Ibadan-based artist Deehzer has released a new single titled “Render”, adding another entry to a growing catalogue of Afrobeats records built around everyday experiences and personal reflection.
The song arrives as the latest release from the emerging artist, whose music draws inspiration from contemporary Nigerian acts such as Bella Shmurda, Kizz Daniel, Barry Jhay and Muyeez
According to Deehzer, the song was inspired by the pressures of daily life and the need to occasionally step back and appreciate the present.
“Render” is about enjoying the present and not allowing life’s pressures to stop you from being happy,” he said. “Sometimes we need to slow down, appreciate where we are and simply enjoy the moment.”
“Render” by Deehzer is available on major streaming platforms.
Kabusa Oriental Choir has released a cover of Kehlani’s “Folded”, offering a different interpretation of the song through choral arrangements and Afrosoul influences.
The Abuja-based group, known for reworking contemporary songs with layered vocal performances, recorded the cover earlier this year after what choir director Austin Nwamara describes as a long creative pull toward the record.
According to Nwamara, the idea to revisit “Folded” first emerged in late 2025 and remained on his mind even as the choir worked on other material.
“This song started calling out to me since October last year and followed me into 2026,” he said. “We recorded other songs and were on the verge of releasing them, but this song wouldn’t let me be.”
The project was developed alongside producer David Acekeyz, who worked with the choir to build a new sonic framework around the original song. While the first version of the instrumental did not immediately resonate with him, Nwamara says he felt there was something worth exploring in it.
From there, the group developed the vocal arrangements through rehearsals before heading into the studio in Abuja to record the track.
The choir describes the recording process as unusually straightforward, with the song taking shape naturally once work began.
Originally performed by Kehlani, “Folded” centres on the emotional aftermath of a breakup and the tension between needing space and ending a relationship altogether. Kabusa Oriental Choir retains those themes while shifting the song’s presentation toward Afrosoul and choral music.
“Ever ended a relationship in the heat of the moment and immediately wished you could hit pause instead of stop?” the choir said when discussing the song’s message. “It’s a look at the fine line between needing space and throwing away something good.”
Kehlani’s performance served as a key reference point throughout the process, particularly the emotional quality of her vocal delivery. Rather than dramatically altering the song’s core, the choir focused on translating those emotions through harmonies and ensemble performance.
The release arrives ahead of a planned tour, where the group expects to include the song in its live set.
For Nwamara, the project also reflects his broader approach to creativity.
“When a song is calling out to you, you better answer it,” he said. “Otherwise it starts calling someone else.”
“Folded” Kabusa Oriental Choir by is available now on major streaming platforms.
Portuguese artist R4IZES has released a new single titled “Leva-me sem destino”, a track that blends Afrobeat influences with kizomba elements.
The song is built around rhythmic percussion and melodic production typical of Afro-infused Lusophone music styles. The arrangement combines steady rhythmic patterns with warm instrumental textures and vocal-led delivery.
According to R4IZES, “Leva-me sem destino” explores themes of love and emotional attachment, focusing on a desire to escape responsibilities and societal expectations with a partner.
The track is structured around a continuous rhythmic flow, with emphasis on repetition and gradual progression rather than abrupt shifts in arrangement.
R4IZES is a Portuguese artist whose work is rooted in songwriting and Lusophone musical traditions, drawing from a range of styles across Portuguese-language music.
“Leva-me sem destino” by R4IZES is available on streaming platforms.
Producer Marco Mento has teamed up with Ghanaian artist Weezden for a new single titled “Dance”. The track brings together Afro-inspired rhythms and electronic production elements.
Built around rhythmic percussion and melodic layers, “Dance”focuses on groove-driven arrangement and steady progression. The production leans on warm instrumentation and a structure designed around movement and repetition.
The collaboration draws on influences from different musical backgrounds, combining Afro-inspired styles with contemporary electronic elements.
It’s presented as a cross-cultural collaboration between artists based in New York and Ghana, reflecting shared influences across Afro-Caribbean rhythms, Afrobeats, and global electronic music.
“Dance” by Marco Mento feat. Weezden is available on major streaming platforms.
French producer Paul STR has released a new single titled “Marula”, a track that combines Afro House elements with modern electronic influences.
The song is built around steady rhythmic percussion and electronic production, with emphasis on groove-based structure typical of Afro House music. The arrangement focuses on gradual progression rather than rapid shifts.
“Marula” by Paul STR is available on streaming platforms, including Spotify.
Nigerian artist Efosa Big-joe has released a new single titled “Kurukere Girlina”, a track that draws from Afrobeats and Afrofusion influences.
The song is built around rhythmic percussion and melodic vocal delivery, with production that leans on contemporary Afrobeats-style arrangement. Elements of repetition and layered melodies are used throughout the track.
In press materials, the record is described as a high-energy Afrobeat and Afrofusion release with a focus on melody and groove.
Efosa Big-joe frames the song as part of his ongoing work within Afrobeats and Afrofusion, with emphasis on accessible melodies and rhythmic structure.
“Kurukere Girlina” by Efosa Big-joe is available on major streaming platforms.
Greek producer LODIC has released a new single titled “Scream.” The track runs for approximately three minutes and is built around melodic techno and cinematic electronic production.
The song features a gradual build-up structure, opening with atmospheric layers and evolving into more rhythmic sections. A shift occurs around the one-minute mark, followed by another progression leading into a final section that increases in intensity.
“Scream” uses sustained synth lines, low-end pulses, and minimal vocal textures, with changes in arrangement used to create contrast between quieter and more driven passages.
The release falls within a broader space of contemporary melodic techno and electronic music that focuses on progression and tension-based structure rather than conventional verse-chorus formats.
“SCREAM” by LODIC is available on major streaming platforms.
Nigerian artist Dharmie DRN has released his debut single, “Like Me”, an Afro-drill and Afrofusion record that blends melodic flows with Yoruba-English lyricism.
Released through Midolin Freedom Records (MFR), the track combines elements of Afrobeats and drill, drawing on themes of confidence, self-belief, ambition, and individuality. According to the artist, “Like Me” encourages listeners to embrace self-confidence without relying on external validation.
Musically, the song sits at the intersection of Afro-drill and Afrofusion, pairing rhythmic percussion with melodic delivery and bilingual storytelling.
Dharmie DRN describes his music as a reflection of youth culture, self-expression, and personal ambition.
“Like Me” by Dharmie DRN is available on major streaming platforms.
Producer and musician Marco Mento has released a new single, “Monopoly”, a track that combines Amapiano, Afrobeats, house, and electronic music influences.
Built around dance-driven percussion and electronic production, the song takes its title from the popular board game “Monopoly”. According to Mento, the track was inspired by themes of ownership, power, and economic imbalance, using the game as a metaphor for modern society.
While rooted in club-oriented rhythms, “Monopoly” incorporates elements commonly associated with contemporary African dance music, particularly Amapiano, alongside house grooves and electronic textures. The result is a cross-genre production that reflects the increasingly global nature of dance music.
Mento describes the song as an attempt to balance entertainment with social commentary, exploring ideas around wealth concentration and the pressures faced by ordinary people in today’s economy.
Born in Switzerland to an Italian family and currently based in Brooklyn, New York, Mento is known for drawing from a wide range of musical influences, including Afro-Caribbean rhythms, hip-hop, Latin music, funk, and Afrobeats. He is also a member of the band Afro Dominicano and has collaborated with artists including Andra Day and Traum Diggs.
“Monopoly” by Marco Mento is available now on major streaming platforms.
