in Paris ” 

    It’s a ballad with Latin pop, reggae , blues and folk music influences.

    Stream “Midnight In Paris” by François Marius

    Follow François Marius on Instagram

  • Onyaka Shares Burna Boy-Inspired Single “Hook”

    Onyaka Shares Burna Boy-Inspired Single “Hook”

    Nigerian-American artist Onyaka has released a new single “Hook” an Afro-fusion track built yhypnotic rhythm and a chant-style chorus.

    It blends Lagos Street energy with a trap bounce and is designed to catch attention right away. 

    “The track carries the same kind of instant pull you hear from Burna Boy, Rema, or Asake, but with more grit and bounce that sticks after the first listen,” says Onyaka.

    Stream “Hook” by Onyaka

    Follow Onyaka on Instagram and Deezer