Oba Dafidi has released a new track titled “Come On Goodness”, taken from his highlife album Between Me and God
The song is described as a highlife record built on rhythmic instrumentation and soulful vocal delivery. It carries an upbeat arrangement rooted in traditional highlife structures.
“Come On Goodness” centers on themes of blessings, prosperity, and personal transformation. It reflects a connection between faith and destiny, focusing on aspirations for success, favor, and improved circumstances.
“Come On Goodness” by Oba Dafidi is available on streaming platforms.
Beninghone has released a new single titled “Bend Down”
The track is described as an Amapiano and Dancehall-influenced release inspired by summer themes and rhythmic Amapiano patterns.
Beninghone is a Nigerian-born, Berlin-based artist who has been making music since the age of 10. His previous releases include “Deutschland,” “Anty Fumi,” and “Pay Me.”
The release follows earlier 2026 singles “Nice 2 Meet Ya” and “Ich Bin Otunba,” with additional music announced for release later in the year.
“Bend Down” by Beninghone is available on streaming platforms.
The track is described as blending Afrobeat and R&B elements, with contributions from Nairobi-based artist Donman Jahdon and beatmaker Joman, who also provides vocals. The production combines rhythmic Afrobeat patterns with R&B-influenced melodies and vocal layering.
“Dramamama” is a collaborative release involving Swedish artist .JR, born Mohanand, alongside his Kenyan collaborators. The single reflects an ongoing cross-border approach in his music, drawing on contributors from different regions.
.JR is a 16-year-old artist based in Stockholm, Sweden, working within Afrobeats and R&B influences.
“Dramamama” by .JR featuring Donman Jahdon and Joman
Wrash Heed has released the official visualizer for his track “Mercy,” taken from his Lost Soul EP.
The visual piece accompanies a song described as blending Afro-fusion, Yoruba expression, and reflective songwriting. The production is built around a mid-tempo groove with warm, layered instrumentation and a mix of English and Yoruba vocals.
“Mercy” centers on themes of prayer, pressure, ambition, and survival. The track sits within the emotional core of the Lost Soul EP and includes lines such as “Oh Lord have mercy on me / I know I am a lost soul,” reflecting a tension between personal growth and seeking guidance.
The Lost Soul EP was released on April 22, 2026, following Wrash Heed’s earlier 2026 singles “Fly Away” and “Ma Cocaina.” Across the project, the artist explores themes of love, loss, rebuilding, faith, and emotional recovery.
“Mercy” is available alongside its official visualizer on digital platforms.
rhythmspitter has released a new single titled “Dancing Water Signs”.
The release is described as a cinematic lo-fi composition that blends Middle Eastern percussion, post-punk bass, and ambient sound design. Built on flowing rhythms, warm bass textures, atmospheric pads, and global percussion, the track combines world-fusion influences with downtempo production.
“Dancing Water Signs focuses on the symbolism of water as movement, intuition, and transformation. The composition uses layered instrumentation and breath-paced rhythmic structures intended to create a reflective listening environment.
The release comes from rhythmspitter, the solo project of California bassist Michael Mosley. The project combines global instrumentation, downtempo rhythms, and ritual-cinematic textures.
“The track explores the emotional symbolism of water as movement, intuition, and transformation,” the artist said in the release. “Through breath-paced rhythmic arcs and layered global instrumentation, “Dancing Water Signs” creates a sense of internal flow.”
“Dancing Water Signs” by rhythmspitter is available on streaming platforms.
Nigerian artist Big Ken has released a new single titled “Coco Baby.”
The track is an Afrobeats/Afropop record that continues the artist’s focus on melodic songwriting, rhythmic African percussion, and contemporary global production influences.
“Coco Baby” by Big Ken is available on streaming platforms.
Princess Wonda has released a new single titled “BODY KILLA,” marking her latest addition to a growing catalogue of Afrofusion releases.
The track blends Afrobeats rhythms with contemporary production and a vocal-driven approach that draws from the artist’s Afrofusion sound. According to the release, “BODY KILLA” centers on themes of self-worth, sensuality, confidence, and personal presence. The record combines melodic songwriting with a confident vocal delivery, continuing a style that has become a defining part of Princess Wonda’s music.
Speaking about the inspiration behind the single, Princess Wonda said: “BODY KILLA is really about confidence being felt, not forced. It’s about becoming more comfortable in your own skin and embracing femininity in your own way.”
The release arrives as Princess Wonda continues to build her profile within the Afrofusion space. Based in the United Kingdom, the artist is known for combining elements of Afrobeats, R&B, and pop in her music. Her work has gained attention through a series of independent releases, visual content, and live performances, helping her establish an audience across multiple markets.
Princess Wonda has accumulated more than 10 million streams on Spotify. Her music has also been featured in television productions including Harlem on Amazon Prime and Young Love on HBO Max. The artist has additionally performed headline shows, contributing to her growing presence as a live performer.
“BODY KILLA” follows previous releases including “Darling” and is described as part of a new phase in Princess Wonda’s artistic development. While maintaining the genre-blending approach that has characterized her earlier work, the single places a particular focus on themes of confidence and self-expression.
Princess Wonda is a UK-based Afrofusion artist recognized for her fusion of Afrobeats, R&B, and pop influences. Through her music, she continues to explore personal themes while drawing on a range of contemporary sounds.
“BODY KILLA” is available now on streaming platforms.
Mestre Guinaldo Music has released a new single titled “Undi Ki N’Bai.”
The track blends African and Lusophone musical influences with contemporary production while maintaining a strong connection to Cape Verdean musical traditions. It is described as an uplifting and celebratory record built around melodies and rhythms inspired by the culture of Cape Verde.
“Undi Ki N’Bai” focuses on themes of cultural identity, belonging, nostalgia, family, and community. Inspired by the islands of Cape Verde and the concept of “morabeza”—a term often associated with Cape Verdean hospitality and warmth—the song aims to connect members of the Cape Verdean diaspora while introducing new audiences to the country’s cultural heritage.
Mestre Guinaldo Music is an independent Portuguese artist and producer whose work draws from African, Lusophone, Latin, and contemporary musical influences. According to the artist, the song serves as a tribute to Cape Verde’s culture, roots, and the sense of longing experienced by those living away from their homeland.
“Undi Ki N’Bai” by Mestre Guinaldo is available on streaming platforms.
Cherim has released “Batraz,” a track from the album Ğymaq, released through Ored Recordings.
“Batraz” is built entirely from vocal recordings by Ramazan Daur, Kazbek Nagaroko, and Tizhin Gup, originally featured on “Shopsh: Circassian Vocal Tradition of Zhiu”. The track draws on Circassian vocal traditions and reworks archival material through sampling and experimental production techniques.
The song forms part of Ğymaq, an album constructed from recordings previously released by Ored Recordings. Across the project, traditional Circassian singing, shichepshin (violin) melodies, pkhachich (percussion), and archival recordings are transformed through ambient textures, layered processing, and electronic manipulation. The album centers on themes of culture, tradition, home, language, and memory.
The title Ğymaq translates as “Cry.” According to Cherim, the project reflects on experiences of life in the Republic of Adygea, as well as memories of family, friends, music, and language. Each track is created using material drawn from different recordings in the Ored Recordings catalog.
“Batraz” and the album Ğymaq by Cherim are available on m streaming platforms.
