Category: International Music

  • Brendon Siemsen Explores Cinematic Instrumental Sounds on New Single “In The Clouds”

    Brendon Siemsen Explores Cinematic Instrumental Sounds on New Single “In The Clouds”

    Australian guitarist and composer Brendon Siemsen continues his move into cinematic instrumental music with the release of his latest single, “In The Clouds”, a track taken from his EP Soul Story.

    Built around atmospheric synth textures, emotive piano arrangements, and a melodic nylon-string guitar lead, “In The Clouds” leans into mood and atmosphere rather than traditional song structures. The instrumental composition aims to create an immersive listening experience, offering a soundtrack-like quality that could easily accompany reflective moments, late-night drives, or visual media.

    The Melbourne-based musician describes the track as expansive and cinematic, with the guitar carrying much of the emotional weight through melodic passages and improvisation. While listeners may draw comparisons to artists such as Tycho, Bonobo, Hammock, or the more ambient side of M83, Siemsen says the song was not directly influenced by any specific artist during its creation.

    Known primarily for his work as a guitarist across jazz, blues, rock, and fusion genres, Siemsen has spent more than three decades performing and teaching music. His background includes studies at Berklee College of Music and Musicians Institute in Los Angeles, experiences that have helped shape his approach to composition and musicianship.

    With “In The Clouds”, Siemsen focuses on instrumental storytelling, using melody and texture instead of vocals to guide the listener through the piece.

    “In The Clouds” by Brendon Siemsen is available now on major streaming platforms.

  • Eylsia Nicolas Releases New Afropop Single “That’s Fine By Me” Following Unconventional Journey From Tennis to Music

    Eylsia Nicolas Releases New Afropop Single “That’s Fine By Me” Following Unconventional Journey From Tennis to Music

    American singer Eylsia Nicolas has released a new single titled “That’s Fine By Me”, an Afropop-inspired track that blends elements of rhythm and blues, house music, and contemporary pop.

    The release marks another chapter in the artist’s unconventional career path, which has seen her transition from professional tennis to law, business, and eventually music.

    Performing under the stage name Eylsia Nicolas, Lisa Pamintuan first gained recognition as a tennis player. She won international tournaments at a young age, became the youngest winner of the Irish Open at 14, and later competed at major events including the US Open and Wimbledon before injuries brought her tennis career to an end.

    Following her departure from professional sports, she earned a law degree and built a career in business, working with companies involved in technology, retail, and music. She later founded an educational institution in China and went on to become a college president in the United States.

    According to the artist, her return to music came after overcoming a series of personal and health challenges, including lung damage and vocal issues following the COVID-19 pandemic. Nicolas says she used sound restoration technology and research developed through her own ventures to help recover her singing voice.

    Speaking about ”That’s Fine By Me”, the singer described the record as an attempt to create a distinctive sound by singing over Afropop rhythms rather than directly within traditional genre conventions.

    “This new song is Afropop, but I’m singing on top of the rhythm rather than inside it, trying to create a new sound—part rhythm and blues, part house, and entirely my own,” she said.

    The release follows a period in which Nicolas has been building her presence as an independent artist while also managing business interests, including her luxury brand, Nicolas of Palm Beach.

    “That’s Fine By Me” is now available on major streaming platforms.

  • Christopher Carr Releases Neoclassical Single “Anastasis” Ahead of Upcoming Album, Features Religious-Themed Cover Art

    Christopher Carr Releases Neoclassical Single “Anastasis” Ahead of Upcoming Album, Features Religious-Themed Cover Art

    French neoclassical composer Christopher Carr has released a new single titled “Anastasis”, which also serves as the lead track for his upcoming album of the same name. The piece has been available on streaming platforms since March 6, 2026.

    Built within a neoclassical framework, “Anastasis” draws influence from established composers in the genre, including Arvo Pärt, Ludovico Einaudi, and Max Richter. The track follows a familiar structure for modern classical releases: a minimal, delicate introduction that gradually builds into a more layered and intense arrangement.

    Carr has stated that significant attention was given to the string recordings, which form the core texture of the composition. The production leans on slow development and repetition, aiming for atmosphere rather than traditional melodic progression.

    The title “Anastasis,” a Greek word meaning “resurrection” or “rising”, reflects the central theme of the piece—inner recovery and transformation after difficulty. The track is positioned around ideas of renewal and emotional rebuilding, though it remains largely instrumental in its delivery.

    The cover artwork has also drawn attention, featuring a depiction of Jesus Christ wearing a crown of thorns with visible blood imagery. The visual choice aligns with the themes of suffering and resurrection referenced in the title, though it may be interpreted differently by listeners depending on context and sensitivity to religious symbolism.

    In a brief statement, Carr described the composition as a reflection on uncertainty and the idea of finding hope through change, framing the piece as a response to difficult personal and global conditions.

    “Anastasis” continues his development of a neoclassical sound identity focused on cinematic structure and emotional pacing, though it does not significantly depart from the stylistic conventions associated with contemporary piano-led classical music.

    “Anastasis” by  Christopher Carr is out now on all streaming platforms.

  • Senegalese Artist FANIA Releases Self-Produced Album ‘L’EMPREINTE’

    Senegalese Artist FANIA Releases Self-Produced Album ‘L’EMPREINTE’

    Senegalese singer FANIA has released a new album titled L’EMPREINTE” (The Imprint), a self-composed and self-produced project that continues her blend of African rhythms, world music influences, and contemporary production styles.

    The album positions itself as an introspective body of work, with FANIA describing her artistic identity as rooted in originality and independence. “I am the imprint of an artist. I will never be a copy, nor a robot,” she notes in her artistic statement, framing the project around themes of identity, spirituality, and personal expression.

    A multilingual and cross-genre approach

    On L’EMPREINTE, FANIA moves across multiple languages including Wolof, Pulaar, Soninké, French, and English. This multilingual approach reflects her Senegalese background and broader intent to reach audiences beyond regional boundaries.

    Musically, the album incorporates African instrumental influences with elements of world music and modern production textures. Rather than sticking to one genre, the project leans into a fusion style that prioritizes atmosphere and vocal delivery over commercial formatting.

    Production and recording

    The album was recorded in Dakar at Pape Armand Boye’s studio before being mixed in Paris at Studio 180 by Arnaud Bascuñana.

    The production credits highlight a collaborative but instrumentally grounded setup, featuring live musicians such as Stanway (piano), Jean Mermoz Deguénou (Rhodes), Sékou Diabaté (guitar), Alassane Cissé (bass), Laye Lô (drums), Thio Mbaye (percussion), and Milda (trumpet).

    A focus on artistic control

    Unlike many mainstream releases, L’EMPREINTE is positioned as a fully artist-led project, with FANIA handling writing and composition herself.

    As she continues to build her catalog, FANIA’s latest album adds to a growing body of work that sits between traditional African sounds and global music experimentation, without fully aligning to mainstream commercial Afrobeats structures.

    L’EMPREINTE by FANIA is out now on all streaming platforms.

  • Laurent Wery Revives Paul Simon’s “You Can Call Me Al” with New Dance Cover Featuring N.J.E.

    Laurent Wery Revives Paul Simon’s “You Can Call Me Al” with New Dance Cover Featuring N.J.E.

    Belgian dance music producer and DJ Laurent Wery has returned with a new release, teaming up with N.J.E. for “You Can Call Me Al vs So Let It Be.”

    The track reimagines the spirit of the classic “You Can Call Me Al,” blending it with modern commercial house production and festival-ready energy. Built around catchy vocal hooks, uplifting melodies, and emotional chord progressions, the song delivers a feel-good atmosphere while maintaining enough momentum for club and radio play alike.

    Wery is best known for dance records such as “Hey Hey Hey”, a track that gained international attention and became one of his signature releases. 

    With “You Can Call Me Al vs So Let It Be,” he continues to lean into the upbeat dance sound that has defined much of his catalogue.

    The production draws influence from contemporary EDM and crossover dance-pop, combining polished vocals with energetic house rhythms. 

    Fans of artists such as David Guetta, Calvin Harris, and Lost Frequencies may find familiar elements in the track’s accessible yet energetic approach.

    “You Can Call Me Al” by Laurent Wery Featuring N.J.E. is out now on all streaming platforms.

  • Nasty Guerrero Brings Ballroom-Inspired Energy To New Single “Pose”

    Nasty Guerrero Brings Ballroom-Inspired Energy To New Single “Pose”

    Digital artist Nasty Guerrero has released a new single titled “Pose,” a dance-focused record that blends ballroom-inspired energy with Afro House influences.

    Driven by pulsing percussion, electronic textures and an infectious groove, “Pose” is built for movement. The track leans into confidence and self-expression, using its title as both a statement and an invitation for listeners to step onto the dancefloor.

    Rather than focusing on complex storytelling, “Pose” prioritizes rhythm and atmosphere. The production is anchored by steady Afro House-inspired drums, while vocal elements add personality without distracting from the song’s primary goal: keeping the energy high.

    The release continues Nasty Guerrero’s exploration of club-oriented sounds. Known for combining digital artistry with global music influences, the artist once again delivers a record that sits comfortably between electronic dance music and Afro-inspired rhythms.

    As Afro House continues to influence dance music around the world, more artists are experimenting with the genre’s possibilities. “Pose” joins that growing conversation by incorporating ballroom-inspired aesthetics while remaining rooted in a rhythm-driven sound.

    While the track does not attempt to reinvent the Afro House formula, it succeeds in delivering what it sets out to achieve: a high-energy dance record with a clear sense of purpose.

    ”Pose” by Nasty Guerrero is out now on all streaming platforms.

  • French Artist Gwladys  Søren Explores a New Direction on “Baïda”

    French Artist Gwladys  Søren Explores a New Direction on “Baïda”

    French rising artist Gwladys Søren continues her gradual artistic development with “Baïda,” a melodic track built around a relaxed summer feel.

    According to the artist, the song represents a move toward a different artistic direction as she continues developing her style.

    The release follows earlier songs like “Misscommunication” in 2024 and her take on G-Chanel in 2025, as Gwladys continues shaping her sound through a mix of urban influences and emotional songwriting.

    Alongside music, the artist has also explored film work as a background extra while continuing vocal training and live performances.

    “Baïda” by Gwladys Søren is out now on all streaming platforms.

  • Belgian Artist Franky V! Releases Afro House Rework of “I’m Blue (Da Ba Dee)”

    Belgian Artist Franky V! Releases Afro House Rework of “I’m Blue (Da Ba Dee)”

    Belgian artist Franky V! has released a new track titled “I’m Blue (Da Ba Dee) [Afro House Vibes]”, a reinterpretation of the well-known dance classic.

    The original version was released in 1998 by Italian band Eiffel 65.  

    The production reworks the original melody into an Afro House framework, using steady percussion, deep rhythmic layers, and atmospheric elements. The result is a more relaxed, groove-focused version compared to the high-energy original.

    Rather than a direct remake, the track leans into a slower, more textured approach aimed at modern club and lounge settings such as sunset sets and late-night sessions.

    Speaking on the release, Franky V! explained his intention behind the track:

    “I wanted to take a melody everybody knows and transform it into something warm, emotional, and hypnotic — something that feels alive on today’s dancefloors while keeping the soul of the original emotion.”

    The release reflects his ongoing focus on melodic electronic music with Afro House influence and club-oriented production.

    “I’m Blue (Da Ba Dee)” by Franky V! is out now on all streaming platforms.

  • Emmy Award Winner Dustin O’Halloran Shares Unheard Track “Fragile N.1” Ahead of Lumière Reissue

    Emmy Award Winner Dustin O’Halloran Shares Unheard Track “Fragile N.1” Ahead of Lumière Reissue

    Acclaimed composer Dustin O’Halloran has released “Fragile N.1,” a previously unheard track recorded during the sessions for his 2011 album Lumière.

    The track is one of four archival pieces included in an expanded reissue of Lumière, arriving in celebration of the album’s 15th anniversary. These recordings, drawn from the original creative period, offer a closer look into the atmospheric and minimalist world that defined the project.

    Originally developed during and after O’Halloran’s work on the soundtrack for Marie Antoinette, “Fragile N.1” carries the same delicate, cinematic quality that shaped much of the Lumière era. Built around restrained piano work and subtle tonal shifts, the piece explores ideas of fragility, innocence, and emotional texture through minimal but expressive composition.

    Alongside “Fragile N.1,” the reissue also features three additional pieces: the unreleased piano composition “Timothy Is Sleeping,” a remix of “We Move Lightly,” and a demo recording of “Opus 43,” each expanding the sonic world of the original album.

    With this release, Emmy Award winner, Lumière is revisited not only as a landmark record in O’Halloran’s catalogue, but as a deeper archive of a highly focused creative period.

    “Fragile N.1” by Dustin O’Halloran is out now on all streaming platforms.

  • American artist Rhythmspitter Releases “Candle Magic” — A Ritual-Inspired Instrumental From New EP

    American artist Rhythmspitter Releases “Candle Magic” — A Ritual-Inspired Instrumental From New EP

    American musician Rhythmspitter has released “Candle Magic,” a slow-burning, ceremonial instrumental featured on the new EP Cosmological Exigency and the Astrological Paradigm.

    Built around evolving percussion, ambient textures, and organic instrumentation, “Candle Magic” moves from whispered atmospheric openings into a hypnotic, rhythm-driven groove. The track blends tribal-inspired drums with cinematic sound design, creating a space that feels both meditative and kinetic.

    Structurally, the record mirrors its concept: a spark that grows into a steady flame. It begins in stillness, gradually builds tension and rhythm, then resolves into a full-bodied, immersive flow designed for both deep listening and movement.

    Listeners have described it as “an awesome track… it honours its references well — great production, musicianship, and songwriting.”

    Positioned as one of the central pieces on the EP, “Candle Magic” reflects the project’s broader focus on cosmic symbolism, ritual energy, and atmospheric storytelling.

    “Candle Magic” by Rhythmspitter is out now on all streaming platforms.