Category: International Music

  • Cyril Thys explores Paris and love on “Paris Ezali Bolingo”

    Cyril Thys explores Paris and love on “Paris Ezali Bolingo”

    Cyril Thys turns his attention to Paris on his latest release, “Paris Ezali Bolingo.”

    The song’s title combines French and Lingala, translating to “Paris is love,” and places the French capital at the centre of the track’s concept.

    Thys works across reggae, pop, electronic music and rap, and describes his music as an attempt to move between genres rather than remain within a single sound.

    “Paris Ezali Bolingo” follows other releases that have drawn from his connection to Paris. His catalogue includes “Un bain sur les quais parisiens,” a song inspired by moments spent along the Seine, as well as “Salam Alikoum,” which takes a roots reggae approach.

    “Paris Ezali Bolingo” is now available on streaming platforms.

  • Nasty Guerrero challenges the music industry’s approach to AI-assisted music

    Nasty Guerrero challenges the music industry’s approach to AI-assisted music

    Latin digital artist Nasty Guerrero has criticised the music industry’s growing efforts to regulate and restrict AI-assisted music, arguing that the debate is increasingly centred on control, ownership and revenue.

    In a statement, the project acknowledged platforms such as Suno for making AI music tools more accessible, but said its own music involves human producers, musicians and songwriters. Nasty Guerrero said technology is used as a tool within its creative process rather than as a replacement for the people involved.

    The project also disputed the idea that the use of AI or other digital tools should determine whether music is considered authentic. It argued that commercially released music lacking originality existed long before generative AI became part of the music-making process.

    Nasty Guerrero further raised concerns about the economics of independent music, arguing that independent creators are not receiving fair royalties while established industry structures continue to take a share of music revenue. The statement did not provide specific figures or evidence to support those claims.

    The project said its music remains rooted in culture and storytelling and that it does not intend to continue defending its creative process in response to criticism of its use of technology.

    Nasty Guerrero’s comments come amid an ongoing industry debate over how AI-generated and AI-assisted music should be identified, distributed and compensated. The statement represents the project’s position on that debate.

  • OHNomad blends Middle Eastern, classical and jazz influences on “Universal Connection: Rosenwald”

    OHNomad blends Middle Eastern, classical and jazz influences on “Universal Connection: Rosenwald”

    OHNomad has released “Universal Connection: Rosenwald,” a composition that brings together Middle Eastern musical influences with elements of classical and jazz.

    The piece is part of OHNomad’s broader “Universal Connection” series, which explores different cultural and musical references through individual compositions. The series has previously included works inspired by Japan and other places and figures.

    OHNomad began developing his music during the COVID-19 shutdown in 2020, drawing on experiences from earlier backpacking trips through countries including India and Tibet. Those travels influenced his approach to combining Eastern musical ideas with classical, jazz and metal.

    The artist, whose name is Owens Huang, premiered his first sonata, “Place of Origins,” at Taiwan’s National Recital Hall in 2023. In 2024, he presented “The Silicon Island” in Taiwan and “Universal Connection: Rosenwald” in Mountain View, California.

    “Universal Connection: Rosenwald” follows his later work, including “Universal Connection: Junko,” which was presented in Tokyo in 2025, and “The Awakening,” a composition centred on movement between conscious and unconscious states.

    The track is now available on streaming platforms.

  • ADDIT explores devotion on “Forever in My Heart”

    ADDIT explores devotion on “Forever in My Heart”

    ADDIT has released “Forever in My Heart,” a house single featuring Joysh and Aramis Cartam.

    The song centres on the reassurance of staying connected to someone through difficult moments. Its lyrics describe holding onto that person when feeling isolated or overwhelmed, with the recurring line “Forever in my heart, forever in my soul” serving as the song’s central refrain.

    “Forever in My Heart” follows ADDIT’s 2025 releases, including “Cause I Love You,” “Sippin’ on Tequila” and “Dance with Me.”

    The track is now available on streaming platforms.

  • iQoniK Blends Liquid Drum & Bass and Emotional Soundscapes on “Love in the Sound”

    iQoniK Blends Liquid Drum & Bass and Emotional Soundscapes on “Love in the Sound”

    Ottawa-based drum & bass producer iQoniK has released “Love in the Sound,” a liquid drum & bass track running at 172 BPM.

    The song opens with a soft vocal section before building into a fuller arrangement driven by fast breakbeats, melodic elements and bass. The production follows the more melodic side of drum & bass, contrasting its high tempo with a more emotional approach.

    “Love in the Sound” follows several recent releases from iQoniK, including “Weightless,” “Wanna Be,” “Throwback” and the Run the Track EP, released in June 2026.

    iQoniK is a Canadian DJ and producer based in Ottawa. His catalogue spans different electronic styles, but he has increasingly focused on drum & bass. He also hosts Booty Bumps, a monthly mix show centred on the genre.

    The track is now available on streaming platforms.