ADDIT has released “Forever in My Heart,” a house single featuring Joysh and Aramis Cartam.
The song centres on the reassurance of staying connected to someone through difficult moments. Its lyrics describe holding onto that person when feeling isolated or overwhelmed, with the recurring line “Forever in my heart, forever in my soul” serving as the song’s central refrain.
“Forever in My Heart” follows ADDIT’s 2025 releases, including “Cause I Love You,” “Sippin’ on Tequila” and “Dance with Me.”
The track is now available on streaming platforms.
Ottawa-based drum & bass producer iQoniK has released “Love in the Sound,” a liquid drum & bass track running at 172 BPM.
The song opens with a soft vocal section before building into a fuller arrangement driven by fast breakbeats, melodic elements and bass. The production follows the more melodic side of drum & bass, contrasting its high tempo with a more emotional approach.
“Love in the Sound” follows several recent releases from iQoniK, including “Weightless,” “Wanna Be,” “Throwback” and the Run the Track EP, released in June 2026.
iQoniK is a Canadian DJ and producer based in Ottawa. His catalogue spans different electronic styles, but he has increasingly focused on drum & bass. He also hosts Booty Bumps, a monthly mix show centred on the genre.
The track is now available on streaming platforms.
Yataro dedicates Afro House track “Ki Ba Ba” to his father
Yataro has released “Ki Ba Ba,” an Afro House track dedicated to his father.
The song combines a relaxed dance pulse with soulful vocals from Wagathoni. Its production is built around rhythmic grooves and a steady Afro House foundation, while the vocal performance adds another layer to the track.
“Ki Ba Ba” is presented as a personal dedication to Yataro’s father, giving the song a more intimate context beyond its dance-oriented production.
Yataro’s recent catalogue includes releases such as “You’re My Star,” “Mírame, Mírame,” “Ven y Ataca Taca” and “Eivissa Sun.”
The track is now available on streaming platforms.
ALEXATOR has released “Awakening” (002), the second track in the opening chapter of its ongoing music catalogue, ALEXATOR 001–005.
Rather than organising the project around conventional album, EP or single releases, ALEXATOR assigns each track a number and treats each release as part of one continuously expanding collection.
“Awakening” is an instrumental electronic track built around melodic electronic production, electric guitars and cinematic elements. The project is intended to create music that can accompany everyday activities including travelling, driving, working and creating.
The track follows the first release in the ALEXATOR catalogue and forms part of the initial 001–005 sequence.
The track is now available on streaming platforms.
Mayoxe and Emmy Sho have released “My Gee,” bringing the two Nigerian artists together on a new collaboration.
The track follows an earlier connection between the artists. Emmy Sho previously featured Mayoxe on “Hope,” released in 2024. Mayoxe’s catalogue also includes “Jah,” “Amazing,” “Flex Tonight,” “2SECS” and “Banuso,” while Emmy Sho has released projects including Hustle Hard EP, Genesis the EP and Struggle And Sound.
“My Gee” marks another collaboration between the pair, extending a musical relationship that began with “Hope.”
The track is now available on streaming platforms.
Seyi Vibez has called out chef Hilda Baci in a series of posts on X as his dispute with his former label boss Dapper Music continues.
Seyi Vibez and Dapper Music parted ways in September 2024 after the singer had been signed to the label. Hilda Baci has been in a long-term relationship with Dapper.
In one of his posts, Seyi Vibez alleged that Hilda Baci’s BBL was funded with income generated from the catalogues of artists signed to Dapper Music. He did not provide evidence for the allegation.
In another post, the singer alleged that he nearly died after eating food prepared by Hilda Baci. He also did not provide evidence to support the claim.
The posts came on the same day that T.I Blaze, another artist signed to Dapper Music, publicly accused the label of licensing his intellectual property without his agreement. T.I Blaze did not provide further details about the alleged licensing arrangement in the post.
T.I Blaze has publicly called out Dapper Music, accusing the label of licensing his intellectual property without his agreement and questioning how revenue from his music has been handled.
In a post shared on X on August 14, the singer asked how Dapper Music could license another person’s intellectual property “without mutual agreement,” adding that the label had “finally” filled its cup.
In another post, T.I Blaze questioned the involvement of Virgin Music in the business relationship, referring to an alleged 30 percent share and asking whose portion Virgin was receiving. He also questioned how ₦1.2 billion in revenue had gone “unexplained” and called on Dapper Music to provide answers.
T.I Blaze also revealed that his contract with the label had expired. He said he had waited seven months without releasing new music and claimed that Dapper Music had asked him for $185,000 after generating more than ₦1 billion in revenue. He rejected the demand and said he would instead pay for his catalogue to be returned.
The posts come amid renewed scrutiny of Dapper Music’s relationships with artists signed to the label, with Seyi Vibez also publicly criticizing his former label boss earlier in the day. T.I Blaze remains signed to Dapper Music.
DRAY has released “Stupidity,” the opening track and lead single from his debut EP, Reflection.
The London-based artist, who is from Lagos, describes the sound as “Afro-Reflection,” combining confessional rap with Afro-fusion. The song examines the desire for validation, addiction, isolation within the diaspora and the experience of pursuing music without support from the people closest to you.
At the centre of “Stupidity” is a question about seeking approval from people who may not understand or appreciate what you are doing: whether continuing to look for that validation is foolishness or a way of coping.
The song is performed in English and Nigerian Pidgin and introduces the themes explored across Reflection.
“Stupidity” is the first release from DRAY’s debut EP.
The track is now available on streaming platforms.
Fordanz has released “Tus ojos se quedaron en mi,” the first single from an upcoming album, combining melodic electronic elements with modern house production.
The song draws on the idea of connections that remain meaningful even after someone has left your life. Its concept focuses on people who may only pass through your life once but leave a lasting impression.
The production pairs melodic electronic textures with house rhythms, giving the track an upbeat quality alongside its reflective subject matter.
Bizy Boy has released “Face Card,” a new Afropop single about the aftermath of a breakup and the possibility of reconciliation.
The song centres on someone hoping for a second chance after a relationship has ended, with the narrator looking to correct mistakes that contributed to the breakup.
Bizy Boy is an Afropop artist based in Hull, UK, with roots in Nigeria.
“Face Card” is now available on streaming platforms.
