Belgian artist Jhon François François has released a new single titled “This My Universe”, a track centred on themes of hope, spirituality, unity, and human reflection.
The song explores humanity’s place in the universe and encourages listeners to reflect on ideas of peace, awareness, and connection. The release forms part of the artist’s broader focus on themes related to spirituality, hope, and the human condition.
Jhon François François describes “This My Universe” as a personal artistic work that examines questions about existence and shared human experiences. The track presents these themes through a contemporary musical approach while drawing attention to ideas of light, reflection, and unity.
The artist’s catalogue is built around similar subject matter, with previous works also addressing universal and spiritual themes.
“This My Universe” by Jhon François François is available on all streaming platforms.
Belgian artist Franky V! has released a new track titled “I’m Blue (Da Ba Dee) [Afro House Vibes]”, a reinterpretation of the well-known dance classic.
The original version was released in 1998 by Italian band Eiffel 65.
The production reworks the original melody into an Afro House framework, using steady percussion, deep rhythmic layers, and atmospheric elements. The result is a more relaxed, groove-focused version compared to the high-energy original.
Rather than a direct remake, the track leans into a slower, more textured approach aimed at modern club and lounge settings such as sunset sets and late-night sessions.
Speaking on the release, Franky V! explained his intention behind the track:
“I wanted to take a melody everybody knows and transform it into something warm, emotional, and hypnotic — something that feels alive on today’s dancefloors while keeping the soul of the original emotion.”
The release reflects his ongoing focus on melodic electronic music with Afro House influence and club-oriented production.
“I’m Blue (Da Ba Dee)” by Franky V! is out now on all streaming platforms.
Belgian producer, composer and percussionist Reste Bahoua returns with a new electronic single titled “Elle est belle.”
Known for fusing African rhythms with Afro House and Afro Tech influences, Reste Bahoua continues to push a sound that combines traditional percussion with modern electronic production.
Beyond the studio, the artist also performs through his DJ_Drummer project, where he delivers high-energy live sets that merge DJ mixing with a hybrid drum setup featuring both acoustic percussion and electronic elements.
“Elle est belle” showcases that same fusion of rhythm, movement and electronic experimentation that has become central to his sound.
“Elle est belle” by Reste Bahoua is out now on all streaming platforms.
Belgian DJ Lando has released a new single “Sax After Sunset which channels the warm, cinematic atmosphere of 80s Miami sunsets.
Born in 1979 and raised between Southern Italy and the vibrant city of Liège, DJ Lando’s musical influences includes artists like Black Coffee, Keinemusik, ZHU, Bedouin, and Notre Dame, as well as traditional Balkan music.
“Sax After Sunset” by DJ Lando is out now on all streaming platforms.
Belgian DJ Lando has released a new single “Zingara”, an Afro House single with gypsy‑inspired melodies played on violins and traditional Eastern European sounds.
Born in 1979 and raised between Southern Italy and Liège, DJ Lando’s musical influences includes artists like Black Coffee, Keinemusik, ZHU, Bedouin, and Notre Dame, as well as traditional Balkan music.
“Zingara” by DJ Lando is out now on all streaming platforms.
“Playground” is the debut single of YRI & Aïsha Rae, a Belgian duo blending pop, poetry, and healing. Born in a psychiatric day center, the song is a lived story of rebirth, vulnerability, and light after loss.
“I used a purchased sample; the singer is from Zimbabwe, so I adapted my music to his voice
“Usaenda” is feel-good song with the right ingredients made for the dance floor.
Hakuna Patata has been making music for over 40 years and recorded songs in m a wide range of genres including Reggae, Dub, Funk, Soukous, African music, Dance, House, Cumbia, Surf, Rock, Samba, Bossa Nova and Latin Pop .
Following the Afro-dance vibrancy of his single Worami, Belgium-based producer Lynvy returns with a dynamic new take on French artist Ocin J’s emotive track Alive, originally released on March 1, 2024, by French label Orange Machine.
Now reimagined through the lens of liquid Drum and Bass, Alive (Lynvy Remix) marks Lynvy’s first official remix—and a milestone moment in his journey as a music producer.
”I wanted to explore something completely new,” says Lynvy. “I’d been drawn to the emotional intensity of liquid DnB for a while, and Alive had that perfect core energy I felt I could evolve into something hopeful yet driving.”
The remix stays true to Ocin J’s evocative original while adding Lynvy’s signature touch: a Reese bassline, distorted lead, and classic break-driven drums that bring both movement and melodic warmth. Clocking in at 2 minutes and 45 seconds, the remix finds the sweet spot between radio-ready accessibility and underground energy.
”It’s exciting to see Alive take on a new life in the DnB space,” adds Ocin J. “Lynvy’s remix adds a completely different energy while staying emotionally true. That’s what a great remix does—it transforms without betraying.”
The remix came to life through Music We Trust, the artist collective co-founded by Lynvy and home to both emerging and established names in the electronic scene. “Music We Trust isn’t just a name—it’s a belief in the power of community,” explains Lynvy. “The connection with Ocin J happened through the collective, and it really embodies the spirit of creative collaboration we’re trying to foster.”
With over 200,000 total plays across platforms like Boomplay and Audiomack, Lynvy is quickly making his mark in the electronic music scene. This new remix fits seamlessly into genres such as liquid Drum and Bass, melodic electronic, and emotional DnB, appealing to listeners who enjoy immersive and genre-crossing productions.
“I spent weeks experimenting with different bass textures and atmospheric layers,” says Lynvy. “The hardest part was modernizing the sound without losing the soul of the original. The Reese bassline brought urgency, but I made sure to balance that with warmth and space.”
About Ocin J:
French electronic artist Ocin J is known for his immersive, genre-fluid soundscapes. He released Alive via Orange Machine in 2024 and co-composed three tracks for the album Joachim Garraud & Friends. His track The Box was featured on the educational platform Sawup in 2023.
About Lynvy:
Belgium-based artist Lynvy began producing electronic music in mid-2024 and has since explored a fusion of Afro, electronic, and now Drum and Bass genres.
His debut single “Riff Me Up” dropped in 2024 followed by “Worami” in early 2025
Belgian artist Ninjahtiger is collaborating with two Africans- Nigerian-born Honey Zinzs and Zimbabwe native, JahLNT on his new dance track “Get Into The Groove”
Belgian Afrobeats artist Izeah, is at his best on his infectious new single “Call Me”
The track, a perfect fusion of Afro R& B and pop, tells a story of situations we can all relate to: second chances. “It’s about realizing too late, trying to fix what’s broken and believing that people can change,” Izeah explains.
Born to Ghanaian parents in Belgium, the artist is on a mission to spread the gospel of Afrobeats even further into Belgium and other parts of Europe.
Afrobeats might be global and “Afrobeats to the world” a popular saying and rallying cry for players in the industry, but Iizeah is convinced that there’s more to be done.
“I believe this genre doesn’t get the attention it deserves here in Belgium, and I want to change that. My goal is to bring Afro-music to the forefront and show that there is talent here capable of making an international impact.”
His goal is to create a space in the Belgian scene for Afrobeats, not just as a foreign genre but as a mainstream part of the country’s music scene.
“By growing my music internationally, I want to make a statement here in Belgium: there is an artist making waves abroad, proving that Afro-music deserves a place in our local scene as well.”
