Seyi Vibez has announced his forthcoming album, “Swaguu,” with Burna Boy attached as executive producer.
The 14-track project is set for release on September 18.
The album follows the pair’s 2023 collaboration on “Giza,” which appeared on Burna Boy’s “I Told Them…” album. Released in August 2023, the song featured Seyi Vibez and was later accompanied by a music video directed by TG Omori.
Seyi Vibez released two albums in 2023, “Vibe Till Thy Kingdom Come” and “Thy Kingdom Come,” before following with “Loseyi Professor” in 2024 and “Fuji Moto” in 2025.
“Swaguu” will mark Seyi Vibez’s latest full-length release. Further details about the album’s tracklist and Burna Boy’s contributions have not been disclosed.
“Swaguu” will be available on streaming platforms from September 18.
Dapper Music founder Damilola “Dapper” Akinwunmi has responded to recent allegations from former signees Shallipopi, T.I Blaze and Seyi Vibez, challenging them to submit their disputes to an independent forensic audit.
In a series of posts on X on Saturday, August 15, Dapper rejected allegations of financial and contractual wrongdoing and said the records needed to establish what happened are available.
“I have nothing to hide. The records exist. The authorities have them. Let the process establish the truth,” he wrote.
Dapper also accused his former artists of taking their grievances to social media while disputing his account of their departures.
“Don’t come online and spill rubbish narratives, & lies, only to mislead the public!” he wrote in another post, adding that the artists “chose to leave” and should “move on.”
He appeared to direct a separate series of posts at Shallipopi, whom he addressed as “Mr. Elon”, referencing the artist’s 2023 hit “Elon Musk.”
Dapper claimed that Shallipopi failed to attend a previously scheduled appearance while he was present, questioning the artist’s calls for the matter to be addressed in court.
He also challenged what he described as conflicting claims about their contractual relationship.
“You claim here that I forged your signature, but in your public statement in 2024, you claimed that you were pushed into a deal with Dapper Digital. Which is it???” he wrote.
Shallipopi ended his agreements with Dapper Music and Dvpper Digital in December 2024, alleging a breach of trust, financial mismanagement and a lack of transparency. Among his claims was that Dapper Music had pushed him into a publishing arrangement with Dvpper Digital, which he said was owned by the same person or persons behind Dapper Music.
Dapper is now asking the parties to move the dispute away from social media and into an independent examination of the relevant financial records and contracts.
He said an audit had already been conducted by what he described as a reputable company and suggested commissioning another review if there were still questions over the accounts.
“We already did an audit from a reputable company! Surprise Surprise who owes who?” he wrote.
Dapper then named several accounting and legal firms, including KPMG, PwC, Deloitte, Templers, Aluko & Oyebode, Olaniwun Ajayi LP, and Udo Udoma & Belo-Osagie, suggesting that any of them could be engaged to conduct a forensic review.
“Let them run a forensic analysis and interpret both the accounts and the contract for us, and tell you I cheated you?!” he wrote.
His comments come as disputes between Dapper and several former artists have resurfaced, with allegations involving contractual terms, financial dealings and the handling of artists’ catalogues. Dapper has consistently disputed claims of wrongdoing and previously maintained that its artist agreements were entered into with transparency and legal representation available to the artists.
The latest exchange leaves the central financial and contractual questions unresolved, but Dapper’s proposed audit could provide an independent way of examining the competing claims if the parties agree to one.
Seyi Vibez has called out chef Hilda Baci in a series of posts on X as his dispute with his former label boss Dapper Music continues.
Seyi Vibez and Dapper Music parted ways in September 2024 after the singer had been signed to the label. Hilda Baci has been in a long-term relationship with Dapper.
In one of his posts, Seyi Vibez alleged that Hilda Baci’s BBL was funded with income generated from the catalogues of artists signed to Dapper Music. He did not provide evidence for the allegation.
In another post, the singer alleged that he nearly died after eating food prepared by Hilda Baci. He also did not provide evidence to support the claim.
The posts came on the same day that T.I Blaze, another artist signed to Dapper Music, publicly accused the label of licensing his intellectual property without his agreement. T.I Blaze did not provide further details about the alleged licensing arrangement in the post.
On August 23, 2025, SeyiVibez took to the stage for his “Seyi Vibez Live” at Tafawa Balewa Square, Lagos Island, delivering a performance that was nothing short of remarkable. For the casual observer, it may appear as just another concert within the ever-expanding Afrobeats landscape. However, for those who understand the dynamics of the industry and have studied its evolving patterns, the significance of moments like this cannot be overstated.
Since Afrobeats broke into global consciousness, the genre has, in many ways, grown distant from its local audience. The very communities that nurtured and sustained the sound are now often relegated to the sidelines, watching their stars prioritize foreign stages over homegrown ones. Economic realities and the lure of international markets undoubtedly play a role, yet it remains difficult to ignore the disconnect. Nigerian fans are left with few opportunities to see their idols live, save for the increasingly saturated Detty December festivities, or through digital streams of performances abroad.
— Afrobeats Head Loves Timothee Ideh (@AfrobeatsHead) August 24, 2025
It is against this backdrop that Seyi Vibez’s decision to perform at home resonates so strongly. Shows like this demand respect—not only because of the logistical and infrastructural challenges of staging major concerts in Nigeria, but also because they represent an intentional choice by the artist to prioritize his core audience. Importantly, this is not an isolated gesture. In 2023, Seyi Vibez staged his Homecoming Concert at Ikorodu Town Hall, another moment that reinforced his commitment to the fans and communities that built him.
Tap and load Olamide in 4K at Seyi Vibez sold out TBS show (2025)
— Afrobeats Head Loves Timothee Ideh (@AfrobeatsHead) August 24, 2025
By returning to spaces like Tafawa Balewa Square, Seyi Vibez is giving back to the very people who elevated him, ensuring that joy and connection are not reserved for the year’s end or for audiences overseas. More than just entertainment, his performances affirm his role as one of the defining street acts of his generation—a voice for the people whose unwavering support forms his cult-like following.
Few experiences rival the power of hearing your music echoed back by thousands, word for word, in your homeland. Well, that is the gift Seyi Vibez is both receiving and giving in equal measure. And if this concert proved anything, it is that his fans are not going anywhere and they will ride with him until the wheels fall off.
About the Author
Abdulmuqsit Idowu is a music critic and writer with a focus on the African entertainment industry. With a passion for music and culture, he offers insightful and honest commentary on the ever-evolving landscape of African entertainment. Follow him on X and Instagram: @justabdulmuqsit.
The Afrobeats Power Rankings for February 2025 by NotJustOk are here, and they’re telling an exciting story about a genre that’s always on the move. Based on a mix of streaming numbers, chart success, social media hype, and real influence in the music world, this list shows off the staying power of big names and the thrilling rise of new stars.
Let’s break down the Top 10, cheer on the artists who made the biggest jumps from January, and give a shoutout to newcomers like Kunmie, whose debut song Arike and EP Before We Became Strangers have landed him a spot in the spotlight.
What’s the Afrobeats Power Rankings All About?
The Afrobeats Power Ranking by NotJustOk is like a monthly report card for Afrobeats artists. It looks at streaming numbers, chart performance, social media influence, and overall industry impact to figure out who’s running the game. It’s not just about who’s got the most plays—it’s about who’s making waves and shaping the sound.
See the full scoop on how the Afrobeats Power Ranking is compiled.
Top 10: Who’s Leading the Pack?
1. Tyla (982 points) – She wasn’t even on the list last month, but Tyla’s Push 2 Start remix with Sean Paul has taken her straight to #1. It’s a worldwide banger!
2. Rema (541.09 points) – Dropping from #3 to #2, Rema’s still a big deal and not going anywhere.
3. Seyi Vibez (505.19 points) – Zooming up from #13 to #3, thanks to his hot Children of Africa EP.
4. Asake (288.71 points) – Up one spot from #5, Asake’s good vibes keep him climbing.
5. Victony (287.38 points) – Jumping from #16 to #5 with his dope track Pity This Boy featuring ODUMODUBLVCK.
6. Burna Boy (263.92 points) – Down from #2 to #6, but still a king in the game.
7. ODUMODUBLVCK (199.25 points) – New to the list at #7, riding the wave of Pity This Boy.
8. Ayra Starr (198.94 points) – Slipping from #6 to #8, but still shining bright.
9. Wizkid (161.68 points) – The old #1 now at #9—his star power’s still strong.
10. Ruger (132.30 points) – Up from #14, Ruger’s hustle is paying off.
The Biggest Climbers: Songs That Changed the Game
February 2025 was wild, with some artists leaping up the list thanks to killer tracks. Here’s who made the biggest moves:
● Tyla (Unranked to #1) – Tyla’s Push 2 Start remix with Sean Paul is everywhere—streaming like crazy and blowing up TikTok with dance videos. She’s the new global face of Afrobeats.
● Seyi Vibez (#13 to #3) – Up 10 spots, Seyi Vibez dropped the Children of Africa EP, and its street-pop vibes—especially the title track—are ruling Nigeria right now.
● Victony (#16 to #5) – A huge 11-spot jump! His song Pity This Boy with ODUMODUBLVCK is real and raw, getting tons of love on X.
● Adekunle Gold (#34 to #19) – Climbing 15 spots, Obimo—a sweet, highlife-flavored love song—has brought him back into the spotlight.
● Bella Shmurda (#29 to #22) – Up 7 spots with Verily, a chill, thoughtful tune that’s winning fans over.
● Joeboy (#36 to #25) – A solid 11-spot rise, thanks to his steady stream of hits.
New Kid on the Block: Kunmie’s Big Entrance
February wasn’t just about the usual suspects—new talent crashed the party too. Leading the pack is Kunmie, who landed at #16 with 71.00 points. His breakout hit Arike, released February 15, 2025, is a soulful love song that’s taken over TikTok with 186,000+ videos and scored 7 million Spotify streams in less than a month. It peaked at #2 on Spotify’s Global Viral Chart and hit #1 on Nigeria’s Viral 50—talk about a debut! Then, in early March, he dropped Before We Became Strangers, a four-song EP with tracks like the deep I Admit, the upbeat Majekaja, and the romantic Arike and One More Chance.
This combo of a viral single and a solid EP shot Kunmie into the rankings, making him a name to watch.
Other fresh faces like ODUMODUBLVCK (#7) with Pity This Boy and Moliy (#15) are also shaking things up, but Kunmie’s fast rise from nowhere to #16 shows how a big song and a strong project can make you a star in Afrobeats today.
What’s the Vibe?
This month’s rankings feel like a tug-of-war between the young crew—Seyi Vibez, Victony, Kunmie—and the OGs like Wizkid, Burna Boy, and Davido (#13). Tyla’s #1 takeover proves Afrobeats is going worldwide, and newbies like Kunmie and ODUMODUBLVCK show there’s tons of fresh energy in the mix. Some January faves like BhadBoi OML and DJ 4kerty didn’t make the cut this time, which just proves how tough this game is.
Songs like Push 2 Start (Remix), Children of Africa EP, Pity This Boy, Obimo, Verily, and Arike show off Afrobeats’ flavors—big collabs, street jams, and smooth love tunes—pushing artists up and keeping the genre exciting.
