Teo Bonn has released “COLLÉ SERRÉ,” an energetic Afro-dance single that combines Afrobeats, coupé-décalé, and Afro-fusion influences while bringing together lyrics in French and Spanish.
Driven by rhythmic percussion and dancefloor-ready production, the track reflects Teo Bonn’s multicultural background and his approach to blending African and Latin musical traditions. The bilingual record continues his exploration of music that moves between cultures without being confined to a single sound.
Originally from Equatorial Guinea, the only Spanish-speaking country in Africa and now based in France, Teo Bonn developed his FRANCOLATINO project after living in Equatorial Guinea, Spain, Cameroon, and France. His music draws from African rhythms, Latin melodies, and contemporary urban influences while exploring themes of love, freedom, ambition, identity, and personal growth.
With “COLLÉ SERRÉ,” Teo Bonn expands his growing catalogue of cross-cultural releases, delivering an upbeat record that reflects both his African heritage and Latin influences.
DJ Nashi has released a new single titled “DJ Nashi in the Building,” an Afrobeats track that combines contemporary African rhythms with hip-hop influences.
Built around energetic production, catchy hooks, and confident lyricism, the song delivers a high-energy sound inspired by summer celebrations and party culture. Its blend of Afrobeats grooves and rap elements reflects DJ Nashi’s approach to creating music designed for lively social settings.
DJ Nashi is an artist whose music draws from Afrobeats and hip-hop, combining modern production with rhythmic, performance-driven records.
Spek has released a new single titled “Abena,” an upbeat track that blends contemporary Afrobeats rhythms with themes of love, admiration, and human connection.
The song incorporates an interpolation of D’banj’s classic Afrobeats hit “Fall in Love,” reimagining elements of the track within a modern production while introducing Spek’s own perspective. Driven by vibrant percussion, melodic vocals, and catchy hooks, “Abena” combines nostalgic influences with a contemporary Afrobeat sound.
Based in Calgary, Canada, Spek is an independent artist whose music pairs Afrobeat influences with personal narratives and accessible songwriting. His work focuses on creating music that connects with listeners across different cultures through rhythm and shared experiences.
Producer and DJ David Saludes has released a new single titled “Just A Spark,” drawing on Afrobeats, Amapiano, and Afro House influences shaped by his international musical background.
According to Saludes, the track explores the significance of fleeting moments and the lasting impact that seemingly small experiences can have on a person’s life. Combining hypnotic rhythms with polished electronic production, “Just A Spark” reflects both introspection and dancefloor energy.
Originally from Europe, David Saludes spent 15 years as a resident DJ in Dubai, where he became part of the city’s electronic music scene before developing a sound that blends global club influences with Afro-inspired electronic music.
Paris-based producer and DJ Tony Blanck has released “AfroKonk,” a two-part Afrobeats instrumental built around rhythmic percussion and electronic production.
According to the artist, the track is centered on a conch shell melody that serves as its lead motif, combining with dark synth basslines and a driving Afrobeats groove. Designed as an instrumental, “AfroKonk” draws on dance music influences while incorporating organic and percussive elements.
Originally from Martinique and now based in Paris, DJ Tony Blanck is a producer whose work blends Afrobeats, Afro House, Caribbean, and world music influences across original productions, remixes, and DJ sets.
New York City-based singer-songwriter and producer Shreya Srikanth has released a new single, “Something in the Water,” a song that combines Afrobeats-inspired rhythms with dream pop and influences from the Indian classical tradition.
According to Srikanth, the track explores the feeling of an unexpected connection that is difficult to explain but impossible to ignore. Built around melodic pop songwriting and rhythmic percussion, the song reflects the range of musical influences that inform her work.
Srikanth is a singer-songwriter, producer, and multi-instrumentalist whose background includes training in Carnatic music, South India’s classical music tradition, alongside classical piano. Her music also draws on pop, R&B, and jazz influences.
Cardiff-based artist 80won has released a new single, “Slow Whine,” a song that blends Afrobeats-inspired rhythms with R&B and contemporary pop influences.
According to the artist, the song was inspired by a brief encounter in a Paris café, using that moment as the starting point for a story about attraction, romance, and human connection.
80won is an independent singer-songwriter based in Cardiff, Wales. His music combines elements of Afrobeats, R&B, and pop while drawing on experiences from everyday life.
Nigerian-born artist Lilwaboy, also known as Banga Boy, returns with his latest single “Steadily,” an upbeat record that combines Afrobeats and Afro-dancehall influences with a confident, dance-driven sound.
Built around rhythmic percussion and melodic vocal delivery, “Steadily” reflects Lilwaboy’s approach to contemporary African music, pairing infectious grooves with themes of confidence, ambition, and perseverance.
Originally from Nigeria and now based in Spain, Lilwaboy has been developing his career as an independent artist while building a growing international presence. Performing under the nickname Banga Boy, he has established an identity rooted in energetic performances and Afro-inspired rhythms.
“Steadily” is out now on major streaming platforms.
.jr has released a new single titled “Dramamama,” marking a collaborative effort with Kenyan artists Donman Jahdon and Joman.
The track blends Afrobeats and RnB influences, built around melodic vocals and contemporary rhythmic production. “Dramamama” sits in a cross-continental sound space, combining Scandinavian pop sensibilities with African rhythmic and vocal styles.
The record features Donman Jahdon from Nairobi, alongside Joman, who contributes to both the production and vocal layers of the track. Together, the collaboration creates a shared sonic approach that merges Afro-inspired grooves with modern melodic structure.
.jr (born Mohanand) is a 16-year-old Swedish artist working within Afrobeats and RnB, developing a sound that draws from global influences while staying rooted in contemporary African-inspired production styles.
“Dramamama” is available on digital streaming platforms.
Don Richie Music has released a new single titled “One Day We Go Smile.”
The track is an inspirational Afrobeats record built around warm melodies, steady percussion, and an uplifting vocal delivery. It carries a reflective yet hopeful tone, focusing on perseverance through hardship and the belief in better days ahead.
“One Day We Go Smile” centers on themes of patience, resilience, and emotional endurance, translating everyday struggles into a positive, forward-looking message without losing its grounded perspective.
Don Richie Music is an emerging Afrobeats artist whose work focuses on motivational themes and emotionally driven songwriting rooted in African rhythms and contemporary production.
“One Day We Go Smile” is available on digital streaming platforms.
Mo’d and Badman Neephy have released a collaborative single titled “Only Me.”
The track is built on an Afrobeats foundation with a focus on socially reflective songwriting and conversational lyricism. It incorporates melodic hooks and alternating verses that explore both personal and collective experiences.
Across the record, Mo’d delivers verses shaped by observations of insecurity, inequality, and everyday struggle in Nigeria, while Badman Neephy contributes a Yoruba verse centered on perseverance, responsibility, and personal resilience. The two perspectives combine to form a dialogue between social commentary and individual determination.
Rather than presenting a single viewpoint, “Only Me” reflects shared conversations and lived experiences, using its recurring hook to emphasize questions of accountability and collective understanding.
Mo’d is a Nigerian independent artist whose work blends Afrobeats with storytelling and socially conscious themes. Badman Neephy is a Nigerian artist who incorporates Yoruba-language expression and personal narrative into his music.
“Only Me” is available on digital streaming platforms.
The track is described as a fusion of Afrobeats, R&B, and electronic textures, delivered with a “punk Afro” energy and melodic vocal style. It features lyrics performed in both French and English, layered over rhythmic, genre-blending production.
IGATU centers on themes of love, emotional intensity, and relational instability, exploring attraction alongside tension caused by deception and betrayal. The song combines melodic delivery with more urgent, rhythm-driven sections.
Yun Jaï is an artist from Saint-Brieuc, France, known for blending genres and incorporating Afrobeats, R&B, and digital production styles into a hybrid sound.
IGATU is available on streaming platforms alongside an official music video.
Nigerian artist OLA has released a new single titled Stay With Me.
The track is described as an Afrofusion and Afrobeats-influenced record built around soulful melodies, rhythmic African percussion, and melodic vocal delivery. It combines contemporary production with a focus on emotional songwriting.
Stay With Me centers on themes of love, vulnerability, and emotional attachment. The song reflects the desire to maintain a romantic connection despite challenges, drawing from real-life experiences and relationships.
OLA is an independent artist working across Afrofusion and Afrobeats styles, with a focus on emotionally driven storytelling.
Stay With Me is available on digital streaming platforms.
Nigerian artist Gangstar Peri has released a new single titled Jahjoh.
The track is described as an Afrobeats record built on energetic percussion, African-inspired rhythms, and smooth vocal delivery. It features contemporary production designed around melodic hooks and a dance-oriented structure.
Jahjoh centers on themes of positivity and connection, with an emphasis on accessible, feel-good songwriting and rhythm-driven arrangement.
Gangstar Peri is an emerging artist working within the Afrobeats genre, blending African musical influences with contemporary production styles.
Jahjoh is available on digital streaming platforms.
The track is described as an Afrobeats-influenced record built around melodic vocals, emotive songwriting, and contemporary production. It focuses on expressive vocal delivery and melody-driven structure.
“Mama” centers on themes of romantic attraction and emotional connection. According to UCEY, the song reflects the feeling of being deeply drawn to someone, combining playful confidence with a more personal emotional undercurrent. The record is influenced by both Italian and African expressions of love, which shape its emotional tone and narrative approach.
Efosa Big-Joe has released a new single titled “Aje”.
The track is described as a blend of Afrobeats and Afro-pop, combining rhythmic production with melodic hooks and contemporary African influences.
“Aje” centers on themes of ambition, self-belief, and perseverance. The song reflects the pursuit of success while encouraging listeners to remain determined in the face of challenges.
Efosa Big-Joe is a Nigerian artist whose music focuses on contemporary African sounds and motivational themes.
“Aje” by Efosa Big-Joe is available on digital streaming platforms.
Nigerian artist ABBOY has released a new single titled “Hunter”, featuring Ofour2.
The track is described as an Afro-fusion record influenced by Afrobeats rhythms, energetic melodies, and contemporary African production. It combines upbeat instrumentation with motivational songwriting.
“Hunter” centers on themes of ambition, resilience, and the pursuit of success. The song focuses on staying committed to personal goals while navigating challenges and setbacks.
ABBOY is an emerging artist working within Afro-fusion and contemporary African music styles.
Hunter” by ABBOY is available on digital streaming platforms.
MERVANE has released his debut single titled “Fantasie”.
The track is described as a fusion of German-language hip-hop, Afrobeats, and dancehall influences, built around melodic hooks and contemporary production. The song combines rhythmic global elements with a pop-oriented structure.
“Fantasie” centers on themes of escapism, imagination, and nightlife, capturing moments associated with summer evenings, daydreaming, and music-driven relaxation.
As his first official release, the single introduces MERVANE as an emerging artist working across multiple global influences, blending modern pop and hip-hop with international sounds.
“Fantasie” MERVANE by is available on streaming platforms.
Mclef has released a new single titled “Follow You Go See”.
The track appears on the artist’s Hands In The Air project and is described as an Afrosounds record built on rhythmic percussion, melodic flow, and contemporary Nigerian street-pop influences. The production sits within Mclef’s broader catalog of dance-driven releases.
“Follow You Go See” explores themes of love and emotional attachment, focusing on the feeling of choosing one person above others and committing to a romantic connection despite external distractions.
Mclef is a Nigerian singer , dancer, and songwriter from Rivers State. He has been active in music since 2022 and is known for songs such as “Kom Kom,” “Hands In The Air,” and “Psycho.”
“Follow you go See” by Mclef is available on digital streaming platforms.
Swedish artist Jay Maple has released a new single titled “Afrobeat na Dancehall”.
The track is described as a fusion of Afrobeats and Dancehall, combining rhythmic elements from both genres within a contemporary dance-oriented production.
“Afrobeat na Dancehall” centers on themes of enjoyment, positivity, and living life to the fullest. The song also highlights the connection between Afrobeats and Dancehall, reflecting the idea that listeners can appreciate and engage with both styles of music.
“Afrobeat na Dancehall” by Jay Maple is available on digital streaming platforms.
Psycho Sherry has released a new single titled “Alive”.
The track is described as an Afrobeats record centered on themes of hope, perseverance, and finding strength during difficult circumstances. The song reflects the belief that some challenges are beyond human control while encouraging listeners to continue living with optimism and purpose.
“Alive” focuses on maintaining hope in the face of uncertainty. According to Psycho Sherry, the song was created to promote joy, encouragement, peace, and positive energy for listeners navigating personal struggles.
Psycho Sherry, whose real name is Sheriff Fuseini, is an emerging Afrobeats artist who has been pursuing music professionally for the past year.
“Alive” by Psycho Sherry is available on streaming platforms.
Nigerian artist Teo Vuka has released a new single titled “High Heels”
The track is described as an Afrobeats and Afropop record built on rhythmic instrumentation, melodic songwriting, and contemporary African production. It features polished arrangements and a confidence-driven vocal approach.
“High Heels” focuses on themes of attraction, confidence, and modern African culture. The song reflects Teo Vuka’s style of blending everyday experiences with melodic storytelling and rhythmic structure.
Teo Vuka is a Nigerian artist from Otukpo, Benue State, who began releasing music in 2020. His work includes tracks such as “Good Life,” “Hasta Lavida,” “Hello Oyi,” “Ebor,” “Bleed,” and “Tough Time.”
“High Heels” by Teo Vuka is available on streaming platforms.
Jay Lion has released a new single titled “Bounce”.
The track is described as an Afrobeats and Afropop record built on energetic rhythms, melodic patterns, and an upbeat arrangement. It is structured around dance-driven percussion and a feel-good sonic approach.
“Bounce” centers on themes of positive energy, movement, and resilience in the face of challenges. The release encourages listeners to maintain forward momentum and an uplifting outlook.
Jay Lion is a Nigerian-born Afrobeats artist based in Jacksonville, Florida.
“Bounce is all about positive energy, movement, and never allowing life’s challenges to keep you down. I want people to feel good, dance, and stay inspired whenever they hear this record,” the artist said.
“Bounce” by Jay Lion is available on streaming platforms.
The track is described as blending Afrobeat and R&B elements, with contributions from Nairobi-based artist Donman Jahdon and beatmaker Joman, who also provides vocals. The production combines rhythmic Afrobeat patterns with R&B-influenced melodies and vocal layering.
“Dramamama” is a collaborative release involving Swedish artist .JR, born Mohanand, alongside his Kenyan collaborators. The single reflects an ongoing cross-border approach in his music, drawing on contributors from different regions.
.JR is a 16-year-old artist based in Stockholm, Sweden, working within Afrobeats and R&B influences.
“Dramamama” by .JR featuring Donman Jahdon and Joman
Danish artist Zuri Zol has released a new Afrobeats single titled “Energy Match,” a track built around themes of chemistry, rhythm, and emotional connection.
The song focuses on the idea of two people aligning naturally, with movement and emotion described as syncing without effort. It presents that moment of immediate connection as the central theme of the record.
“Energy Match” draws from a groove-driven Afrobeats approach influenced by artists such as Tyla and Burna Boy, blending melodic vocals with log drum patterns and a minimal production style.
“Energy Match” by Zuri Zol is available on streaming platforms.
Ibadan-based artist Deehzer has released a new single titled “Render”, adding another entry to a growing catalogue of Afrobeats records built around everyday experiences and personal reflection.
The song arrives as the latest release from the emerging artist, whose music draws inspiration from contemporary Nigerian acts such as Bella Shmurda, Kizz Daniel, Barry Jhay and Muyeez
According to Deehzer, the song was inspired by the pressures of daily life and the need to occasionally step back and appreciate the present.
“Render” is about enjoying the present and not allowing life’s pressures to stop you from being happy,” he said. “Sometimes we need to slow down, appreciate where we are and simply enjoy the moment.”
“Render” by Deehzer is available on major streaming platforms.
Portuguese artist R4IZES has released a new single titled “Leva-me sem destino”, a track that blends Afrobeat influences with kizomba elements.
The song is built around rhythmic percussion and melodic production typical of Afro-infused Lusophone music styles. The arrangement combines steady rhythmic patterns with warm instrumental textures and vocal-led delivery.
According to R4IZES, “Leva-me sem destino” explores themes of love and emotional attachment, focusing on a desire to escape responsibilities and societal expectations with a partner.
The track is structured around a continuous rhythmic flow, with emphasis on repetition and gradual progression rather than abrupt shifts in arrangement.
R4IZES is a Portuguese artist whose work is rooted in songwriting and Lusophone musical traditions, drawing from a range of styles across Portuguese-language music.
“Leva-me sem destino” by R4IZES is available on streaming platforms.
Nigerian artist Efosa Big-joe has released a new single titled “Kurukere Girlina”, a track that draws from Afrobeats and Afrofusion influences.
The song is built around rhythmic percussion and melodic vocal delivery, with production that leans on contemporary Afrobeats-style arrangement. Elements of repetition and layered melodies are used throughout the track.
In press materials, the record is described as a high-energy Afrobeat and Afrofusion release with a focus on melody and groove.
Efosa Big-joe frames the song as part of his ongoing work within Afrobeats and Afrofusion, with emphasis on accessible melodies and rhythmic structure.
“Kurukere Girlina” by Efosa Big-joe is available on major streaming platforms.
UK-based Nigerian artist DRAY, also known as Dr. Ayotunde Dawodu, has released his latest single, “African Girl,” a track that celebrates the beauty, confidence, and intelligence of African women.
Blending Afro-rap, Afrobeats, and Amapiano influences, the song combines energetic rhythms with lyrics that challenge stereotypes and highlight the achievements and individuality of modern African women.
Speaking about the inspiration behind the record, DRAY said he wanted to create a tribute to African women that recognizes both their ambition and cultural identity while expanding conventional ideas of beauty and success.
“I wanted to honor the intelligence, the stride, and the unapologetic nature of African women. This track celebrates their power, from their ambition to their cultural roots, and challenges narrow views of beauty and success. It’s a tribute to the baddie who also washes her own dishes.”
Outside music, DRAY is a Senior Lecturer in Building Engineering at the University of Greenwich. Holding a PhD in Energy Technologies and Sustainable Development, he has authored three books and more than 40 academic publications. His unique combination of academic and creative pursuits has earned him the nickname “The Vain Professor.”
“African Girl” serves as the lead single from DRAY’s forthcoming EP, scheduled for release later this month ahead of his debut album, Crossroads, which is expected in 2027.
“African Girl” by Dray is available now on major streaming platforms.
Nigerian-American artist Zaamwé, based in Maryland, has released a new single titled Summer Sun, an Afrobeats track influenced by soukous and alternative African sounds.
The song explores emotional uncertainty in love, focusing on the experience of waiting in limbo for a response from someone. It draws inspiration from the biblical stories of Samson and Uriah, using their narratives of love, loyalty, and sacrifice as a thematic backdrop for its bittersweet tone.
It follows a long-running catalog that includes Cool Cool EP, My Friend Ruby EP, and the album Lemonadé.
Born to Nigerian parents of Esan and Delta heritage, Zaamwé (Ihide Ehikhamenor) has been active as a recording artist since 2016, alongside work as a filmmaker and visual artist. Summer Sun continues his focus on merging diaspora identity with African-rooted musical styles.
Summer Sun by Zaamwé is now available on all streaming platforms.
Nigerian Afrobeats artist Kellyboyt has released a new single titled “For You”, which is out now.
The track is described as a love-focused Afrobeat record that draws on themes of romance, heartbreak, and emotional reflection. It leans into smooth vocals and a soulful rhythm, aiming for a more personal and emotionally driven sound.
According to the artist, “For You” reflects real-life relationship experiences and blends love and life struggles in a way intended to feel relatable to listeners.
Kellyboyt is an emerging artist whose work is generally centered around love, everyday experiences, and hustle narratives within an Afrobeats framework.
”For You” by Kellyboyt is available now on streaming platforms.
Nigerian Afrobeats artist Mistikay has released a new single titled “Bundle Bundle”, a track centered on financial breakthrough, resilience, and personal progress.
The song is inspired by a reported financial turning point in December 2025 and reflects the journey from struggle to success, touching on themes of persistence, doubt, and eventual celebration.
Mistikay, born Kayode Afolabi Ajayi, is from Ondo State and has previously released tracks such as “Na WA o”, “Kilofe”, and “Ebamiyo”
“Bundle Bundle” by Mistikay is available now on all streaming platforms.
American artist Ucey explores a romantic, cinematic sound on his latest release “Superman”, a track that blends Afrobeats rhythms with reggaeton-inspired percussion and warm, melodic production.
Built around smooth grooves and atmospheric textures, “Superman” leans into a cross-genre approach that prioritizes mood and emotional tone over traditional structure.
Lyrically and thematically, “Superman” focuses on love, longing, and emotional vulnerability.
The song reflects the experience of wanting connection and finally feeling seen in a romantic context, with its sound design reinforcing that mood through warm instrumentation and smooth transitions.
“Superman” by Ucey is available now on all streaming platforms.
American artist Pilgrim Jack has released a new single titled “Trauma”, an Afrobeat and dancehall-inspired record that explores themes of heartbreak, anxiety, emotional pressure, and personal healing.
Built around atmospheric production and melodic vocals, “Trauma” blends Afro-fusion rhythms with elements of melodic rap, creating a reflective sound that leans into late-night moods and emotional storytelling.
The track focuses on the challenges of carrying emotional wounds while attempting to move forward, offering listeners a personal perspective on vulnerability and self-reflection.
According to the artist, the song addresses feelings of pain and anxiety that can linger long after difficult experiences, while also highlighting the process of emotional recovery.
“Trauma” by Pilgrim Jack is out now on all streaming platforms.
Nigerian rising artist Leetuman has released a new single titled “RHATID”, a collaboration with Legzy Jay.
According to information shared around the release, “RHATID” blends rhythmic percussion, modern Afrobeats influences, and a performance style that leans into expressive, high-energy delivery.
Leetuman described “RHATID” as a personal statement shaped by persistence and artistic growth.
The song is positioned as a reflection of his current mindset, with emphasis on progression rather than reinvention.
“RHATID” by Leetuman featuring Legzy Jay is out now on all streaming platforms.
Ghanaian Afrobeats artist Twicy is putting his own spin on a classic with the release of his new single, “Rock With You”, a cover of Michael Jackson’s iconic 1979 hit of the same name.
Rather than attempting to recreate the original record, Twicy leans into contemporary Afrobeats influences, blending smooth melodies, rhythmic percussion and laid-back production to give the song a fresh feel. The result is a version that pays tribute to the original while introducing it to a younger audience more familiar with today’s African pop sound.
Originally written by Rod Temperton and produced by Quincy Jones, Michael Jackson’s Rock With You remains one of the defining records from the legendary Off The Wall album and continues to influence generations of artists across different genres.
For Twicy, the song, released on March 3rd, adds another familiar title to a growing catalogue that has seen him experiment with different sounds while maintaining an Afrobeats foundation. The Ghanaian singer has steadily built a name for himself through songs such as Live It Up, Lotto and Monalisa, earning recognition in Ghana and beyond.
His version of Rock With You focuses on the song’s timeless themes of connection and enjoyment, while introducing a more relaxed Afro-fusion groove. While some listeners may prefer the nostalgia and disco energy of the original, Twicy’s take offers a different perspective that fits comfortably within today’s Afrobeats landscape.
As more African artists continue to revisit and reinterpret global classics, Rock With You serves as another example of how familiar records can find new life through modern sounds and different cultural influences.
”Rock With You “ by Twicy is out now on all streaming platforms.
Every artist has a first release. For Nigerian Afrobeats artist Bobby SR, that release is “Remember.”
The debut single is built around a simple idea: success is good, but knowing where you came from matters too.
On “Remember,” Bobby SR reflects on real-life struggles, family prayers, faith, and the journey many young people face while chasing bigger dreams. The track combines motivational themes with uplifting Afrobeats energy, delivering a message rooted in gratitude, perseverance, and staying grounded.
According to the artist, the song is about remaining humble, trusting God, and never forgetting your roots, even when life starts moving in a different direction.
“Remember” marks Bobby SR’s first official release as he begins his journey in the Afrobeats space.
“Remember” by Bobby SR is now available on streaming platforms.
Rising Afrofusion artist VALOE, has released a new single titled “Sandalili.”
The track is a melodic Afro-fusion record influenced by the sonic styles of Tems, Fireboy DML, Rema, and Omah Lay.
“Sandalili” leans into a smooth, mid-tempo Afrobeats foundation with soft synth elements, rhythmic percussion, and a focus on melody-driven vocals.
The song is built around themes of nostalgia, emotional distance, and memory, drawing from a childhood nursery rhyme in Eastern Nigeria that inspired its core concept.
VALOE describes his sound as Afrofusion shaped by both West African and diaspora influences. Raised in Aba and now based in Atlanta, his music blends Afrobeats, R&B, and soul, with a focus on atmosphere and emotional delivery rather than heavy production or high-energy structure.
“Sandalili” also references Aba, Nigeria through its cover art coordinates, grounding the release in VALOE’s hometown while presenting it within a more modern Afrofusion context.
“Sandalili” by VALOE is out now on all streaming platforms.
Nigerian-American artist JULY has released a new single titled “Intoxicated,” a blend of Afrobeats and Highlife influences shaped by themes of attraction and emotional connection.
Born in Nnewi, Anambra State and now based in Houston, JULY continues to draw from both African and international influences in his music. Speaking on the record, the artist described “Intoxicated” as “a smooth fusion of AfroHighlife and Afrobeats inspired by the beauty and aura of an irresistible woman.”
The track combines melodic Highlife elements with modern Afrobeats production while focusing on the intense emotions tied to romance and desire.
“Intoxicated” by July is out now on all streaming platforms.
American Afrobeats artist Caliph has released a new single titled “My Brother”, a reflective record centered on brotherhood, loyalty, and long-standing personal relationships.
Released in Houston, Texas, the song explores both biological and chosen family, focusing on friends who become like brothers through shared experiences, support, and life challenges.
Musically, “My Brother” is built on smooth Afrobeats melodies and Afro-fusion-inspired production.
The record continues Caliph’s focus on personal and emotionally driven themes, with an emphasis on appreciation for the people who remain consistent through different phases of life.
Speaking about the inspiration behind the song, Caliph said:
“This song is for the people who stayed solid. Blood brothers, childhood friends, day-ones — the people that became family through life. I wanted to create something that makes people appreciate the real ones around them.”
“My Brother” by Caliph is out now on all streaming platforms.
Independent music project Be Ye Transformed has released a new single titled “Be Brave!”, a track that blends Amapiano rhythms with Afrobeats-inspired percussion and melodic elements.
Released on 3 May 2026, the three-minute song is built around an upbeat, motivational tone, combining rhythmic grooves, atmospheric layers, and emotionally driven songwriting.
The production aims to deliver a sound that feels both energetic and reflective.
Produced and written by Saul Loubassa, “Be Brave!” explores themes of resilience, personal transformation, and determination, framed through a danceable yet uplifting sonic approach.
The vocals are AI-performed, placing the release within the growing space where artificial intelligence is being used in modern music production.
The project highlights how emerging tools are increasingly being used to support creative direction while maintaining structured songwriting and genre-based production styles.
“Be Brave!” by Be Ye Transformed is out now on all streaming platforms.
Fast-rising Nigerian-born, Poland-based Afrobeats artist Eleegal has released a global new single “Stubborn,” featuring EL Akili.
Built on a smooth Afrobeats foundation, “Stubborn” blends laid-back, feel-good rhythms with a strong motivational core. At its heart, the song is about resilience—choosing to stay focused, push through setbacks, and remain committed to personal goals no matter what life throws your way.
Inspired by real-life struggles and everyday perseverance, “Stubborn” carries a calm but determined energy. It speaks directly to dreamers, hustlers, and anyone navigating pressure while trying to stay true to their path. Rather than focusing on struggle alone, the record reframes it as fuel for growth and self-belief.
Speaking on the release, Eleegal describes “Stubborn” as more than just a song:
“It’s about staying true to your path no matter what life throws at you. It’s for everyone chasing something bigger than themselves.”
“Stubborn” by Eleegal feat. EL Akili is out now on all streaming platforms.
Ghanaian-American Afrobeats artist Massaeli has released a new single titled Challenger, a high-energy Afro-dance record that blends romantic storytelling with upbeat, dance-driven production.
Produced by KenliBeatz, the track centres on themes of romantic intent and long-term commitment, with Massaeli positioning himself not as one option among many, but as the final choice.
Challenger uses subtle wordplay to build its narrative, weaving in references such as “Excalibur” and “exes” to frame love as both a battle of loyalty and a declaration of certainty. The result is a track that feels playful yet intentional, balancing emotional depth with club-ready energy.
Despite its romantic theme, the song maintains a vibrant Afro-dance foundation, driven by high-energy percussion and rhythmic bounce designed for the dancefloor while still carrying a clear lyrical message.
“Challenger” by Massaeli is out now on all streaming platforms.
Rising Afrobeats artist Didi Musiqq has released a new single titled Falling In Love with You, a reworked version of a song originally written in 2018 that has now been fully transformed into Afrobeats.
The track’s evolution reflects a long creative journey. Initially conceived as a reggae record, the song took on a new direction after a pivotal moment in South Africa in 2024, when her stylist suggested she should try hearing a love song from her in Afrobeats. That idea sparked a return to her earlier catalog and ultimately led to the reimagining of the track in her now-defining sound.
Speaking on the transformation, Didi Musiqq shared:
“After thinking about it carefully, I decided to recompose the song into Afrobeats. In my opinion, it sounds amazing. I actually love this version even more than the original reggae version.”
Falling In Love with You was written during a deeply emotional period in her life, when she was in love, and the record reflects that sincerity through its warm melodies and uplifting tone. The song leans into themes of optimism, romance, and emotional openness, delivered through an infectious groove and smooth Afrobeats production.
The artist also reflected on her wider catalog and creative shift, saying:
“I’ve written plenty of ‘done-me-wrong’ songs in my career. Now, I wanted to focus on love, on the excitement of feeling it, giving it, and hopefully experiencing it again.”
She further described the track as:
“The type of song that’s infectious and makes you want to sing along. I hope listeners receive it in the beautiful way I meant to convey it.”
“Falling In Love with You” by DiDi Musiqq is out now on all streaming platforms.
Nigerian Afrobeats artist Bizy Boy has released a new single titled “December”.
The track blends smooth Afrobeats rhythms with melodic vocals, capturing themes of love, celebration, and late-night emotions often associated with the festive season.
With its relaxed production and catchy delivery, “December” adds to the growing wave of feel-good Afrobeats records coming from emerging Nigerian artists.
“December” by Bizy Boy is now available on all streaming streaming platforms.
Nigerian DJ and producer DJ Skipit teams up with Evado on “S.O.F (Scared Of Failure),” a new street-inspired single rooted in Igbo culture and everyday hustle.
The track focuses on themes of ambition, uncertainty, and perseverance, with both artists reflecting on the pressure that comes with chasing success. Over an energetic production, Evado delivers lyrics centred around overcoming fear and staying motivated despite setbacks.
“S.O.F” leans into a familiar street anthem formula but stands out through its emotional honesty and relatable message. The combination of Igbo influences, motivational songwriting, and catchy production gives the song a sound that can connect with listeners navigating their own personal struggles and goals.
“S.O.F (Scared Of Failure)” by DJ Skipit feat. Evado is out now on all streaming platforms.
Togolese DJ and producer DJ VIJOKA returns with a new single titled “CHEBA,” a genre-blending record inspired by sounds from across Africa, Asia and the West.
Born between Côte d’Ivoire and Togo, raised in the United States and now based in France, DJ VIJOKA brings a global perspective to his music.
His sound combines Afrobeats rhythms, Amapiano log drums and infectious pop melodies influenced by cities like Seoul, Tokyo, Atlanta and Los Angeles.
“CHEBA” continues that fusion, delivering an energetic record built for both playlists and dance floors.
“CHEBA” by DJ VIJOKA is out now on all streaming platforms.
Nigerian Afrobeats singer Lazzy returns with “Marry”, a mid-tempo record built on smooth production and a melodic hook.
On the track, Lazzy explores themes of love, commitment, and emotional honesty, delivered through relaxed vocals and a steady groove that carries through the song.
The record leans into a softer side of Afrobeats, focusing more on storytelling and mood than high-energy percussion.
“Marry” by Lazzy is out now on all streaming platforms.
Nigerian-Canadian singer KAYS returns with “LIKE DAT” an Afrobeats record driven by smooth melodies, rhythmic bounce, and a confident, feel-good energy.
The Summer anthem leans into a clean, modern Afro-fusion sound while still keeping things catchy and replay able.
“Like Dat” by Kays is out now on all streaming platforms.
Ghanaian artists Dreamo and Gaddy have released a new single “Make No Time”
It’s the second single off their forthcoming collaborative album, blending elements of Afro House and Afro-pop.
“Make No Time” encapsulates the ethos of Dreamo & Gaddy’s upcoming project— resilience, self-awareness, and growth through adversity—delivered through a sound
“Make No Time” by Dreamo & Gaddy is out now on all streaming platforms.
Gabonese Afrobeats artist Vicky R makes her comeback with “Fala,” the first single from the EP Latitude 0, featuring Oxlade.
“Fala” means to grind, to hustle, to turn struggle into victory in Gabonese urban slang (Tolibangando).
It’s an anthem for the Fallaman.e visionary hustlers moving forward step by step,” explains Vicky R.
Alongside Oxlade, Vicky R blends West African afrobeats with the raw energy of Gabonese urban sounds.
This track lays the foundation for Latitude 0.
0°48’S 11°36’E = the exact GPS coordinates of Gabon, the birthplace of Vicky R and the EP Latitude 0, located on the equator the project’s anchor point.
“It is the ‘center of the world’ where the sonic journey toward Africa and its diaspora begins”
“Fala” by Vicky R feat. Oxlade is out now on all streaming platforms.
American artist A.L.I.A.S returns with “IMPRESSIONS,” a high-energy blend of R&B, Afrobeat, and Amapiano built for day parties and nightlife.
Inspired by artists like Tyla, Davido, and Chris Brown, “IMPRESSIONS” delivers a confident, feel-good record designed to move crowds while keeping a melodic edge.
“IMPRESSIONS” by A.L.I.A.S is out now on all streaming platforms.
Nigerian Afrobeats artist Tony Lawz returns with a romantic new single “Love for Real”
Since making his debut in 2020, Tony Lawz has released several singles and albums including “Don’t Stop Loving”, “Joko”, “Find Money”, Real Life, Music Brainbox and others.
“Love for Real” by Tony Lawz is out now on all streaming platforms.
Longtime friends Mr Eazi and King Promise have released a joint album See What We Have Done”
Following the success of its lead singles – the nostalgic Backstreet Boys interpolating ‘That Way’, the sun-drenched romantic drop ‘Mariana’, and the title track ‘See What We’ve Done’, the album marks a defining new chapter for two of African music’s most influential voices.
The nine-track project includes production credits from an elite roster including GRAMMY-winning hitmakers GuiltyBeatz (Beyoncé, Jorja Smith), JAE5 (J-Hus, Dave), KillBeatz (Ed Sheeran, Wizkid) and AoD (FKA Twigs, Doja Cat).
The Nigerian Grammy winner (Mr Eazi) and the Ghanaian Afro pop sensation (King Promise) describe the See What We’ve Done album as a “celebration of friendship, growth, and gratitude, and that spirit sits at the heart of the project.”
See What We’ve Done by Mr Eazi and King Promise is out now on all streaming platforms.
Tokyo-based producer MasaHY and Nigerian artist Emage_Way have joined forces for “SPARK,” a collaboration built on rhythm, atmosphere, and forward-thinking sound design.
They describe the song as “not mainstream Afropop or Amapiano track, but more on the alternative and atmospheric side”
Tokyo-based producer MasaHY
MasaHY’s genre-fluid production—drawing from R&B, Dancehall Reggae, Jazz Fusion, and Funk—creates a rich sonic landscape that feels both modern and timeless.
Nigerian artist Emage_Way
The collaboration bridges Tokyo’s forward-thinking beat culture with the global energy of African rhythm, highlighting how contemporary music continues to evolve through cross-cultural exchange and shared creative vision.
“SPARK” by MasaHY feat. Emage_Way is out now on all streaming platforms.
Nigerian Afrobeats artist ChiBi Gold returns with “Away”, a deeply emotional and reflective track that blends rhythm with purpose.
Rooted in themes of faith, struggle, and personal growth, “Away” is a message for listeners navigating real-life challenges.
As part of his growing movement, Hope World, ChiBi Gold aims to inspire, uplift, and connect with people through authentic storytelling and powerful sound.
“Away” is a testament to resilience, offering listeners both comfort and motivation.
Following the release of her two previous singles “Aye” and No Reason Am”, Nigerian Afrobeats artist Mez Dee returns with a new track “Closer”
“Aye” showcases Mez Dee’s energetic blend of rhythm and cultural expression while “No Reason Am,” reflects her passion, emotional storytelling, and artistic maturity.
Then on “Closer”, the budding singer delivers an intimate and soulful vibe.
“Closer” by Mez Dee is out now on all streaming platforms.
Nigerian-Canadian Afrobeats artist Spektacoola (Spek) Spektacoola (Spek) introduces a heartfelt new single titled “Ololufe,” an emotional love song that blends melodic vocals with a captivating rhythm.
I’m Screenshot
Spektacoola’s sound influenced by his African roots and modern Afrobeats,“Ololufe” expresses love, vulnerability, and genuine emotion.
“Ololufe” by Spektacoola (Spek) is out now on all streaming platforms.
UK-based Afropop artist Nelz returns with message in his latest single “Run Am,” The track blends vibrant Afrobeat rhythms with motivational storytelling, showcasing Nelz’s signature mix of reflective lyricism and feel-good energy.
With hooks like “It feels good oh yeah, my guys on my side,” Nelz paints a picture of ambition anchored in gratitude, friendship, and belief. Affirming the “do your best and leave the rest” nursery rhyme, Nelz decides to give all he has got and live without worries or anxiety of what will be… he decides to let God “run am like that”.
“Run Am” by Nelz is out now on all streaming platforms.
Nigerian artist Riick makes his entry into the music industry with “Sanity”, a track built on lush percussion, warm guitar riffs, and emotionally charged vocals.
Drawing inspiration from artists like Victony, Rema, and Burna Boy, Riick fuses Afro-fusion, R&B, and Soul into his music.
“Sanity” by Riick is out now on all streaming platforms.
Nigerian-American artist Kate Odulukwe returns with a bold Afrofusion single “BURNING.”
Inspired by the current global wave of Afrobeats artists like Burna Boy and Davido, and the foundation built by women like Tiwa Savage, BURNING reflects Kate’s desire to both honor and evolve the sound.
Built around the mantra “they no fit quench that fire,” BURNING captures the vibe of being outside at night, fully present, confident, and completely unbothered.
The accompanying video, shot across Harlem in New York City at night, bring this feeling to life. Together, the video and song reflect her dual identity, carved in Nigeria and crafted in NYC.
“This song is inspired by a fun night out in Lagos, though I shot it in NYC. It’s about a feeling more than anything,” Kate explains. “It’s that moment when you’re outside, the vibe and everything is just right, and nothing can touch you. You’re locked in, you’re lit, and you’re not letting anything get in the way of that. That’s what BURNING is.”
“BURNING” by Kate Odulukwe is out now on all streaming platforms.
Ayo Benzi, winner of the first season of the “The Next Afrobeats Star” has shared his debut EPHeat & Heart.
Released under Ultima Limited, organizers of the competition, the project is a fulfillment of the promise made by Ayo Benzi to his fans while he was on the show.
All four tracks on Heat & Heart are songs that were written, crafted, and performed across the competition’s run which have now been now remastered and packaged for Ayo Benzi’s transition from the television spotlight to the speakers.
“Every song on this EP is a piece of me that Nigeria has already heard, but now it’s yours to keep. Heat & Heartis just the beginning,” says Ayo Benzi.
Heat & Heart is an Afrobeats-forward project rooted in culture, texture, confession, and groove.
Lead single “Oil Dey My Head” sets the tone. Drawing on the imagery of divine favour and anointing, the oil that marks, protects, and consecrates.
Femi Ayeni, C.E.O of Ultima Limited is confident that Ayo Benzi’s debut project will capture the hearts of fans: “Ayo Benzi did not just win a competition, he earned a platform. Heat & Heartis what happens when raw talent gets the time and space to say something real. We believe in these songs. Nigeria will too.”
ABOUT AYO BENZI
Ayo Benzi is a Nigerian Afrobeats artist and the winner of Next Afrobeats Star Season 1. Known for a performance style that fuses vocal range with raw stage presence, he rose through one of Nigeria’s most competitive music platforms and emerged with both a title and a fanbase. Heat & Heart is his debut EP and his formal introduction to the global music market.
Heat & Heart by Ayo Benzi is out now on all streaming platforms.
Nigerian artist Adebayo Adiamo returns with “No Alert No Outing”, an upbeat Afrobeats track about money and relationships.
Since his 2024 debut, Adebayo Adiamo has released several singles including “Yam Pepper Scatter Scatter”, “Dodomayana”, “Everywhere Don Burst” and “Figure Eight”
“No Alert No Outing” by Adebayo Adiamo is out now on all streaming platforms.
Bojang Soul is an anonymous artist rooted in West African and Gambian sound. There is no public identity, no face to see, and no interviews — just the music itself.
The project’s identity remains hidden, letting the music speak for itself.
The visual identity is anchored by a hand-painted, hand-carved mask designed and sourced in The Gambia. This mask is the only ‘face’ of the project — culturally grounded, visually striking, and the centrepiece of every piece of content, press image, and brand asset.
The debut single “You Can’t Beat Me (Gambia Forever)” is a high- energy, culturally enriched track that sits firmly in the Afrobeats/Afropop space. The song is a celebration of Gambian identity, resilience, and pride.
“You Can’t Beat Me (Gambia Forever)” by Bojang SOUL is out now on all streaming platforms.
In this interview, S.King opens up about what drew him to Miley Cyrus’ hit “Flowers” and why he decided to sample it in his music. From connecting with its message of self-love to adding his unique Afrobeats flavor, he explains how the track inspired him and became a meaningful part of his artistic journey.
S.Afrobeats artist S.King
I have to ask — what’s the story behind the name? S.King stands for Special King — a name I gave myself before fully realizing how powerful my story truly was. Òké, one of my given names, was chosen by my mum because I was born with a sac, which in Yoruba culture is rare and spiritually significant. As I grew older, I understood its meaning, and everything started to align. Both my mum and dad come from royal blood, so adding “King” reflects heritage, identity, and destiny. S.King isn’t just a stage name; it’s spirituality, royalty, and self-awareness.
Tell me about your childhood. Where did you grow up? Growing up in Mushin, Lagos, I was immersed in energetic experiences and exposed to both gospel and non-gospel music from a young age, favoring artists like D’banj, Olu Maintain, 9ice, 2Face, and 50 Cent. I was also a big movie fan, influenced by films like Chronicles of Narnia, Harry Potter, and Pirates of the Caribbean, and enjoyed TV shows from Cartoon Network and Disney, including Ben 10 and Justice League. This mix of music, movies, and cartoons shaped my creativity and music.
S.King released a cover of “Flowers” by Miley Cyrus
When did you start taking yourself seriously as an artist?
I really started taking myself seriously when I dropped my first single, “My Heart in Lovid 19.” The response blew me away — I received compliments, messages, and even emails from people I didn’t know telling me how much they loved the song. That connection with people boosted my confidence and made me realize that music wasn’t just something I enjoyed — it was my calling. From that moment, I made a true commitment to my craft, focusing on creating music that resonates and connects.
What kind of energy do you bring into the studio? In the studio, I bring focused, intentional, and authentic energy. I don’t force creativity — I let it flow naturally. Sometimes it’s soft and emotional, other times bold and confident, depending on the song. I treat every session as a moment to build, not just record. For me, the studio is a space to translate emotion into sound and capture something that truly connects with me.
What’s been your biggest “wow, this is real” moment so far?
Just seeing how people connected with my first single, “My Heart in Lovid 19.” People went from calling me by my given name to S.King. Receiving messages and emails from strangers telling me how much they loved the song was surreal. Even more mind-blowing — my music was being listened to in 72 countries in my first year. That’s when it really hit me: this isn’t just a dream; it’s real. Feeling that kind of connection and reach was unforgettable and has fueled everything I do since.
Are you making music for vibes, money, legacy… or all of it?
Honestly, all of it. I started with vibes — just making music for the love of it. Along the way, I’ve made some money, and now I’m focused on legacy. I want my music to shake the world in a gentle way — to connect with people deeply while leaving something lasting behind.
What keeps you going when things feel slow?
Clarity and self-belief keep me going. I’m not in a rush to go mainstream; I focus on doing the work that needs to be done in private. Even when progress feels slow, I trust the process, stay disciplined, and keep building toward the future I envision. Slow doesn’t mean stagnant — it means preparing for something lasting.
You released a cover of Miley Cyrus’ “Flowers” what inspired it. Is she one of your favourite artists?
I love that song so much that I had to do the cover. I connected with it deeply — it was actually my most played song on Spotify that year. The message of self-love really hit me, and I wanted to express it in my own way, adding my own tone and perspective. I wouldn’t say Miley is one of my all-time favourite artists, but I respect her artistry, and that song resonated with me. For me, it was about taking a message I connected with and making it my own.
What about your EP “Lovid 19” sounds like it was inspired by Covid. What did you hope to achieve with it?
The EP was a project I started during the pandemic. While COVID-19 was the coronavirus, Lovid 19 stands for the “love virus.” It was inspired by the emotions I experienced during that time, especially a personal love story that developed while we were all in lockdown. I wanted the world to experience the love virus the same way people experienced COVID-19 — to feel it, connect with it, and let it resonate.
— Afrobeats Head Loves Timothee Ideh (@AfrobeatsHead) September 1, 2025
The EP includes four tracks — “My Heart in Lovid 19,” “Dear Dami,” “True Love,” and “Baby Boo” — each reflecting a chapter of that experience, capturing vulnerability, connection, and genuine emotion. It’s about sharing love in a time when the world felt distant and isolated, and giving people a chance to feel it deeply through music.
Let’s talk about your new collaboration “X Lovers”, What was it like collaborating with Seyannie?
Working on “X Lovers” with Seyannie was amazing. She’s incredibly talented and was emotionally invested in the song because it’s based on a personal story. The process was long and detailed — we spent a year writing and recording, and the mixing and mastering process stretched over 2–3 years. The first producer didn’t capture the sound I wanted, so I handed it to another producer, and in total, it took five years before we finally released it.
The song is a heartbreak track from a dual perspective, which is rare in music. It was important for me that every emotion came through authentically, and collaborating with Seyannie allowed us to create something truly special that listeners can feel deeply.
Would you consider yourself a lover boy? Yes, I am a lover boy. I feel deeply and I move carefully — love is a verb for me. It’s about action, intention, and sincerity, not just words or feelings.
Have you ever been in love? If so, what was it like?
Yes, I’ve been in love. It was like bread — perfect, goes with everything.
Have you ever been heartbroken?
Of course. The fun part about being an artist is putting your emotions into songs, and heartbreak is one of the strongest emotions to write about. I’ve even written songs about small things — like the time my charger cord was stolen.
What’s one thing people don’t see about your journey?
The struggles it takes to be an artist — people see the song, they see the artist, but they don’t see the process behind the art. Sometimes they catch glimpses, but they don’t fully understand the effort, patience, and work that goes into creating something meaningful.
What are you building right now?
Right now, I’m working on my next project, infusing rap into different genres. I’m also taking vocal lessons, focusing on self-improvement, and keeping up with my schooling. It’s all about growing as an artist and a person while building a sound and vision that lasts.
If everything works out exactly how you want, where are we seeing you in 5 years?
In 5 years, you’ll see me topping charts globally with music that moves people, collaborating with some of my favourite artists, and touring to connect with fans around the world. I want S.King to be synonymous with vibe, depth, and legacy — a sound that blends cultures and emotions. My goal is to shake the world gently with my music and leave a lasting impact.
”X Lovers” my S.King and Seyannie is out now on all streaming platforms.
Lagos-based music collective, Inestimable, is set to release a new single titled “By You” on March 31, 2026.
Xumm3r, Jordan and Antoine of Inestimable
Arriving as a surprise drop, “By You” marks a pivotal moment for the collective. Rooted in themes of loyalty, presence, and reassurance, the record serves as both a reintroduction and a grounding statement of intent.
Cover art for “By You” by Inestimable
Following the release of “99 Problem,” Inestimable has taken a deliberately unconventional approach to how their work is introduced and experienced. “By You” builds on that foundation, not as a departure, but as a moment that brings clarity and emotional weight to the journey so far.
The single also offers a first glimpse into what lies ahead. It arrives one week before the collective’s forthcoming project, Listening to the Music II, positioning it as a defining entry point into this next phase.
Bad Bunny and his team have demanded that Mr Eazi’s record label emPawa Africa, cover over $450,000 in legal fees after they defeated a copyright lawsuit filed by emPawa Africa over the Joeboy song “Empty My Pocket”
Bad Bunny is demanding that Mr Eazi and emPawa Africa pay his legal fees.
It all started in February 2023 when Mr Eazi called out the Puerto Rican superstar for allegedly including uncredited parts of the Joeboy song which was released under emPawa Africa in his own song “Enséñame a Bailar”
Mr Eazi called out Bad Bunny over alleged copyright infringement
In a series of posts shared on LinkedIn and X, Mr Eazi wrote in part: “I’m writing this to highlight Rimas Music and Bad Bunny for the copyright infringement towards Afrobeat superstar Joeboy…”
The Joeboy song “Empty My Pocket” was allegedly illegally sampled by Bad Bunny.
Mr Eazi and Empawa Africa had demanded that Bad Bunny and his team credit and restore rights on ”Enséñame a Bailar“ to Joeboy and Dera, the producer of the track.
Screenshot
According to court documents obtained by Rolling Stone, a judge has now thrown out the lawsuit, citing missed deadlines and failure to continue prosecuting the case by Dera, who filed the lawsuit.
Bad Bunny and his team are now asking the court to order Mr Eazi and emPawa Africa to cover their legal fees.
Emerging artist Keeda Xpensiv joins forces with Afrobeats powerhouse Duncan Mighty on a new single titled “Thinking Box.”
The record delivers raw street motivation, blending reflective storytelling with melodic depth to capture the realities of hustle, pressure, and staying mentally focused while chasing success.
Inspired by the street philosophy that what the eyes didn’t see, the mouth shouldn’t talk, the track highlights the importance of silence, discipline, and awareness in environments where money often comes with losses, fake love, and unexpected challenges.
“It’s a relatable message for hustlers everywhere: stay sharp, stay quiet, and keep your focus on the bigger goal,” says Keeda Xpensiv.
“Thinking Box” by Keeda Xpensiv. featuring Duncan Mighty is out now on all streaming platforms.
Nigerian Afrobeats artist Taste Ena has released a new single “Money”
Born Nosakhare Emmanuel, Taste Ena’s music blends vibrant Afro-Pop rhythms with heartfelt lyrics that speak to the real-life struggles, ambitions, and determination of young Nigerians.
“Money” by Taste Ena is out now on all streaming platforms.
Nasty Guerrero, recognized as the first digital Latin urban artist, has released her second single “Tu Perdistes.”
“Tu Perdistes” is built on a rhythmic foundation that blends Afrohouse, UK Funky, and Latin rhythms, creating a hypnotic, danceable, and sophisticated groove.
Its raw and direct lyrics are based on real-life experiences, criticizing how superficial love has become in today’s society.
The release is part of Nasty Guerrero’s debut album, scheduled for release later in March 2026.
The project is the brainchild of Venezuelan artist, singer, DJ, and producer Chipy Guerrero.
”Tu Perdistes” is out now on all streaming platforms.
Canadian Afrobeats artist King Jon has released a new single, “Frequency H.”
A masterclass in Afrobeat fusion, the track blends infectious rhythmic foundations while exploring the magnetic pull of a connection that transcends the physical.
“This song is about that moment when you stop moving solo and finally find someone who matches your wavelength,” says King Jon. “It’s about the healing power of the right energy—the right frequency.”
“Frequency H” by King Jon is out now on all streaming platforms.
Nasty Guerrero has shared a new single “Not Real.”
The track represents a cultural statement about authenticity, identity and the evolution of music in a digital era. It mixes UK Funky House, Afrobeats rhythms, disco energy and electronic grooves to create a sound designed for global dance floors.
Nasty Guerrero is not a physical person. It is a digital alter ego created to say what many don’t dare to say. The music, lyrics and production are 100% human. The identity is digital because culture evolves. When what is considered real becomes a copy, Nasty appears to break the structure. It is not artificial intelligence — it is amplified human intention.
“I am not real. But the culture is.”
About the Artist
Nasty Guerrero is the first digital Latin urban artist, a visionary project redefining the future of music. Her sound blends UK Funky House, Afrobeats, Disco and electronic grooves creating a bold global identity.
“Not Real” by Nasty Guerrero is out now on all streaming platforms.
Afrobeats artist MAHAKWE has released a new single “Libre Like Mandela”, a statement of freedom and legacy. At the crossroads of the personal and the collective, MAHAKWE explores a lived, everyday freedom, carried by bilingual writing that moves between French and English.
“The title draws inspiration from those who resisted, spoke out, and stood tall when giving in felt easier,” explains MAHAKWE.
Inspired by Nelson Mandela, Thomas Sankara and Yaa Asantewaa, and the voice of Miriam Makeba, the track weaves past, present, and future into a single, conscious momentum.
MAHAKWE was born in Nigeria but has roots in Lyon, France.
“Libre Like Mandela” by MAHAKWE is out now on all streaming platforms.
From Victoria Island to Mushin, Phanxx has been on a journey most people haven’t noticed… yet. He started writing poems at seven, turned them into songs, and has been chasing every studio, audition, and performance opportunity along the way.
With two EPs ready and a new single coming soon, one thing is clear: we’ve decided it’s time to stop gatekeeping Phanxx.
Okay first — where did the name even come from?
My name is Ope which means Thanks so I just decided to spell it out as Phanxx.
Tell me about early life- where were you born and where did you go to school?
I was born in Victoria Island, Lagos, till about 9 years when my parents moved to Mushin in Lagos. I attended Command Children School for my primary education & Command Secondary School Lagos for my secondary education. I hold a B.sc in Criminology & Security Studies.
How and when did you start making music?
Music started for me as a hobby, I listened to all sorts of music growing up, but my major influence was seeing my elders sibling doing choir rehearsals at home. But I started writing poems at about 7 years of age & started writing my own music from Secondary School. After I got out of Secondary school, I attended almost every musical audition. From here, I knew I wasn’t turning back.
At what point did you think, “yeah… this music thing is actually serious”?
After I won a musical audition in Lagos, then I was given the reward of cash prize & free recording sessions in a state of the art music studio, which introduced me properly into the music industry.
What kind of mood are you usually in when you’re creating?
Most times, it’s free flow, I don’t try to engineer my mood, I just go with the flow, but most times, I like to be happy when I’m recording.
What’s something about you people always get wrong?
That I’m shy because I don’t talk too much, or that I’m not capable of being vengeful.
What song of yours feels the most like you?
I love all my songs, but for now I will say *Calvary* .
— Afrobeats Head Loves Timothee Ideh (@AfrobeatsHead) September 1, 2025
What’s the toughest thing about being an independent artist?
Funding and people always trying to one up you or humble you in the creative industry.
How do you promote your music as an independent artist?
Social media is one, I make appealing videos & I also use every traditional method of music promotion; blogs, radio, TV, etc.
How easy is it for you to create content to promote your music?
It’s actually not the best part, but I have to do what I have to do to get my music out there. Most times I enjoy the process, sometimes it’s just a necessity for visibility.
Has there been a moment you almost gave up?
I have never had moments like this, I know I’ll surely get to the top, so no matter what the situation is, I’m always optimistic about the reward my music will bring me.
What’s been inspiring you lately?
I have a lot of music inside of me, & I want to make sure I maximise all my potential while I’m here.
Tell me about your new song “Shine” and what inspired it?
Shine is just a record that speaks about someone who wants to achieve success in his/her aspirations. Being successful to me means I’m shining.
What are you currently working on that you’re excited about?
I have 2 EP’s ready & will be dropping a new single next month.
If someone meets you for the first time today, what should they know?
I would love them to know that I’m simple, not performative, love to treat people the way i want to be treated & that I’ll definitely be one of the greatest musical export from Africa.
Nigerian artist Hustine returns with a powerful new single titled “Shadi.”
Based on his personal experience with disappointment and vulnerability, the Afrobeats track includes Afro-fusion, Melodic Pop & Contemporary R&B influences.
Speaking on the release, Hustine shares:
“‘Shadi’ is 100% about my emotions, the kind you don’t always get to say out loud. I wanted the song to feel honest, relatable, and timeless.”
“Shadi” by Hustine is out now on all streaming platforms.
Portuguese artist Mestre Guinaldo Music unveils “Eu Pequei”, a deeply emotional track that blends vulnerability, rhythm and modern Afro-influenced production.
The song explores regret, love, responsibility and redemption.
With heartfelt lyrics and an intimate vocal delivery, “Eu Pequei” captures the moment when pride falls and honesty takes over.
Built on a smooth yet emotionally charged instrumental, the track carries elements of Afrobeats, kizomba and contemporary pop textures.
“This song comes from a place of truth. Sometimes we need to admit when we were wrong in order to grow,says Mestre Guinaldo Music.
“Eu Pequei” by Mestre Guinaldo Music is out now on all streaming platforms.
Nigerian artist AdeJosh has released his new Afrobeats single “Made for You”
The UK-based artist fuses Afrobeats, Dancehall, Hip-Hop, and R&B into a sound that is both globally resonant and deeply personal.
Influenced by artists such as Usher and Michael Jackson, and shaped by frequent trips to Nigeria, AdeJosh’s sound reflects a rich fusion of culture, rhythm, and melody.
Since his debut in 2016, he has collaborated with notable artists and producers including Afro B, LAX, Mayorkun, Gabzy, Blaqbonez, and Keys The Prince.
AdeJosh has also appeared at Made In Lagos Festival, Indigo at The O2, and supported Lojay on the XOXO Tour and BNXN at Indigo O2.
“Made for You” by AdeJosh is out now on all streaming platforms.
Nigerian Afrobeats artist Tony Lawz has released “Joko,” a vibrant singlde that arrives on the heels of his first headline show, Tony Lawz on the Mic Experience.
Born Sebiagbo Anthony the Delta-born artist recorded his first song in 2010, inspired by the songs his father would play on the radio during his childhood.
“Joko” by Tony Lawz is out now on all streaming platforms.
Nigerian Afrobeats singer-songwriter Roemeinia returns with “Elixir”, sultry and emotionally charged single that explores the desire to fully allow emotional vulnerability.
Inspired by the sounds of Tems and Ayra Starr, “Elixir” features warm electric pianos and 90s R&B synths.
Speaking on the record produced by French producer, Xoxlike, Roemeinia describes Elixir as “a song about allowing yourself to be seen emotionally, choosing connection over defense, and letting vulnerability exist without fear or apology.”
“Elixir” by Roemeinia is out now on all platforms.
French-Guinean artist Samaya, has released her latest single “Baba”
A mix of Afrobeats and RnB, with lyrics in her native Soussou language, the track is a deeply personal one inspired by her relationship with her father.
“Baba” by Samaya is out now on all streaming platforms.
Canadian Artist Cinematic Jams has released a new single, “Gbedu Tonight” which a high-energy Afrobeats party anthem built for the club, the car, and every late-night turn-up.
In Nigerian slang, “Gbedu” means a heavy, banging beat, a powerful rhythm, or a fantastic party/groove, and that’s exactly what the song delivers.
“Gbedu Tonight” by Cinematic Jams is out now on all platforms.
American artist DiDi Musiqq unveils her latest single, “Something In My Heart,” a soulful track that explores the lingering feeling of love that never truly fades.
“True love never dies,” says DiDi. “Sometimes it doesn’t work out due to timing, irreconcilable differences, or simply not being on the same path spiritually — but sometimes there’s that one person you just can’t forget or completely let go of, even if they weren’t the right one for you at that time.”
Inspired by this deeply relatable experience, “Something In My Heart” blends heartfelt storytelling with a beat that keeps listeners moving. “I didn’t want it to feel sad,” DiDi explains. “I wanted to tell the story, but still make it enjoyable at the same time. I feel like ‘Something In My Heart’ does exactly that.”
Raised in a Caribbean musical household as one of eight siblings, DiDi was surrounded by the sounds of legends like Whitney Houston from an early age. According to her mother, she began singing at just six months old—and by age six, her passion for music was undeniable. Starting out in school choirs, DiDi evolved into a genre-fluid artist whose sound now spans soul, pop, reggae, R&B, house, EDM, and Afrobeats.
Her musical journey took a defining turn when she first discovered Afrobeats. “When I first heard Afrobeats, I got truly excited and felt this was my calling,” she recalls. That discovery ignited an artistic explosion—
“Something In My Heart” by Didi Musiq is now available on all platforms
The project blends street energy, smooth melodies, and personal storytelling, showcasing his versatility and artistic growth. Featuring collaborations with Hotyce, Oduduwa, Zilla Oaks, and BodyBeatz, V.V.S delivers a cohesive sound rooted in culture, ambition, and global influence.
Born Idoro Michael Joel, Mike King also produced the song which plays like a vow, an intimate promise of loyalty, devotion, and unbreakable connection.
“My Woman” by Mike King is out now on all platforms.
Rising Afrobeats artist Mike King has released a new single “My Woman,” which celebrates a woman’s natural beauty while honoring her strength, softness, and authenticity.
Born Idoro Michael Joel, Mike King also produced the song which plays like a vow, an intimate promise of loyalty, devotion, and unbreakable connection.
“My Woman” by Mike King is out now on all platforms.
The track serves as the second official single from his debut EP titled “Made For You”, scheduled to arrive in January 2026.
On “My Mind,” Billar Stoner peels back layers, delivering a record that is both emotionally charged and sonically confident.
Built on textured production and a reflective yet assertive delivery, the song captures the tension between ambition, pressure, and self-belief — themes that have become central to his evolving artistry.
The single showcases Billar Stoner’s ability to balance vulnerability with boldness.
— Afrobeats Head Loves Timothee Ideh (@AfrobeatsHead) December 15, 2025
It further sets the tone for what listeners can expect from Billar Stoner’s debut EP: a body of work rooted in authenticity, emotional depth, and a fearless approach to sound.
“My Mind” by Billar Stoner is now available on all major streaming platforms.
— Afrobeats Head Loves Timothee Ideh (@AfrobeatsHead) December 23, 2025
“Chanel” was released in October this year and climbed to the top of Bubbling Billboard Under Hot 100 and quickly gained 100 million streams on Spotify, becoming one of the fastest Afrobeats songs ever to do so.
The South African artist is the fourth most successful Afrobeats artist on the Billboard Hot 100 after Burna Boy, Tems and Wizkid.
The rapper’s second release of the year, ‘Yolo,’ is a humble declaration that promises a reborn Kwesi Slay with deeper artistic resolve.
Born Bernard Kwesi Appiah, Kwesi Slay made his 2018 debut with “Seven,” featuring Kwesi Arthur.
He went on to release several collaborations with Medikal (‘Frass’), Quamina MP (‘Pussy Cat’), and Kuami Eugene (‘Follow Me’)
Early this year he returned from a seven year hiatus with the Afro-Soul single ‘Tuutu Doo.’
“I needed to disconnect to realign,” Kwesi Slay reveals. “My break was a period of recalibration and creative rebirth. I needed a break to gather strength to come back stronger. Through it all, I’ve lived, grown, and now, I’m ready to speak again, louder than ever before.”
Enter ‘Yolo,’ an Afrobeats anthem meant to reignite the artist’s passion for music. This upbeat track is centered on the universal truth: you only live once. Or as Kwesi Slay plainly puts it: “How you dey live today? Nobody dey care. If you die today? Nobody dey care.”
Blending vibrant drums, rock-inspired energy, and addictive Afrobeat rhythms, “Shake” is a full-throttle party anthem made for dancefloors, nightlife, and high- vibe moments.
Known for his smooth, confident, “cool rebel with a soul” aesthetic, Badboi Jay delivers a track that captures both swagger and fun. Drawing sonic inspiration from Rema, Burna Boy, and Shallipopi, “Shake”
Speaking on the single, Badboi Jay shares:
“‘Shake’ is about letting go and catching a vibe. I wanted something that instantly lifts the room and gets people moving.”
Nigerian Afrobeats artist Henrykane is wrapping up the year with his most emotional and energetic release yet, “Lost & Found”, an Afropiano love anthem produced by Swftbmb.
The Afropiano track unfolds as a heartfelt story of a man reaching out for a second chance hoping to reconnect, hoping to be seen, and ultimately hoping to be found again.
“This is my most personal song of the year,” Henrykane says. “It’s a plea, it’s a confession, it’s a love story. But it still has that sweet Afropiano energy the streets love.”
“Spiritual” introduces the emotional core of the project. Blending elements of Afrobeats and alternative R&B, the song centers on clarity, surrender, and the quiet power of being seen when you cannot see yourself. Built around warm vocal layers, steady percussion, and meditative writing, “Spiritual” sets the tone for a body of work focused on growth, identity, and transformation.
“This song came from a moment where everything finally made sense,” Yinminu shares. “It’s about letting go of what you’re trying to force and allowing yourself to be guided. It’s the feeling of being understood without having to explain.”
The release marks the beginning of a five-song rollout that spans different genres and emotional chapters. WE ARE NOT THE SAME moves through themes of surrender (“Spiritual”), confidence (“Missed Calls”), heaviness (“Secrets”), emotional transition (“Changes”), and survival (“It’s Not The Same Anymore”). Each track offers a different vantage point on the central idea that transformation, though sometimes uncomfortable, is necessary.
“Spiritual” was recorded in Oakland with collaborators, Diaspora Boys.; who helped shape its textured, intimate soundscape. The track arrives with striking visuals featuring Yinminu overlooking the Pacific coastline in flowing red fabric; an image that mirrors the song’s energy: calm, powerful, and centered.
“Spiritual” by Yinminu is out now on all platforms
The track blends emotional melodies and atmospheric production with DonCu’s expressive vocal delivery, resulting in a powerful and uplifting sound.
The title comes from West African pidgin and means it will take time, a message about patience, growth and the slow but meaningful process behind every dream.
Through “E Go Tey,” Cysco continues to explore powerful and uplifting soundscapes built around movement and progression.
Afrobeats artist Hunchovibe returns with a bold new single, “Black Romeo,”pushing his signature Afrobeats-driven sound into a darker, more atmospheric direction.
“Black Romeo” tells the story of a new-gen lover from the streets of Lagos: smooth, bold, and unafraid to show his heart.
Originally from Nigeria and now based in Amsterdam, Hunchovibe blends Afrobeats rhythm with raw emotion, creating a sound that’s both romantic and street.
“Black Romeo is straight from my world. The vibe, the energy, the attitude. It all connects for me on this one. This is for the ones who love hard, hustle harder, and never fake their feelings.”
The Canadian collective ALLIANCE SuPRM (LeFLOFRANCO and Tha Incradouble Pack) continues its rise with a new track, “Qu’est-ce qui s’passe?” (What’s Going On?).
This track, with its Afrobeats and reggae fusion influences, invites a clear-eyed reflection on our humanity.
Produced by Sonny Black, the track stands out for its captivating energy, blending driving beats, assertive rap vocals, vibrant samples, and modern synthesizers.
Driven by profound and conscious lyrics, the song questions the excesses of the modern world while conveying a message of hope and unity. “Abuse of power, daily scandals… what’s going on?! Money before love for one’s neighbor… what’s going on?!”
It’s a vibrant, rhythm-rich track that pays homage to the vintage soul of Afrobeat while bringing a fresh, modern pulse.
Born Yusuf Adeyi Ogunlade, Froshdada says he’s determined to maintain the ‘purity’ of Afrobeats
“A lot of artists and lazy producers are trying to water down Afrobeat, but I still believe in holding on to the real, rich Afro-sound. Think Fela’s spirit with today’s bounce. “
Nigerian Afrobeats artist Ayox is reintroducing his single Delilah through a bold new lens, as German DJ and producer VØGUE delivers an Afro-House remix that fuses soulful storytelling with dancefloor vitality.
First released in its original form, Delilah captured listeners with Ayox’s heartfelt vocals, deeply rooted in spiritual reflection, and its seamless fusion of Fuji, Guji, and Afrobeats influences.
The remix bridges Nigerian soul and German electronic innovation, blending Ayox’s emotive storytelling with VØGUE’s dynamic, global production style.
The result is a vibrant cultural dialogue between Lagos and Berlin: soulful African rhythm meets the refined production of Europe’s electronic music scene.
Born Ayomide Bakare Iyanuoluwa, Ayox’s sound blends Afrobeats with Fuji, Guji, and traditional Yoruba influences.
While VØGUE began DJing at the age of 16 and has since become a rising force in Germany’s electronic music scene.
He has performed alongside major artists such as Drake, Major Lazer, The Weeknd, and N.E.R.D. As part of Summer Cem’s Scorpion Gang, he has collaborated with prominent producers including Luciano, Murda, and Ezhel.
Recently, his own Afro-House releases have gained strong support from the Keinemusik collective and globally renowned DJ Black Coffee, further establishing his position in the international electronic music community.
Produced by 9Fingers, the track is reodered to capture deep emotion and the feeling of emptiness without his lover, it blends heartfelt lyrics with irresistible rhythm.
Rooted in Nigeria, Paanda’s music tells stories of love, emotion, and connection.
Produced by longtime collaborator Dave Cherry aka Andromeda, Kilode is a fusion of Afrobeats, R&B, and Dance-Pop, celebrating rhythm, energy, and self- expression.
Translating to “What’s the matter?” in Yoruba, the track brings together storytelling and groove in a way that feels both deeply personal and globally accessible.
“Kilode is my message to everyone who’s ever been misunderstood or underestimated,” says Ray Ramon. “It’s about standing tall, celebrating your individuality, and letting your confidence shine — through rhythm, through music, through life.”
The single arrives just months after Ray’s major wins at the Radio Music Awards 2025, where he took home Best R&B Group and Best Pop Artist, cementing his reputation as one of Australia’s fast rising independent artists.
The song captures that electric moment when two people lock eyes for the first time. The rhythm, the tension, and the quiet magic of connection.
Produced by Michael Bundi, “Alright” blends Afrobeats warmth with smooth R&B tones, wrapped in June’s effortlessly soulful vocals.
“I made this song years ago, but when I listened to it again, it still spoke to me. It reminded me that music never really gets old — it just waits for the right moment,” says June.
Dera has released his first EP under Black Diamond, Deragon. This release includes his first three singles under the Black Diamond umbrella, “Sade” and “Any Other Day,” released in April, and “Saroje” released in August.
Making a name for himself with his smooth and fun melodies, Dera’s Deragon invites listeners into his world to feel the music he has poured himself into. Deragon captures the range of his sound and embodies the type of music Dera wants to present to the world. “This project is more than just songs, but a way of introducing myself fully into the [music] industry while laying a strong foundation for the great things ahead,” Dera explains.
According to Dera, Deragon, a mashup of Dera and dragon, represents balance, confidence, patience, resilience, and self-belief, drawing on characteristics that he has carried throughout his journey as an artist. Dera was drawn to dragons to show duality in his nature and music, since dragons have two types that show different qualities; one, being fire breathing, destructive while the other symbolizes calm power, benevolence and wisdom.
Deragon is also the name he has given to his blossoming fanbase to build community around his music.
Dera worked with various producers on his EP including Shabba (“Sade”), Chokeboi (“Saroje” and “Police”), NYRP (“Aquafina”) and GRAMMY®-Award Winning producer, KrazyTunez (“Any Other Day,” “Kala,” and “On Daily”). He says “Working with multiple producers on this EP was a blessing. Each of them brought their own flavor and energy, which helped shape the sound in a very unique way. I love collaborations, and this project really showed me how powerful it can be when creative minds connect.”
The EP also features Sammie Cash on “Kala” and Jeriq on the Amapiano-inspired “On Daily.”
Dera says, “Working with Sammie Cash was all about that alte, smooth, calm bounce with sprinkles of Afropop flavor. He’s one of those rappers that understands melody and rhythm, so the connection was natural. While working with Jeriq was pure energy from start to finish. He’s got this raw, real sound that speaks to the streets, and I respect that. Bringing our worlds together on one track felt special, two different stories, same hustle spirit. Big love to Jeriq.”
KrazyTunez says “Working with Dera on most of the songs just felt natural. We vibe easily and the creative flow is always effortless.”
With Deragon, Dera hopes that “listeners connect deeply with [his] music, artistry, and story.” Dera believes that Deragon carries “love, vibrant energy, and a laid-back vibe, with songs that can soothe the soul, help you unwind, make you bop, and even get you jumping.”
Dera is one of the first artists signed to Black Diamond and Deragon is his first EP under the label.
Wande Coal first introduced the world to Dera via Instagram in May 2024 and has been under his mentorship over the last couple of years.
Black Diamond is a music label founded by Afrobeats legend, Wande Coal. Black Diamond’s mission is to invest in talented musicians from across the globe, nurturing their skills and promoting Africa’s presence on the world stage.
Rising Afro-Soul sensation Princess Ella returns with her most personal release yet, LIFE”, a heart-stirring single that captures the silent battles people fight behind the brightest smiles.
Blending elegant Afro-Soul textures with contemporary African rhythms, “LIFE” delivers raw truth through melody, emotion, and timeless storytelling.
“Sometimes we don’t look like what we’ve survived… LIFE is for the ones who keep going even when no one knows what they’re carrying,” say Princess Ella who was born in Atlanta to Nigerian parents.
His new single “House Party” is about turning a typically boring day (Mondays) into a happy, fun filled one.
Vorstar explains: “It’s a gift from me to the fans and I want everyone to feel the uplifting energy and excitement I felt throughout the creation process. Life is a party,even on a Monday”
Where Vorstar’s past tracks have often explored deeper, more introspective themes, “House Party” is his confident declaration of a good time.
Nigerian Afro-fusion artist Denrele returns with his latest single “HEAL”, an emotionally charged anthem from his new album From Nowhere.
The song is a fusion of Afrobeat, Fuji undertones, and heartfelt rap cadences that speak directly to the soul.
“‘HEAL’ is my truth, says Denrele. “It’s about pain, reflection, and growth. I made it for everyone fighting silent battles but still showing up for themselves.”
Nigerian artist Sine Vultus, has a new single “EKO HUSTLE” an Afrobeats anthem dedicated to Lagos, Nigeria.
“Lagos is a city that simultaneously demands everything from you and gives you everything in return,” say the artist
This track captures the city’s powerful duality: the relentless stress and chaos, balanced by its undeniable energy, beauty, and magnetic charm.
The verses vividly depict the daily struggle: the paralyzing traffic (go-slow), the intense competition, the noise, the pressure to succeed, and the emotional toll of the “hustle.”
The lyrics transition to celebrating the unique vibrancy—the iconic yellow danfo buses, the view from the Third Mainland Bridge, the chaos of Balogun Market, and the coastal calm of the ocean breeze.
A collaboration with producer, Flip My Beatz, Omoge Mi is a soulful Afrobeats love song that beautifully expresses deep affection and admiration for a woman’s love. With his signature blend of rhythmic Afrobeat vibes and heartfelt lyrics, Olabayo delivers a song that celebrates genuine love, passion, and emotional connection.
Speaking about the new release, Olabayo said, “Omoge Mi is a song that comes from a place of real love, it’s about cherishing the one who completes your world.”
Stream “Flip My Beatz” by Olabayo and Flip My Beatz
Warri-born Afro-fusion poet and prophetic voice Boss Elnath returns with a bold sonic declaration, “Gbedu,” under the HeartScript Sound imprint.
Known for his fearless lyricism and spiritual street poetry, Boss Elnath continues his movement of truth-telling through rhythm and revelation.
The piece fuses spoken word intensity with Afrobeats soul. Each line lands like thunder wrapped in melody — challenging falsehood, celebrating divine resilience, and igniting a sense of higher awareness in listeners.
In Elnath’s own words:”The rhythm of truth can’t be faked.”
“Gbedu” embodies that message — a reminder that authenticity rings louder than industry noise, and that true rhythm is born from revelation, not repetition.
Inspired by his journey and passion for music, Hold On reflects themes of resilience and hope, delivered through authentic vocals and heartfelt lyrics.
“This song represents my belief in staying strong and holding on to hope during tough times,” Fredio Scott shared. “I’m excited to share my sound with the world and bring something new to Afropop.”
Nigerian Afro-fusion artist ONUUH has released his latest single, “PLAYER,” a smooth, infectious anthem that blends rhythm, confidence and emotional depth into a world-class sonic experience.
Over sultry Afrobeats drums and layered melodies,ONUUH delivers lyrics that balance charm and introspection, showing that even in the game of hearts, there’s more to the story than meets the eye.
“‘PLAYER’ is about knowing your worth,” says ONUUH.
“It’s about energy, confidence, and the truth that not everyone who plays is playing games.”
With a title meaning “Save Me” in his native tongue, “MUMIGBA” stands as an anthem
of hope and perseverance for a generation finding strength in struggle.
Driven by rich percussion, heartfelt vocals, and authentic African instrumentation, ONUUH paints a vivid picture of resilience — a message both personal and universal.
“I wanted to speak to everyone who’s fighting silent battles,” says ONUUH. “MUMIGBA is a reminder that your story isn’t over yet.”
Produced by Onuuh, Psalmist and DOZ, the song fuses traditional African rhythms with modern Afrobeat energy, creating a timeless sound that honors both heritage and innovation.
With Crown & Altar, South African doctor, entrepreneur, and creative visionary Dr. Chad Marthinussen opens a new chapter in his passion project, Kings x Priests.
Where earlier works carried the driving energy of Afro-house and Amapiano, this record slows down. It breathes. It lingers. Built on Afrobeats, chill-wave textures, and intimate African rhythms, Crown & Altar still carries the pulse of the dancefloor — but with a gentler power, an energy that uplifts, heals, and praises.
“Born Again” the lead track on the album Crown and Altar is an intimate Afro beats /Fusion / chill wave project with a core theme of spirituality.
The song explores the emotional aftermath of deep love, guiding listeners through a journey of heartbreak, self-discovery, and personal growth.
“Papa” is a heartfelt ode to resilience and transformation.
Born Olena Kim in Ukraine with Korean and Nigerian roots, The AYAMI reflects on past relationships through the song, embracing forgiveness and the lessons learned, while confidently stepping into a stronger, wiser version of herself.
“Papa is the first song where my soul truly speaks on its own, without fear or pressure” The AYAMI shares. “After years of emotional dependence and losing many projects, I finally took control, rebuilt myself, and chose to move forward. This track is not just music—it’s my declaration that nothing and no one will ever stop me again.”
The album recently debuted at number one on the iTunes UK R&B/Soul Albums chart and #18 on the UK HipHop/R&B Albums chart.
Tiwa Savage’s “This One Is Personal” debuts at #1 on the iTunes UK R&B/Soul Albums chart pic.twitter.com/jWt87PswZC
— Afrobeats Head Loves Timothee Ideh (@AfrobeatsHead) September 3, 2025
I’ve loved Tiwa Savage since I first watched the “Kele Kele Love” in my uncle’s living room in Abuja in 2011 so when her team reached out to ask if I’d like to attend the event I was like of course!
Kelele Love. Still remember the very first time I saw the video. MTV Base or Trace I was mopping my uncle’s house in Abuja.😂 I was hooked!
— Afrobeats Head Loves Timothee Ideh (@AfrobeatsHead) April 20, 2022
Once at The Library Lagos I was greeted by a beautiful young lady who offered me ice cold water and a Don Julio cocktail.
She asked me to knock on a tiny door and a hand reached out with my ice cold cocktail.
Once inside The Library Lagos the music was hitting and the performances were amazing but Tiwa Savage arrived about an hour later and the energy went from good to great.
Tiwa Savage at her This One Is Personal album release party sponsored by Don Julio
She was joined by Taves, Shine TTW, her PR Manager Vanessa Amadi, Simi Badiru of TRACE and other members of her team.
Tiwa Savage and Flavour share a hug at her album release party
We spent all night dancing to her songs- both classics like “Kele Kele Love” “Eminado” “Love Me” “Diet” “Loaded” and new ones from the new album like “You4Me” “On The Low” “Holding It Down” and more and like the hypeman kept reminding us, it was hit after hit after hit.
Uti Nwachukwu walks the red carpet at the Tiwa Savage and Don Julio event
Other celebrities like Uti Nwachukwu, Jay Jay Okocha Flavour N’Abania were also there to support her.
Tiwa Savage was in high spirits, as she danced and passed out shots of Don Julio around.
The night finally ended at around 4 am. I was so tired but I’d had the time of my life.
We’re outside with Tiwa Savage and Don Julio to celebrate her album “This One Is Personal”
It blends Lagos Street energy with a trap bounce and is designed to catch attention right away.
“The track carries the same kind of instant pull you hear from Burna Boy, Rema, or Asake, but with more grit and bounce that sticks after the first listen,” says Onyaka.
With its catchy hooks and emotional feel, “Let Me Go” is both danceable and reflective.
“This track is personal for me. It’s about how they don’t want me to succeed, to go the next level — I don’t know who “they” is, might even be me,” says Hengin.
“Falling in Love” is an Afrobeats-infused summer anthem about that magnetic, intoxicating connection you can’t shake.
Inspired by the energy of global festivals and the euphoria of meeting someone who feels like fate, this track blends warm percussion, catchy melodies, and an irresistible hook.
Born Ewetuga Clinton Oluwatimileyin,Salthy’s journey began in secondary school, where his raw freestyle videos caught attention and marked the beginning of his career.
“I love blending authenticity with emotion and my music reflects his belief that every song should tell a story and create connection,” says Salthy
The rising star also has a signature catchphrase, “EWESOO” — Every Word Expresses Strong Emotions & Originality — which serves as the foundation of his artistry and defines.
This new version combines the catchy rhythms of Afrobeats with the playful sounds of Latin Pop, creating an exciting musical experience that feels festive and fun.
The resurgence of the “Port-Harcourt first son,” Duncan Mighty, into the mainstream in 2018 was nothing short of spectacular, you really had to be there to witness it.
After years away from the mainstream, 2018 marked a powerful reignition of Duncan Mighty’s career, a comeback that few saw coming. What some considered just a return turned into a dominant force in Nigerian music: Duncan Mighty was everywhere, collaborating with every A-list artist of the time.
His dominance began with the hit song “Fake Love” featuring Wizkid, which instantly went viral. The catchy lyrics, “Only fakers be loving when you have… When e red, them tuwama when e red,” quickly became a staple on radio and in clubs across the country.
Duncan Mighty and Wizkid in the “Fake Love” video
What initially seemed like a one-off collaboration blossomed into a wave of features.
Duncan Mighty and Tiwa Savage in the “Lova Lova”
Every top artist wanted a piece of Duncan Mighty’s magical sound. Notable collaborations include “Lova Lova” with Tiwa Savage, “Aza” with Davido and Peruzzi, “Bio Bio” with Reekado Banks, “Gimme love” with DJ Xclusive, and “what I see” with Phyno.
Duncan Mighty, Davido and Peruzzi in the “Aza” video
Through this period, Duncan Mighty reminded the industry of his legendary talent and cemented his place as a living legend of Afrobeats.
This, without doubt, stands as one of the greatest comebacks in Afrobeats history.
About the Writer
Ibeh Fortune Chidinma is a media creative, podcaster, and culture writer passionate about music and entertainment space. He explores Afrobeats and African pop culture with a focus on the artists shaping today’s sound. When not writing, he is hosting the Spillers Podcast, where bold conversations meet social commentary. Follow him on X @Datafricanboy .
Written and produced as a creative meditation, “Kitsune” reflects Moulod’s unique approach to music: authentic, genre-fluid, and deeply personal.
Stream “Kitsune” by Moulod
“This song is about being done with shallow encounters, people chasing the surface of your lifestyle without understanding where you came from,” Moulod explains
Rising West London artist Rhys has released his brand new single “The Sun”, a vibrant summer anthem blending Afrobeats, smooth R&B melodies, and feel-good energy.
Designed to soundtrack Summer nights and warm days, “The Sun” captures the essence of summer with its infectious rhythm and uplifting vibe. It’s a record made for both the dancefloor and chilled moments with friends.
“The Sun is all about good energy and enjoying the moment. I wanted to create a track that feels like summer no matter where you are,” says Rhys.
Rhys is now pushing forward with monthly releases, building momentum with fresh sounds and stories. Rooted in West London’s diverse music culture, his style draws on Afro-swing, R&B, and contemporary UK influences, creating a unique sonic identity.
Infused with infectious rhythms and Afrobeat flavor, the track captures the effortless connection between two people vibing in perfect harmony—living in the moment, soaking up each other’s presence, and letting the good vibes flow.
“Good Vibrations is just that,” DiDi says. “Good vybes between two people feeling the synergy between them. Vibing in on great chemistry and having a great time, excited about the possibilities of where it can go—but not focusing on anything but each other’s company.”
Driven by her signature smooth alto-soprano vocals and masterful songwriting, “Good Vibrations” continues DiDi’s journey into upbeat, mood-boosting territory. “I’m on a feeling-good vibe kick when it comes to writing. I want the singles on my upcoming album to be just that,” she explains. “I hope that’s what everyone feels when they hear this single.”
Raised in a vibrant Caribbean musical household as one of eight siblings, DiDi was immersed in the sounds of legends like Whitney Houston from a young age. According to her mother, DiDi began singing at just six months old, and by age six, her passion for music was undeniable.
She first made her mark in school choirs before evolving into a dynamic, genre-fluid artist whose music spans soul, pop, reggae, R&B, house, EDM, and Afrobeats.
“When I first heard Afrobeats, I got truly excited and felt this was my calling,” says DiDi.
In a genre crowded with kings, where kings are crowned by the volume of their loudous presence, Ckay has built his throne in silence, with music that speaks louder to emotions.
While others shout their way into charts, Ckay whispered into the hearts of millions locally and globally. All from Kaduna to the billboard global 200, letting melodies do the talking.
His reign is etched on billion stream milestones, cross continental chart dominance and a sound so unique, that is birthed on a sub genre: Emo-Afrobeats as he calls it.
Chukwuka Chukwuma Ekweani with stage name Ckay known for his music style of fusion of deep emotional lyricism, Afrobeats rhythm mixed with RnB, highlife and intimate storytelling, is a multi-talented music star, writer and producer, who started his early musical training under his father’s tutelage in church, and by age thirteen, was proficient in multiple instruments. That early grounding in musicianship, laid the foundation for a career that would quietly shake the global stage.
Ckay’s childhood home in Kaduna
From underdog to global force, CKay left Kaduna for Lagos at nineteen, unsure if his career would ever hit its peak. Nearly a decade of relentless grind later, he stands among Africa’s most successful musicians globally. His 2019 sleeper hit “Love Nwantiti” became a global obsession in 2020 after exploding on TikTok. Amassing nearly 2 billion views due to it’s tiktok vitality, turning him into the first Nigerian act to fully harness the platform’s viral might. Hitting nearly a billion views on YouTube and charting No 1 in Norway, India and Switzerland.
This is why I call him the ‘Silent King’ of afrobeats, he further went on to breaking the musical historical record as the first ever African artiste to feature in the top 100 billboard artiste year-end chart. This feat anchors Afrobeats soaring rise in the global music scene. The track’s countless remixes featuring DJ Yo! & AX’EL, ElGrandeToto, Franglish, Joeboy, and Kuami Eugene, further entrenched his status as Africa’s most streamed artist at the time.
“Love Nwantiti” not only attained platinum but multi-platinum status in five countries, including the United States, India, and Italy, but also secured gold certifications in the UK, Australia, South Africa, and New Zealand. CKay’s unprecedented success on the UK Singles Chart, maintaining a top 5 position for four consecutive weeks, marked him as the first African artist in 50 years to achieve such a milestone.
CKay's "Love Nwantiti" has been named the #6 Best Afrobeats Song of All-Time by Billboard staff.
— Afrobeats Head Loves Timothee Ideh (@AfrobeatsHead) August 19, 2025
Following the chart-topping success of “Love Nwantiti,” CKay continued his global dominance with the release of “Emiliana,” amassing over 340 million streams and dominated charts, from claiming #1 spot on the UK Afrobeats Chart, reaching #2 on Shazam Top 200 (Afrobeats), and secured the #1 position in six countries on Apple Music. He’s since expanded his repertoire with songs like Hallelujah (ft Blaqbonez), Wahala (ft Olamide), By Now, Trumpet (ft olamide) Watawi and Nwayi, tracks that proves his catalogue is as deep as it is also diverse.
Ckay also released several albums “boyfriend”, “Sad Romance,” “emotions” and his latest release “Ckay the second”, projects that solidifies his position as a musical force to be reckoned with, amassing hundreds of millions of streams and features collaborations with both icons and rising stars: Davido, Ayra Starr, Bella Shmurda, Mayra Andrade, Sabrina Claudio, and Focalistic among them.
CKay has secured his place in Afrobeats history not as the loudest voice in the room, but as its most unforgettable echo.
In Afrobeats history, Ckay has cemented his footprint not as the loudest voice in the room, but as lingering echo.
The silent king of Afrobeats
About the Author
Ibeh Fortune Chidinma is a media creative, podcaster, and culture writer passionate about music and entertainment space. He explores Afrobeats and African pop culture with a focus on the artists shaping today’s sound. When not writing, he is hosting the Spillers Podcast, where bold conversations meet social commentary. Follow him on X @Datafricanboy .
Nigerian- American music powerhouse Biggee Global is back with a new sonic firestarter: “All Night Long”, a high- energy, groove-heavy Afrobeat anthem made to keep the party going till sunrise.
Following the emotional depth of his previous release “Heart Rubber”, Biggee flips the script with “All Night Long” — a vibrant, feel-good track laced with infectious percussion, smooth vocals, and irresistible rhythm. It’s a celebration of joy, movement, and the power of Afrobeat to bring people together on the dance floor.
“This one is all about letting go and living in the moment,” says Biggee Global. “From Lagos to the Bronx, the vibe is universal — good music, good people, good energy, all night long.”
As a seasoned producer, songwriter, and mixing engineer, Biggee brings his signature polish and passion to every beat. His unmatched ability to blend traditional African elements with modern global sounds continues to set him apart as a genre-defying force.
Hailing from Agbor, Delta State, Stevino’s musical journey began within the embrace of his Christian family, with his lyrical sincerity and catchy melodies.
His afrobeat sounds used drum-piano-electric and they are made for easy listening and dancing. Inspired by his life, his relationships and his family,
His first EP Everything good is God was written by Stevino and mastered by Roey in Lagos.
“In a lot of ways, making this album was a process of story telling.
“Over the course of making record, there was a lot of growing – personally and artistically. I discover myself. To me, this album is an story telling I’ve experienced and I’m proud of it. I put every bit of my heart and my soul into this album”
Fast-rising artiste, Mani Lapussh, has kicked off his music year with a bang, releasing his first single of 2024, “Only You.”
The seductive new tune is also his first under new management, Fusion Records.
“Only You” is a mid-tempo Afrobeats track that showcases Mani Lapussh’s signature blend of catchy hooks, sultry lyrics, and addictive melodies. Produced by Orakle, this sensual jam is set to reveal the slutty side in a lot of men.
The song’s captivating rhythm and Mani Lapussh’s smooth vocals weave a narrative of irresistible attraction, making “Only You” a must-listen for music enthusiasts.
“This song is special to me,” Mani Lapussh shares. “It’s about that one person who makes you lose control, and I’m excited for my fans to experience that feeling.”
“Only You” marks Mani Lapussh’s first release under Fusion Records, signalling a new chapter in his career.
“Mani Lapussh is an exceptional talent, and we’re thrilled to support his artistic vision,” says Nonso Nkeonye, label executive at Fusion Records.
Ugoccie has swiftly unveiled her sophomore EP, aptly titled “Voice of the East” (VOTE).
The new release comes after her debut EP “Piece Of Me” which provides a fascinating look into the thrilling and wide-ranging future of her career and exceptional talent
Ugoccie, emerging as a force in the Nigerian music industry and gaining recognition and captivating the culturally appealing soundscape scored a great point from the choice of the title, “Voice of the East” (VOTE) EP, as a deliberate nod to her self-ascribed identity to unleash the power of the East through the EP.
This EP, just like her debut, demonstrates her artistic prowess and once again exhibits her distinctive musical identity that projects and extols praises of the richness of African culture, particularly the eastern part of Nigeria.
The VOTE EP is an impressive collection of five tracks, each crafted precisely. Ugoccie continues to impress her audience with her unique sound and compelling lyrics. The EP also features noteworthy guest appearances from Onitsha-born siblings Umu Obiligbo adding an extra layer of brilliance to the project with the kind of production provided by Endeetones (Beatlord)
Tracks Synopsis
ISIMGBAKA
ISIMGBAKA in Igbo means madness or someone who is not mentally okay. The song Isimgbaka starts off the VOICE OF THE EAST EP with a story of betrayal and how life always comes back at people who want to hurt others who have been nothing but good to them. It tells the story of a hustler who kept sending money home to her family but never got value for all the money she sent.
The moral of isimgbaka is never to hurt someone who has done you good. Only a mad person would do that
ỤWA feat. Umuobiligbo
The chorus of Ụwa is born from an ancient Igbo folklore that depicts that we are all beautiful in our way and that no one should take the world’s opinions seriously as people will always have something to say.
Ugochi and Umuobiligbo came together to create a masterpiece that would leave every listener glued from start to finish.
Ụwa means “world” in Igbo and the title is honed from the fact that the world will never be satisfied with whatever you do. Do you at the end of the day
ỌGỌ M
Ọgọ in Igbo means “kindness” or “charity” depending on the context and in this track, ugochi details how we live in a world where people have no conscience and would most likely repay an act of kindness with insubordination or wickedness.
A popular Igbo adage says “ọgọ m, egbuna m” which translates to “may my kindness not kill me”.
This is basically all Ugochi says in the song.
That our kind deeds will not be the end of us.
A masterpiece
EZI ENYI
Ezi Enyi in Igbo means (good friend)
In this story, Ugochi tells the story of how her friend tried to take a man that she loves from her which is very typical in the world that we live in. Every melody resonates with the listener for this particular one.
MARANMA
In Igbo land when things are good, we say “Ife Nile mara nma”. Which means that Things are going smoothly in essence. To crown this beautiful storytelling in her VOICE OF THE EAST EP, Ugoccie fuses amampiano with the Igbo flute to conjure this dance hall vibe that would still leave you rooted in the culture but swaying your hips in endless bliss. Maranma is the jam that takes you to the club after a long day of stress
Note: all the songs in Voice of the East ep have Igbo titles. Ugochi came all out for the culture in the most beautiful way possible
The VOTE EP is an intentional storytelling EP that brings a new spice to the kind of music Ugoccie makes. INTENTIONAL
STORY-TELLING MELODIES. The EP is inspired by life events and stories that have happened in real-time.
Quote
“There’s no truer art than believing in yourself and bringing your seat to a table where the seats are all taken”
“Stay true to your art, no one understands it better than you”
As for the Prince of Afrobeats, Rema, he’ll be hoping to beat mega stars like Billie Eilish, Doja Cat and Olivia Rodrigo to win the Song of the Year award for his global hit “Calm Down”
While the British rapper Little Simz clenched three nods at this year’s edition of the UK’s biggest music award: Artist of the Year, Grime/Hip Hop/Rap Artist of the year and Album of the Year for her album “No Thank You”,
The 2024 Brits Awards will air on Sat 2 March on ITV1 and ITVX.
For our first cover story, Amexin opens up about his relationship with DJ Tunez, future collaboration with Wizkid and his love for his hometown, Aba.
Shortly after our meeting over Zoom for this interview, the rising star thrilled fans at his first headline show “The Amexin Special” held in Lagos.
Hi Amexin, how you doing?
I’m fine, thank you how’re you?
I dey, what are you up to?
Well, It’s weekend so my plate of hot eba is waiting for me. Today I’m having it with one of my favourite soups, okro. My friends like it too.
Nice. Eba and okro soup is definitely goated. Where are you from, though.
I’m from Aba in Abia State and I owe a lot to my hometown. Growing up there had such a positive impact on my music. Only best the best songs make it to the city and that helps you as an artist.
Cool. What inspired your stage name?
I just want to put a face to the word “amazing” basically be the image that pops up in people’s minds when they hear the word. I want to be amazing.
You and DJ Tunez seem to have such a great relationship. How did you two meet?
The love of music brought us together. He fell in love with my music after hearing some of my unreleased songs from someone else in the industry. He reached out to me and we connected.
What’s like working with him?
It’s been an amazing experience. DJ Tunez os very supportive. He’s someone who always wants to take care of you. He’ll call me up and be like “How’re you?” “Call me if you need anything”
It’s been great.
What’s next for you two?
I’m dropping a new single and I have a show coming up in December, The Amazing Special. It’s my first headline show so I’m excited.
Okay, I have to ask: since you’re so close to DJ Tunez, have you met Wizkid?
Yes.
Really? What was it like?
Superstar Wiz. At first I was nervous but I quickly realized that he’s such a cool, relaxed person.
Omg! Any collaborations coming?
Definitely. Watch out.
Great. So what other things do you like apart from eba and what do you do to relax?
Music. Music. Music.
In fact, I wish I could have music as food. If I could I would hire someone just to make playlists depending on the mood, the weather and the time of the day.
But since I can’t replace music with food, I also like to eat noodles.
Me too. Do you add crayfish to your noodles? Because there’s been a fierce debate about it on Twitter.
I do
Great!
I grind it but I also like to have tiny pieces that I can chew while eating.
Oh my God! Yes!
I also add a lot of fresh peppers
Yes! You’re so amazing. I like you.
Thank you
You’re welcome. So how long have you been in Lagos.
A little over a year now.
What do you think of the city?
Very expensive. Unlike Aba, but it’s a wonderful place.
You’re right. So what are your dream collaborations, apart from Wizkid?
It’s hard to choose because there are a lot of artists that I admire. But I just want to work with people who love my music and people that I also connect with.
Chris Brown, for example. I love him
What impact would you like to have on the Nigerian music industry?
I just want to connect to the fans, the ones who love and support my music. Like you Chioma, I know you love my music.
I do
Great! That makes me happy.
Final word to your fans
I love you all. I promise to keep dropping hot gbedu and bangers. Just for you. I appreciate your support. Believe in yourself and have faith in God
Top three venues you’d like to performat
I’ve never really thought about it but Rolling Loud, Something in the Water and the O2 Arena
Thank you so much for talking to me and Goodluck with everything.
Thank you for having me and have a nice weekend.
You too.
Check out Amexin’s new project, “The Amexin EP” here
The two lovebirds, who have two sons together, could not keep their hands off each other as they enjoyed a three course meal which included suya, Wizkid favourite, with their closest friends.
Wizkid and Jada arrive at her birthday dinner in Lagos
Wizkid’s pal, Rotimy, took to Twitter and on Friday to share pictures from the outing which took place at the swanky Gras Lagos restaurant.
Guests were greeted by a cute balloon wall as they arrived at the venue before sitting down to enjoy the lavish three-course dinner.
A beautiful balloon wall greeted guests as they arrived at the Swanky Lagos restaurant
This comes after the funeral of Wizkid’s mother, Mrs Jane Dolapo Balogun, which saw some of the biggest names in Nigeria come out to support Grammy winner.
Guests feasted on a lavish three course meal which included suya, one of Wizkid’s favourite foods
Guests at the star-studded ceremony included billionaire businessman Tony Elumelu, fellow artist Wande Coal, Nollywood actress Osas Ighodaro and Big Brother Naija’s Mercy Eke and Kim Oprah.
Wizkid’s longtime friend Rotimy showed up to celebrate Jada’s birthday
Wizkid has described the loss of his mum, who died in London on August, 18 2023, as “The deepest pain I’ve ever felt in my life.”
Wizkid’s mum Mrs Jane Balogun who died in August
“The pain is profound. It hurts deeply,” he said at her funeral.
The deepest pain I’ve ever felt in my life. I’m lost but I pray God will comfort everyone of us. I’m lost without you Mom, I love you so much”mmm
BNXN has released his hugely anticipated debut album, Sincerely Benson which includes the singles Gwagwalada” “Pray” and “Sweet Tea (Aduke).
2 Baba, Kizz Daniel, Seyi Vibez and PopCaan all feature on the project, which shot to the top of the albums chart on Apple Music Nigeria. While five songs from the album presently occupy the top posts on the top songs chart.
The 26-year-old had earlier made it clear that the collaborations on the album were deliberate and essential to its theme and vision.
“There are a couple of collaborations on the album, I wanted them to be really specific to the message I was passing across. Like I have Headie One on the project, that is Headie One’s best verse internationally. When it drops you can take it to the bank – they will give you 100k,” he told the Ghanaian outlet , My Joy Online.
“Everybody that’s on this project came in with their A game, not even their A game, their A star game, I’m super excited about it.”
As expected, there’ve been comparisons between BNXN’s album and that of his rival Ruger which dropped last month.
Never one to miss an opportunity to take a swipe at his hottest rival, BNXN boasted about his collaboration with one of the OGs in the world of Afrobeats.
“ And some might never get to song with 2Baba,” he tweeted.
Me I’ve sha turned on Ruger’s notifications because I know he’ll surely respond.
