Following the success of her breakout single “Move From Mè,” which garnered an impressive 600k streams in just four months, Lahrel continues to impress with her dynamic sound.
Now, Lahrel is taking a bold leap into a completely different musical realm with “Sit Down,” a blend of Afrobeats, dancehall and pop in which she features fellow UK artist , Afro B fresh off the success of his hit single “Joanna”
Listen to “Sit Down0 by Lahrel and Afro B
Follow Lahrel on Instagram, Facebook, Deezer and X
Auranova Studios announces the arrival of Munivar, a mysterious new figure whose presence is felt more than explained.
The journey begins with “Healing”, the debut single featuring Grammy Award-winning singer and lyricist Daramola, fresh off his 2025 win for Best Reggae Album in recognition of his contributions to the Bob Marley: One Love album.
“Healing” blends Afro House rhythms with Indian instrumentation.
“We are glad Munivar has arrived, this arrival took about a year and there is a lot more in the works” said Kasturi Rangan, co-founder of Auranova Studios.
“This song has so many layers. It showcases what a truly international track can be, featuring percussion and oud from India, production in the U.S., and a global team that brought it to life,” added Carlos Marcelo Cuevas.
Rising electronic music DJ TheProfessR and singer Shivani have collaborated on a new single “Runnin’ High” inspired by their shared South Asian heritage.
On the track, TheProfessR and Shivani who are both from the UK, weave vibrant Indian-inspired sounds with lyrics that speak to anyone yearning for a moment once shared with someone they’ve lost.
“Runnin’ High” blends tradition and adrenaline in a way that’s bold, joyful, and unforgettable.
Listen to “Runnin’ High” by TheProfessR and Shivani
Follow TheProfessR and Shivani on Instagram
Boston-based Afrobeats artist, Echezona is teaming up with producer and frequent collaborator, JPRiZM, on new single “Make Up Your Mind”
The soulful track that delves into the complexities of decision-making in relationships.
Inspired by personal experiences, Echezona’s heartfelt lyrics explore the tension between emotional vulnerability and self-preservation.
With a melodic blend of English and Igbo language, which Echezona describes as a melodic language, the song’s soothing tones and catchy hook make it a standout addition to the duo’s musical repertoire, promising a memorable listening experience for fans of diverse genres.
Echezona who recently opened for Oxlade, describes the chemistry between the two of them as “phenomenal”
“We might start a song either with the music or with the lyrics.
JPRiZM might play some music for Echezona or Echezona may come into the studio with a lyrical idea and melody.”
Their collaboration began in Boston, where they first crossed paths during a project for the ‘Boston Rise’ initiative.
Over the years, Echezona’s versatile artistry has blossomed under JPRiZM’s guidance, blending afrobeat, hip hop, SOUL, and R&B influences into a unique sound that resonates with audiences.
“We’ve known each other for about seven years. We first met in Boston Massachusetts where we both live,” Echezona recalls.
“We first worked together on a project led by JPRiZM and his partner for a Boston youth initiative called ‘Boston Rise’ that was grant funded by a program called Live Arts Boston.”
At the time they met in 2018, Echezona was almost exclusively a rapper. Working with JPRiZM helped tap into Echezona’s singing ability and in producing Echezona. JPRIZM worked with Echezona in developing a unique blend of afrobeat, hip hop infused with SOUL R&B.
“Don’t get me wrong, Echezona loves to flex as a rapper & has the bars to do so, which he shows off every now and then,” JPRiZM explains.
“But primarily, he’s focused now on singing and songwriting to tell his story. We’ve got tons in the vault to share”
JPRiZM notes that while he loves to listen to classics by Sade and Fela Anikulapo-Kuti, their music is not not influenced by any particular artist or song.
“We write music which we truly feel is unique. We don’t start a song with a preconceived notion of the endgame. We’re focused on making that song the best it can be as a unique creation. We’re evolving the music as we journey into the song. We both are music heads and music lovers. I had been listening to some Sade for to relax and to catch vibes as well as Fela Kuti but I can’t say that those are the absolute specific artists this record is inspired by, our music is a collective of all our musical influences over our lifetimes up to this point whether that is afrobeat, SOUL, R&B, jazz, pop, edm, and great storytelling.”
“This particular song, though, is influenced by a woman who had been disinterested in me and was no longer around,” Echezona explains.
“Then she came back around and wanted to come back into my life suddenly. While I still had feelings for her, I needed some time to get re-familiarize and re-adjusted to the idea of her being part of my life again.”
“So, I asked her if we could take things slow. She was in a hurry and wanted me to make up my mind quickly. That’s what inspired the song, her saying ‘make up your mind.”
Echezona had a lot to look forward to as he will be performing extensively at various colleges in the Boston area and on the west coast such as University of Southern California.
Connect with Echezona
Davido might be collaborating with a popular K-pop artist in 2025.
This is according to music industry experts, Jaese Productions which includes publicists Joella Nuer, Ella Okunmwendia, and AyòÌféolúwa.
Last year, the Grammy-nominated singer also hinted at a potential K-pop song in an interview with the UK’s Kiss Fresh FM
In light of recent interactions and conversations, the trio made nine bold predictions for 2025, mainly on the expanding influence of K-pop in Africa:
An increasing number of African fans are showing a growing interest in purchasing albums and merchandise, drawing attention to the continent. Group orders have become a popular trend as fans eagerly seek more. This surge in demand leads us to predict that a licensing deal is on the horizon, making official merch and other collectibles more accessible and affordable.
Over the past decade, K-pop auditions have spread globally, piquing interest in African fans. Along with the rise of numerous K-pop dance competitions across the continent, Jaese foresees a K-pop agency or producer actively seeking talents in Africa.
With K-pop artists increasingly meeting African musicians at major events like Fashion Weeks, Jaese believes the likelihood of a collaboration is high. Notable interactions, such as GOT7 members Jackson Wang and Bambam with Adekunle Gold and Rema with Vernon, set the stage for future partnerships. G-Dragon’s mention of Africa in his single “Power” further underscores his interest in the continent, especially with his recent signing to Empire, a label that represents African stars like Asake and Black Sherif. On the African side, Nigerian singer Davido has hinted at a potential collaboration with a K-pop artist in 2025. Similarly, in November 2024, Nigerian music mogul Mr. Eazi visited Jay Park’s More Vision, having long expressed his desire to collaborate with a K-pop artist since 2019. Jay Park on the other hand, has also expressed interest in touring in Nigeria and other African countries.
Following ATEEZ’s groundbreaking appearance at the Mawazine Festival in Morocco, it’s highly likely that a major K-pop group will follow in their footsteps. Additionally, Jaese predicts that a K-pop artist will include Rabat, Nairobi, and Johannesburg as stops on their 2025 tour. African K-pop fans have united on the fan-driven global touring platform TOORLY to show their enthusiasm for bringing K-pop acts to their cities. Notably, up-and-coming Korean artists tend to explore newer regions before the more established acts. With Must B’s visit to South Africa and Henny’s performance in Angola, we anticipate that a rising K-pop act will hold a tour in Africa. Potential tour stops include South Africa, Nigeria, Ghana, Kenya, Côte d’Ivoire, Morocco, Tunisia, Algeria, and Egypt.
According to the TurnTable Charts in Nigeria, K-pop captured 2% of the Nigerian charts in 2024. Artists like Rosé, aespa, NewJeans, and Jimin achieved significant success in the West African nation. Following the return of G-Dragon, EXO’s KAI, BTS, BLACKPINK, and GOT7—artists who paved the way for K-pop’s rise in Africa—Jaese predicts that streaming numbers are set to increase even further this year.
In 2024, over 20 K-pop acts released songs incorporating influences from the African continent. Artists from other Asian countries including Thailand, China, and Malaysia equally dabbled into sounds from Africa and enjoyed great success. Jaese predicts a rise in Afro-influenced tracks in 2025, with some artists drawing inspiration from Tyla’s 2024 hits, including “Truth or Dare.” This time, we may see collaboration with African producers and songwriters, further blending the sounds of both continents.”
In 2024, Jaese facilitated or published interviews with P1Harmony, Kep1er, BM, Fatou, and Blackswan. This year, we can expect even more K-pop artists to engage with their African fans across various media platforms. While most of these interviews were hosted by South African and Ghanaian outlets, Jaese envisions an expansion to other countries, including Nigeria, Kenya, and Morocco.
African fans of Korean music and culture with a passion for journalism will have the opportunity to participate in a workshop led by seasoned K-entertainment writers from around the world. To take part in the workshop, individuals must sign up for the Jaese Writers Club.
The teaser for the fourth edition of MNET’s Street Woman Fighter was released, featuring a mention and display of the Ghanaian flag. Jaese believes that a Ghanaian dancer or dance team will feature in this year’s edition of the popular dance show.
A GREAT YEAR FOR K-POP IN NIGERIA
In 2024, K-pop acts made a notable impact on Nigeria’s premier chart system, the TurnTable Charts, accounting for 1% on the Official Artist Top 100, 2% on the Official Streaming Songs and Official Radio Songs charts, 3% on the Official Nigeria Top 100, and 16% on the Official Top 100 Albums.
BLACKPINK member ROSÉ emerged as the top charting K-pop artist in Nigeria in 2024. Armageddon The 1st Album by SM Entertainment’s aespa held the title of the most-streamed K-pop album in Nigeria. Women continued to dominate the charts with DAY6, Jimin, and Stray Kids being the only male acts. Other notable highlights were K-bands DAY6 and QWER making an appearance on the Album chart for the first time.
The media agency FunFillage have dropped their collaborative EP, titled” SOS Vol. 1.”
The primary goal of this release is to support and elevate the emerging artists that are a part of it.
With its platform, FunFillage hopes to positively influence artists and brands. The amazing roster of twelve gifted artists for this endeavour is impressive. Seeing such a diverse and cooperative effort come together is amazing.
The project features talented artistes from Nigeria, Ghana and South Africa, which includes Ella Gometi, D-Ennay, Ego, kurntian, Vinn Luka pryce, Adam Srae, Sean Ayce, Chibbs, Hanomalee, Dipcrazy, and Emaxee.
By fusing the idea of sofas with artistic genius, the project aims to revolve around the emotions, comfort, and sentiments that surround the cosmos on a cosy sofa. It also uses the Fun Village platform to highlight the incredible skills in the project.
Listen to the it on Apple Music or Spotify
Follow FunFillage on Twitter and Instagram