LX8 has just released “Ghosts of Sound – TANIT TRANCE ANTHEM”, a euphoric dance track of synth pads, darbouka drum, Berber flute and oud, steeped in the sensory Mediterranean soundscape of ancient Carthage and its Phoenician goddess Tanit.
A mystical sonic journey from coastal Lebanon to the Maghreb and the island of Ibiza, immersing listeners into the science fiction world of the alternative history novel series THE PANHARMONION CHRONICLES, created and written by Henry Chebaane, the artist behind the LX8 (Life x Infinity) project.
This new mix of his cult dance track GHOSTS OF SOUND is an arm-waving, euphoric trance number that comes in two flavours: a six-minute sprawling club mix and a shorter radio edit of four minutes. Both tracks form part of a forthcoming double LP, a concept album steeped in the lore of his graphic novels.
The song Ghosts of Sound is the title of vol.2 in the graphic novel series, due to be published early 2026 by SUPANOVA MEDIA. This second book and related songs follow on from the acclaimed first novel TIMES OF LONDON, published in 2023.
THE PANHARMONION CHRONICLES narrate the story of Alex Campbell, a multi-cultural female music composer who struggles with a conflicted identity, a traumatic past and repressed supernatural abilities while fighting a violent supremacist cult through Time.
In the novel Ghosts of Sound, Alex – a DJ and EDM producer, travels back to the 19th century and uses electronic dance music to boost the courage of a community of immigrants fighting off a tyrannical imperialist power.
The novel is a blend of science-fiction, horror, and alternative history that invites questions about contemporary social issues; spiced by hints of humour, pop culture and references that will appeal to dance music lovers of all genres.
LX8 is the musical alias for French-British songwriter, artist, author, filmmaker and designer Henry Chebaane.
A recent arrival on the EDM scene, LX8 music style defies easy description but can be summarised as a “sonic quest into the human consciousness and the nature of reality.” A fan of house and trance music of the last four decades, LX8 wants to keep these sounds alive and inclusive for a new generation of global listeners from all cultures.
The concept double LP is a sonic exploration of The Panharmonion Chronicles story and its speculative universe, blending euphoric trance and melodic techno with dark cinematic drama, layered sound design and experimental synth textures.
As an award-winning multimedia storyteller, Henry Chebaane also produces and directs his own videos, often set in locations he has designed himself.
Argentinian DJ Chris Bello’s new single “Drowning” is a track made for late-night dance floors and sunrise sessions alike, connecting both mind and body.
It is a deep, emotive Afrohouse track that blends hypnotic rhythms with melodic textures designed to pull listeners into a state of pure immersion.
Inspired by the push and pull between surrender and control, Drowning takes the listener on a journey through atmospheric pads, driving percussion, and a bassline that feels like the ocean’s current—steady, powerful, and inescapable.
Rising West London artist Rhys has released his brand new single “The Sun”, a vibrant summer anthem blending Afrobeats, smooth R&B melodies, and feel-good energy.
Designed to soundtrack Summer nights and warm days, “The Sun” captures the essence of summer with its infectious rhythm and uplifting vibe. It’s a record made for both the dancefloor and chilled moments with friends.
“The Sun is all about good energy and enjoying the moment. I wanted to create a track that feels like summer no matter where you are,” says Rhys.
Rhys is now pushing forward with monthly releases, building momentum with fresh sounds and stories. Rooted in West London’s diverse music culture, his style draws on Afro-swing, R&B, and contemporary UK influences, creating a unique sonic identity.
Blending traditional Afrobeat rhythms with contemporary UK urban influences, “Life is an anthem of resilience and gratitude — a celebration of the highs, lessons, and journeys that shape us. With infectious percussion, warm melodies, and Bobo’s soulful delivery, the song captures both an authentic African essence and a modern international appeal.
Speaking on the track, Bobo says:
“Life is about appreciating every moment — the good, the bad, and the in-between. It’s my reminder to myself and my listeners to keep moving forward and cherish the ride.”
Since relocating to the UK, the Nigerian-born artist who now lives in Cardiff, has been steadily building his sound, drawing from his Nigerian roots while embracing the creative energy of the UK’s music scene.
Infused with infectious rhythms and Afrobeat flavor, the track captures the effortless connection between two people vibing in perfect harmony—living in the moment, soaking up each other’s presence, and letting the good vibes flow.
“Good Vibrations is just that,” DiDi says. “Good vybes between two people feeling the synergy between them. Vibing in on great chemistry and having a great time, excited about the possibilities of where it can go—but not focusing on anything but each other’s company.”
Driven by her signature smooth alto-soprano vocals and masterful songwriting, “Good Vibrations” continues DiDi’s journey into upbeat, mood-boosting territory. “I’m on a feeling-good vibe kick when it comes to writing. I want the singles on my upcoming album to be just that,” she explains. “I hope that’s what everyone feels when they hear this single.”
Raised in a vibrant Caribbean musical household as one of eight siblings, DiDi was immersed in the sounds of legends like Whitney Houston from a young age. According to her mother, DiDi began singing at just six months old, and by age six, her passion for music was undeniable.
She first made her mark in school choirs before evolving into a dynamic, genre-fluid artist whose music spans soul, pop, reggae, R&B, house, EDM, and Afrobeats.
“When I first heard Afrobeats, I got truly excited and felt this was my calling,” says DiDi.
Built for peak-time energy, “THIS IS WHY WE RAVE continues Drum Dad & Bass Boy’s recent sonic direction—clean, punchy, and engineered for big rooms—while Jimmy Danger’s voice adds the raw, unmistakable rave authority that fans have been hearing in their live sets.
Stream “This Is Why We Rave” by Drum Dad & Bass Boy ft Jimmy Danger
In a genre crowded with kings, where kings are crowned by the volume of their loudous presence, Ckay has built his throne in silence, with music that speaks louder to emotions.
While others shout their way into charts, Ckay whispered into the hearts of millions locally and globally. All from Kaduna to the billboard global 200, letting melodies do the talking.
His reign is etched on billion stream milestones, cross continental chart dominance and a sound so unique, that is birthed on a sub genre: Emo-Afrobeats as he calls it.
Chukwuka Chukwuma Ekweani with stage name Ckay known for his music style of fusion of deep emotional lyricism, Afrobeats rhythm mixed with RnB, highlife and intimate storytelling, is a multi-talented music star, writer and producer, who started his early musical training under his father’s tutelage in church, and by age thirteen, was proficient in multiple instruments. That early grounding in musicianship, laid the foundation for a career that would quietly shake the global stage.
Ckay’s childhood home in Kaduna
From underdog to global force, CKay left Kaduna for Lagos at nineteen, unsure if his career would ever hit its peak. Nearly a decade of relentless grind later, he stands among Africa’s most successful musicians globally. His 2019 sleeper hit “Love Nwantiti” became a global obsession in 2020 after exploding on TikTok. Amassing nearly 2 billion views due to it’s tiktok vitality, turning him into the first Nigerian act to fully harness the platform’s viral might. Hitting nearly a billion views on YouTube and charting No 1 in Norway, India and Switzerland.
This is why I call him the ‘Silent King’ of afrobeats, he further went on to breaking the musical historical record as the first ever African artiste to feature in the top 100 billboard artiste year-end chart. This feat anchors Afrobeats soaring rise in the global music scene. The track’s countless remixes featuring DJ Yo! & AX’EL, ElGrandeToto, Franglish, Joeboy, and Kuami Eugene, further entrenched his status as Africa’s most streamed artist at the time.
“Love Nwantiti” not only attained platinum but multi-platinum status in five countries, including the United States, India, and Italy, but also secured gold certifications in the UK, Australia, South Africa, and New Zealand. CKay’s unprecedented success on the UK Singles Chart, maintaining a top 5 position for four consecutive weeks, marked him as the first African artist in 50 years to achieve such a milestone.
CKay's "Love Nwantiti" has been named the #6 Best Afrobeats Song of All-Time by Billboard staff.
— Afrobeats Head Loves Timothee Ideh (@AfrobeatsHead) August 19, 2025
Following the chart-topping success of “Love Nwantiti,” CKay continued his global dominance with the release of “Emiliana,” amassing over 340 million streams and dominated charts, from claiming #1 spot on the UK Afrobeats Chart, reaching #2 on Shazam Top 200 (Afrobeats), and secured the #1 position in six countries on Apple Music. He’s since expanded his repertoire with songs like Hallelujah (ft Blaqbonez), Wahala (ft Olamide), By Now, Trumpet (ft olamide) Watawi and Nwayi, tracks that proves his catalogue is as deep as it is also diverse.
Ckay also released several albums “boyfriend”, “Sad Romance,” “emotions” and his latest release “Ckay the second”, projects that solidifies his position as a musical force to be reckoned with, amassing hundreds of millions of streams and features collaborations with both icons and rising stars: Davido, Ayra Starr, Bella Shmurda, Mayra Andrade, Sabrina Claudio, and Focalistic among them.
CKay has secured his place in Afrobeats history not as the loudest voice in the room, but as its most unforgettable echo.
In Afrobeats history, Ckay has cemented his footprint not as the loudest voice in the room, but as lingering echo.
The silent king of Afrobeats
About the Author
Ibeh Fortune Chidinma is a media creative, podcaster, and culture writer passionate about music and entertainment space. He explores Afrobeats and African pop culture with a focus on the artists shaping today’s sound. When not writing, he is hosting the Spillers Podcast, where bold conversations meet social commentary. Follow him on X @Datafricanboy .