Swiss artist Contenance has released a new EP titled Feel Feel Touch Touch via klaus elle.
klaus:elle is an electronic music label based in Zurich, Switzerland.
The project features a blend of melodic and groove-driven electronic production across multiple tracks, including the title track “Feel Feel Touch Touch” and “Los Molinos.”
The title track is built around bass-led pressure and stab synth patterns aimed at the dance floor, while “Los Molinos” introduces a warmer rhythmic structure with a more continuous melodic flow.
The release also includes remixes from Marco Weber and Soma Soul. Weber delivers a more driving club-oriented interpretation, while Soma Soul introduces a more cinematic and melodic approach.
“Feel Feel Touch Touch” by Contenance is available on digital streaming platforms.
Boy Bazz, an independent artist from Lagos, has released a track titled “Sleeves,” taken from his debut EP The Awakening.
The song is described as an Afro-fusion record with a melodic hook. It is centred on themes of self-love, persistence, and continuing through difficult periods.
“Sleeves” by Boy Bazz is available on streaming platforms.
American musician Rhythmspitter has released “Candle Magic,” a slow-burning, ceremonial instrumental featured on the new EP Cosmological Exigency and the Astrological Paradigm.
Built around evolving percussion, ambient textures, and organic instrumentation, “Candle Magic” moves from whispered atmospheric openings into a hypnotic, rhythm-driven groove. The track blends tribal-inspired drums with cinematic sound design, creating a space that feels both meditative and kinetic.
Structurally, the record mirrors its concept: a spark that grows into a steady flame. It begins in stillness, gradually builds tension and rhythm, then resolves into a full-bodied, immersive flow designed for both deep listening and movement.
Listeners have described it as “an awesome track… it honours its references well — great production, musicianship, and songwriting.”
Positioned as one of the central pieces on the EP, “Candle Magic” reflects the project’s broader focus on cosmic symbolism, ritual energy, and atmospheric storytelling.
“Candle Magic” by Rhythmspitter is out now on all streaming platforms.
American artist Ship Says Om has released “Mother Director”, the 2nd single from her latest EP DREAM JOURNAL.
The EP unveils a fluid, enriching passage through acoustic soundscapes, merging pared-down electronics with hushed songwriting in a tranquil, contemplative collection.
DREAM JOURNAL by Ship Says Om is out now on all streaming platforms.
Rising artists Olamzzy and Mfanakahghogho have released their collaborative EP Lagos 2 Jozi. The album is cross-cultural journey that connects the vibrant energy of Lagos with the soulful rhythm of Johannesburg.
Lagos 2 Jozi opens with “Hello” featuring MelloCue which sets the tone with hypnotic basslines and warm Amapiano textures.
Other tracks on the EP are “Ecko”, “Grass 2 Grace”, “Pull Up”, “Crazy”, “South Africa”, “Shakebody” and “Enjoy”
Lagos 2 Jozi is now available on all major streaming platforms.
The track serves as the second official single from his debut EP titled “Made For You”, scheduled to arrive in January 2026.
On “My Mind,” Billar Stoner peels back layers, delivering a record that is both emotionally charged and sonically confident.
Built on textured production and a reflective yet assertive delivery, the song captures the tension between ambition, pressure, and self-belief — themes that have become central to his evolving artistry.
The single showcases Billar Stoner’s ability to balance vulnerability with boldness.
— Afrobeats Head Loves Timothee Ideh (@AfrobeatsHead) December 15, 2025
It further sets the tone for what listeners can expect from Billar Stoner’s debut EP: a body of work rooted in authenticity, emotional depth, and a fearless approach to sound.
“My Mind” by Billar Stoner is now available on all major streaming platforms.
Italian pianist and composer Niel Lian has released his debut EP Resilience in a World of Fire which explores themes of fragility, distance, and belonging.
The EP consists entirely of solo piano pieces, each one tracing a step in a journey. From healing, to confronting fears, to moments of reaction and recognition.
The title track best defines its essence: a meditation on fragility, endurance, and the quiet forms of strength that hold us together when everything seems to be burning around us.
Niel Lian’s music brings together elements of classical tradition and contemporary minimalism, drawing inspiration from Chopin, Philip Glass, Wim Mertens, Max Richter, Nils Frahm, and the psychologically aware approach of Peter Gabriel.
The Resilience in a World on Fire EP by Niel Lian is out now on all platforms.
Known for his dynamic fusion of Afrobeats, R&B, and soulful flare, Michael continues to push sonic boundaries with a record built for high-energy nights and irresistible movement.
“This song is all about that moment when the music takes over,” says Michael O. “It’s confidence, attraction, and adrenaline wrapped in one. A record that makes you feel good—no thinking, just vibe.”
Featured on his latest EP Lagos 2 London, “Bangbang” showcases the bolder, edgier pulse of Michael’s evolving sound — bridging global nightlife and cultural identity with flair.
American artist Rodney Hazard’s new project CrashLanding.exe is an instrumental and remix EP showcasing his signature fusion of warm organic instrumentation, rich textures, and Afro-house rhythms.
As a pivotal figure in the country’s underground scene, Fernandes crafts a powerful musical bridge between India and South Africa with this release.
The ‘Nova’ EP is an exploration of Afro House, built on a duality of emotive, uplifting melodies and deep, grounding ancestral rhythms.
The project expands into a cross-continental dialogue with a world-class remix package from South African artists.
Cornelius SA delivers a peak-time festival weapon showcasing his signature powerful sound.
In a collaboration rich with history, “Afrotech Queen” Thandi Draai and ZYNC veteran Josi Chave offer a soulful co-production born from a shared journey in Soweto.
A new offering from Jenny Gillespie Mason (Ship Says Om )the singer/multi-instrumentalist behind Sis and the Lower Wisdom, Dream Journal is a collection of six ambient folk-influenced tracks, drawing from shamanic, Celtic, and global sounds, infusing it with the depth and solace of a psychedelic guided-therapy playlist.
Time-dilated vocal traces drift through “Samadhi,” where field recordings and blurred piano motifs create a meditative entryway into translucent synth-inspired hues and gentle strumming.
With hard-hitting club anthems, smooth grooves, and lyrics rooted in real-life experience, the duo crafts an energy that’s both raw and global.
The title — a West African saying meaning ‘the truth always comes out’ — sets the tone for a project that’s authentic, danceable, and impossible to ignore.
Comprised of Gmgezeh from Nigeria, alongside Suwopp and Movie from Sierra Leone, they fuse cultural influences into a standout style. Since their 2021 debut, they’ve gained a loyal fan base with viral hits like “Too Fine” and “Fall In Luv,” amassing over 5 million streams.
They’ve also performed alongside Afrobeats stars like Ruger, Focalistic, Emmerson, King Promise, and Pheelz, cementing their place in the industry.
French Musician and composer Mark J SOLER has released a new single ‘Lazy Song’, a three-minute instrumental piece inspired by relaxing moments, conducive to inner thoughts, and of course Music as the conductor toward a form of ‘spirituality’.
“Lazy Song” was composed, played, and produced to sound like a slightly hypnotic jazz groove, deliberately laid back, like time stretching out over a solitary, quiet evening. The piano’s slightly off-sync phrasing aims to give a dreamy, drowsy sway, creating a psychedelic lounge atmosphere that’s both playful and disorienting.
“That was the intent in any case,” explains Mark. “With a simple melody to convey the introspective nature of such moment.
“Lazy Song” is part of a short EP, Walks, gathering three different styles of instrumental songs, all inspired by the ‘inner life’ idea, i.e. reproducing the world in thoughts, through Introspection, Solitude, Meditation… on Desires, Regrets, Acceptance, Nostalgia.. there are many aspects of it, making spirituality, Music being its natural language.
The second song in the EP is “Walking in the City”.
“Walking is known as one of the best remedies to evacuate dark thoughts and get back to a positive inner vision of the external world. I live near Paris. I walk a lot in the city that communicates its energy and beauty.”
The third title is called “Inner Life”, about prayer.
An improvised piano piece recorded in a single take in his Reykjavík studio, it’s the second of three tracks that will form The Chromatic Sessions EP.
“Red” is a partner piece to Gold — released in July — with a final chromatic track called “Blue” set to follow.
The theme of colours emerged organically during the process of writing and recording. “It wasn’t something pre-planned,” says Dustin, who has also been nominated for an Academy Award. “I was improvising on the piano every day, and I realised I was always thinking about colours as I wrote. When you have the mic set up and you’re recording, it puts you into deep focus. There’s something about that red light being on that really pulls you into the moment.”
O’Halloran has long experienced synaesthesia — a mingling of the senses that may sound familiar to many. It can be something as simple as a taste snapping us back to a place we’ve been, a familiar scent triggering a powerful emotional flashback, or — in Dustin’s case — a certain sound evoking the feeling of a colour.
“I believe that people are more synesthetic than they realise,” he says. “It’s something that you can tune into. All sensations are ultimately translated in the brain — and I think you can learn to connect different parts of those sensations together.”
Such connections are a theme that runs through The Chromatic Sessions — including the connection between Dustin and his audience. All of the Chromatic singles come with downloadable sheet music when bought on Bandcamp, allowing listeners to play the music themselves.
It’s a gesture born of O’Halloran’s wish to forge a closer relationship with his listeners.
“Releasing music digitally feels so distant and disconnected,” he says. “And I think we’re all looking for connection. When people get involved in playing the music, it becomes part of them in a different way. It becomes communal. It becomes theirs.”
It’s one of the three tracks on his latest EP Love Without Border, which features a fusion of Afrobeats Afro-pop, Afro-R&B;, and even a touch of Amapiano.
With Rosette’s silky vocals layered over smooth Afro-fusion production, the song delivers a powerful message while keeping the rhythm irresistible.
“Siyakuphi” the first song on the EP is a haunting question in Lalla’s native tongue (Zoulou) : Where are we going? A raw reflection on a youth lost to addiction and silence — the echo of a world adrift, searching for direction, meaning, and a way back home.
Stream the Echoes of Us EP by Motsek, Lalla Martin and Julien Mercier
NGAIO’s sound that draws from soul, grime, jazz, afro and electronic influences.
The remixed project began as an experiment – electronic versions of the original tracks NGAIO performed live using her Ableton Push to bring new life to the songs turning a twenty minute EP into a 60 minute show.
‘This is me evolving — not just as an artist, but as a producer. Through performing Four Quarters live, I experienced the songs in new ways and saw how to flip them through the lens of the club; incorporating the bass-heavy energy I’m known for as a DJ,” says NGAIO.
“It’s a celebration of transformation, the power of underground music and positive messaging to reflect how the rave can instigate self-appreciation and collective belonging.’
An active part of Bristol’s underground music community, NGAIO is the founder of Booty Bass, a collective of female and non-binary DJs championing bass-heavy music from around the globe.
Blending traditional Afrobeat rhythms with contemporary UK urban influences, “Life is an anthem of resilience and gratitude — a celebration of the highs, lessons, and journeys that shape us. With infectious percussion, warm melodies, and Bobo’s soulful delivery, the song captures both an authentic African essence and a modern international appeal.
Speaking on the track, Bobo says:
“Life is about appreciating every moment — the good, the bad, and the in-between. It’s my reminder to myself and my listeners to keep moving forward and cherish the ride.”
Since relocating to the UK, the Nigerian-born artist who now lives in Cardiff, has been steadily building his sound, drawing from his Nigerian roots while embracing the creative energy of the UK’s music scene.
“It begins with Siyakuphi, a haunting question in Lalla’s native tongue: Where are we going? A raw reflection on a youth lost to addiction and silence — the echo of a world adrift, searching for direction, meaning, and a way back home.”
Then comes The Other Side, a luminous love song in English — a moment of warmth and intimacy where two souls mirror one another beyond time and borders. The trumpet of Julien Mercier runs parallel to the melody, like a distant signal, never overpowering, always present.
The EP closes with Lost in Harare, a powerful instrumental led by a striking dialogue between Motsek’s production and Mercier’s trumpet. Here, the brass takes center stage, soaring and searching, carrying the emotional weight of memory, longing, and release.
This 5-song collection showcases Vergil’s signature fusion of nostalgic Fela-esque drum patterns, modern synthesizers, and rap-inspired flows, redefining the boundaries of contemporary Afrobeats with a fresh, retro-futuristic sound.
“With V22 I wanted to blend the old and the new—nostalgic rhythms with futuristic vibes—while sharing my real story. This EP is for anyone who’s ever felt both the weight and the hope of chasing something bigger,” says Vergil 22.
Sophia Brusasco had spent much of her life learning to express her inner life through music, but when she debuted the Winthrop persona, she was able to truly tap into her authenticity for the first time.
Across five genuinely unpredictable tracks, she fully realizes the potential hinted at by her first singles. While a lifelong fascination with trap and dubstep has always been at the heart of her sound, these new songs also showcase a keen pop sensibility.
“It may be confusing, but that’s by design,” she says. “These songs came from some confusing situations.”
The EP’s title track is perhaps the most poignant of the producer’s young career. It’s her most intricately produced, layering her vocals into a mesmerizing sound.
Listen to Your Heroes Hate You Too by Elend Winthrop
UK-based Afrobeats artist and sonic explorer Olorunfemi continues to expand his celestial discography with “Díónì”, one of the most soulful tracks off his 2023 Saturn EP.
Inspired by Dione, a serene yet rugged moon of Saturn, the track blends meditative chords, subtle textures, and rhythmic swing into a quiet, drifting masterpiece.
“Díónì” is a moment of pause — like observing motion from afar. Rich in nuance and laced with atmospheric clarity, the track stands as a gentle contrast to the gravity of Ìápétùsì or the punch of his earlier Mars EP.
It’s a soulful reminder of presence in isolation.
“Díónì is about movement through stillness,” says Olorunfemi. “It’s about holding grace even when you’re far from the warmth — finding rhythm in distance.”
“Díónì” forms part of Olorunfemi’s expanding series of thematic EPs — from the dusty heat of Mars, the cinematic stretch of Jupiter, the weighty introspection of Saturn, to the dreamy intimacy of his latest project, the Moonlight EP.
Together, the releases trace a multidimensional story through sound.
A sonic voyage that begins at the roots and evolves through genres, emotions, and influences, from a love for EDM to a deeply personal musical maturity.
Opening this story is “ECHO OF THE EARTH”, the first chapter of the trilogy, enriched by exceptional collaborations with Eren Yildiz, Idd Aziz, Owa Oda, and Sasha Wrist.
This EP is a tribute to the meeting of tastes and cultures, a vibrant fusion that bursts into sound waves, uniting distant worlds and creating authentic connections through music.
Active since 1995, you can feel the influences of house legends such as Frankie Knuckles and Danny Howells in their sound.
The EP features two energetic tracks: ‘Airwave’ and ‘Wanna’ – both with driving grooves and hypnotic melodies that won’t let any dancefloor stand still.
The release is supported by high-calibre remixes: Argentinian Nicolás Leonell, renowned Swiss Marco Berto and Zurich-based Madrilenean Ruben Coslada each add their own distinct signature and transform the originals into pulsating club versions
Afrobeats artist TegaTheKing is set to make his mark on the music industry with the release of his two-pack EP ‘SM4 which includes “YOLO” and “For You”
Comprised of Moviee and Suwopp from Sierra Leone and Gmgezeh from Nigeria, they fuse cultural influences into a standout style. Since their 2021 debut, they’ve gained a loyal fan base with viral hits like “Too Fine” and “Fall In Luv,” amassing over 5 million streams.
They’ve also performed alongside Afrobeat stars like Ruger, Focalistic, Emmerson, King Promise, and Pheelz, cementing their place in the industry.
This high-energy, genre-blending EP showcases the trio’s unique chemistry, combining rhythmic beats, smooth melodies, and relatable storytelling.
Born Emmanuel Azubike Udeogu, in Delta State, the artist and producer was raised in Ajegunle, the popular Lagos slum that has produced some of Nigeria’s most famous entertainers and footballers.
As a child, Maloney started a group called Soul Sensation with his Daniel popularly called Dinero with rapper Gabriel aka Big Dela joining them later on.
Their debut project “High Tension” was released in 2007, albeit with little commercial success, mainly due to their limited funding.
The group disbanded shortly after with each of them pursuing their solo career.
Maloney is now signed to Lagos label Culture Stock, under which his debut project was released.
Staying through to her name Ifunanya which translates to Love in Igbo, the Nigerian-American artist celebrates love and life on the five-track project.
“I’m always working on my music and I’m happiest when I’m recording,” Ify says. Love Haze is my personal Valentine’s Day gift to my fans and I’m thrilled that I can finally share it with them.”
ErusMa, a fast rising singer and songwriter from Warri in Delta State, Nigeria, is shining the spotlight on his hometown as he shares his debut project Sound from South.
“The project is my love letter to Warri and indeed the whole of the Niger Delta,” he explains. “I hope my fans connect with and develop a deeper appreciation for the region through this EP.
Sound from South is five-track project featuring collaborations with other emerging artists: Uko, Brytex Young and Bravestar.
Afrobeats artist Emmanuel Azubike Udeogu, popularly known as Maloney, has released a new project “From Darkness to Light”
The artist and a producer from delta state but born and raised in Ajegunle, the popular Lagos slum that has produced some of Nigeria’s most famous entertainers and footballers.
As a child, he started a group called Soul Sensation with his Daniel popularly called Dinero with rapper Gabriel aka Big Dela joining them later on.
Their debut project “High Tension” was released in 2007, albeit with little commercial success, mainly due to their limited funding.
The group disbanded shortly after with each of them pursuing their solo career.
The EP’s focus single, Italawa, is a triumphant anthem celebrating Emaem’s arrival on the big stage. The song stakes his claim as a star while promising longevity and unwavering determination.
The EP also features three additional tracks:
Its infectious rhythm and bold lyrics exemplify Emaem’s ability to blend confidence with artistry, making it a standout in the project.
• True To You – The sole romantic song on the project, this heartfelt track is a soulful promise of unwavering love and devotion, capturing the beauty of connection and loyalty.
• Sunglasses – A deeply introspective track that journals Emaem’s raw emotions and inner struggles, offering listeners a glimpse into his most personal reflections.
• Many Things – An explosive anthem addressing the reality that people often take you seriously only when it benefits them, wrapped in powerful lyrics and energetic production.
Speaking about the project, Emaem shared:
”A STAR NOW is my personal manifesto. It’s about embracing who I am, staying authentic, and believing in my journey, no matter the challenges. I hope this project inspires others to own their truth and shine unapologetically.”
The EP’s vibrant production and soulful storytelling makes it a must-listen for fans of contemporary Afrobeats. From Italawa to Sunglasses, each song offers a unique perspective, reflecting Emaem’s story and his unwavering belief in his artistry.
About Emaem:
Emem Major Atat, professionally known as Emaem, is a Nigerian singer, songwriter, and independent artist from Lagos, Nigeria. From his humble beginnings as a secondary school rapper to recording his debut single in 2016 under the moniker “Majorboyy,” Emaem has undergone significant growth and development as an artist.
With his distinctive, melodious vocals and resonating lyrics, Emaem is poised to captivate audiences globally, solidifying his presence as a rising star in the music industry. His journey culminates with the release of his debut studio project A STAR NOW, marking an exciting new chapter.
Ugoccie has swiftly unveiled her sophomore EP, aptly titled “Voice of the East” (VOTE).
The new release comes after her debut EP “Piece Of Me” which provides a fascinating look into the thrilling and wide-ranging future of her career and exceptional talent
Ugoccie, emerging as a force in the Nigerian music industry and gaining recognition and captivating the culturally appealing soundscape scored a great point from the choice of the title, “Voice of the East” (VOTE) EP, as a deliberate nod to her self-ascribed identity to unleash the power of the East through the EP.
This EP, just like her debut, demonstrates her artistic prowess and once again exhibits her distinctive musical identity that projects and extols praises of the richness of African culture, particularly the eastern part of Nigeria.
The VOTE EP is an impressive collection of five tracks, each crafted precisely. Ugoccie continues to impress her audience with her unique sound and compelling lyrics. The EP also features noteworthy guest appearances from Onitsha-born siblings Umu Obiligbo adding an extra layer of brilliance to the project with the kind of production provided by Endeetones (Beatlord)
Tracks Synopsis
ISIMGBAKA
ISIMGBAKA in Igbo means madness or someone who is not mentally okay. The song Isimgbaka starts off the VOICE OF THE EAST EP with a story of betrayal and how life always comes back at people who want to hurt others who have been nothing but good to them. It tells the story of a hustler who kept sending money home to her family but never got value for all the money she sent.
The moral of isimgbaka is never to hurt someone who has done you good. Only a mad person would do that
ỤWA feat. Umuobiligbo
The chorus of Ụwa is born from an ancient Igbo folklore that depicts that we are all beautiful in our way and that no one should take the world’s opinions seriously as people will always have something to say.
Ugochi and Umuobiligbo came together to create a masterpiece that would leave every listener glued from start to finish.
Ụwa means “world” in Igbo and the title is honed from the fact that the world will never be satisfied with whatever you do. Do you at the end of the day
ỌGỌ M
Ọgọ in Igbo means “kindness” or “charity” depending on the context and in this track, ugochi details how we live in a world where people have no conscience and would most likely repay an act of kindness with insubordination or wickedness.
A popular Igbo adage says “ọgọ m, egbuna m” which translates to “may my kindness not kill me”.
This is basically all Ugochi says in the song.
That our kind deeds will not be the end of us.
A masterpiece
EZI ENYI
Ezi Enyi in Igbo means (good friend)
In this story, Ugochi tells the story of how her friend tried to take a man that she loves from her which is very typical in the world that we live in. Every melody resonates with the listener for this particular one.
MARANMA
In Igbo land when things are good, we say “Ife Nile mara nma”. Which means that Things are going smoothly in essence. To crown this beautiful storytelling in her VOICE OF THE EAST EP, Ugoccie fuses amampiano with the Igbo flute to conjure this dance hall vibe that would still leave you rooted in the culture but swaying your hips in endless bliss. Maranma is the jam that takes you to the club after a long day of stress
Note: all the songs in Voice of the East ep have Igbo titles. Ugochi came all out for the culture in the most beautiful way possible
The VOTE EP is an intentional storytelling EP that brings a new spice to the kind of music Ugoccie makes. INTENTIONAL
STORY-TELLING MELODIES. The EP is inspired by life events and stories that have happened in real-time.
Quote
“There’s no truer art than believing in yourself and bringing your seat to a table where the seats are all taken”
“Stay true to your art, no one understands it better than you”
